Lou Reed - Ill Be Your Mirror: The Collected Lyrics
Here you can read online Lou Reed - Ill Be Your Mirror: The Collected Lyrics full text of the book (entire story) in english for free. Download pdf and epub, get meaning, cover and reviews about this ebook. year: 2020, publisher: Hachette Books, genre: Home and family. Description of the work, (preface) as well as reviews are available. Best literature library LitArk.com created for fans of good reading and offers a wide selection of genres:
Romance novel
Science fiction
Adventure
Detective
Science
History
Home and family
Prose
Art
Politics
Computer
Non-fiction
Religion
Business
Children
Humor
Choose a favorite category and find really read worthwhile books. Enjoy immersion in the world of imagination, feel the emotions of the characters or learn something new for yourself, make an fascinating discovery.
- Book:Ill Be Your Mirror: The Collected Lyrics
- Author:
- Publisher:Hachette Books
- Genre:
- Year:2020
- Rating:5 / 5
- Favourites:Add to favourites
- Your mark:
- 100
- 1
- 2
- 3
- 4
- 5
Ill Be Your Mirror: The Collected Lyrics: summary, description and annotation
We offer to read an annotation, description, summary or preface (depends on what the author of the book "Ill Be Your Mirror: The Collected Lyrics" wrote himself). If you haven't found the necessary information about the book — write in the comments, we will try to find it.
Ill Be Your Mirror: The Collected Lyrics — read online for free the complete book (whole text) full work
Below is the text of the book, divided by pages. System saving the place of the last page read, allows you to conveniently read the book "Ill Be Your Mirror: The Collected Lyrics" online for free, without having to search again every time where you left off. Put a bookmark, and you can go to the page where you finished reading at any time.
Font size:
Interval:
Bookmark:
Copyright 2000, 2008, 2019, 2020 by Lou Reed Introduction Martin Scorsese, 2019 Introduction James Atlas, 2019 Writing with Lou Nils Lofgren, 2020 The Power of the Heart Laurie Anderson, 2019 The right of Lou Reed to be identified as author of this work has been asserted in accordance with Section 77 of the Copyright, Designs and Patents Act 1988 Cover design by Faber Cover copyright 2020 by Hachette Book Group, Inc. Hachette Book Group supports the right to free expression and the value of copyright. The purpose of copyright is to encourage writers and artists to produce the creative works that enrich our culture. The scanning, uploading, and distribution of this book without permission is a theft of the authors intellectual property. If you would like permission to use material from the book (other than for review purposes), please contact permissions@hbgusa.com. Thank you for your support of the authors rights.
Hachette Books Hachette Book Group 1290 Avenue of the Americas New York, NY 10104 HachetteBooks.com Twitter.com/HachetteBooks Instagram.com/HachetteBooks Originally published by Faber & Faber in November 2019 in the United Kingdom First U.S. Edition: November 2020 Published by Hachette Books, an imprint of Perseus Books, LLC, a subsidiary of Hachette Book Group, Inc. The Hachette Books name and logo is a trademark of the Hachette Book Group. The publisher is not responsible for websites (or their content) that are not owned by the publisher. Library of Congress Cataloging-in-Publication Data has been applied for. ISBNs: 978-0-306-92334-0 (hardcover); 978-0-306-92333-3 (e-book) E3-20201012-JV-NF-ORI For Hal Willner (19562020) Brando in Waterfront in the car doing the I coulda been somebody speech.
Put it to a guitar. The same for Blanche in Streetcar. The kindness of strangers recitation. Cant you hear it sung?
It is interesting, as the writer, to see these lyrics, to proofread them and resist the impulse to redo them all. Translators ask for explanations of words, phrases that cannot be provided. Some things are unknown. Some questions cannot be answered. And sometimes the writing was just the rhythm and the sound and made-up words with no meaning other than feeling. I have tried to remain true to all my songs.
There are no favorites. Im amazed that I can write them at all and I have no profound understanding of the process other than when I can do it it is relatively easy and when I cant I might as well take a car engine apart. My teacher Delmore Schwartz showed me the beauty of the simple phrase and I have tried to do that my whole writing life. Andy Warhol was pretty good with words as well and from him I learned a work ethic and the value of repetition. But Id also learned that long ago from rock and roll and blues. I wanted to do these great monologues to a drum and guitar.
I wanted to act the song. I wanted to write the play with the music of my heart. I love the New York accents. The psychology of the streets. And now as I am older the terrain of meditation, the lessons to be learned. And most of all: what to write about now.
Lou Reed, 2008
Unfortunately two friends died of a virulent cancer within one year of each other while I was writing and so Magic became Magic and Loss. I wished for a magical way to deal with grief and disappearance. I wanted to create a music that helped with loss. It seemed we are always starting over, given a chance to deal with things again. In the New York album Im struck again by the interest in outside forces. Caught between the twisted stars The stars are twisted, the map is faulty.
Romeo Rodriguez loses his soul in someones rented car. A bleak environment to start out in. But predictable enough if you believe the dictum of one of my earliest songs, Ill Be Your Mirror, where the singer offers to reflect what you are, in case you dont know. That was a love song, but the ability and desire to reflect can go other places, and show us other rooms and conditions within and about us. I have always thought my lyrics went beyond reportage and took emotional, albeit nonmoral, stances. In the early lyrics this was often seen as a celebration or glorification of what was commonly seen as sin.
Sinful behavior and actions going unpunished. That this occurred in a recording was of itself thought sinful. A recorded cauldron of sin. This plus the backing of Andy Warhol made for an incendiary brew. I came back to these times in Songs for Drella, which was an attempt to give you a feeling for the times and the man and the position of respect he held in our eyes as an artist. Its wonderful to this day to see how he manipulated and handled the press, his extreme work ethic, his attempts to stay relevant in a world geared to the latest whatever.
The new generation looks to define itself and the first thing it does is throw away the prior, the old. In Time Rocker, a play that I did with Robert Wilson, we were interested in transcending time, passing through it and its various boundaries and worlds. This type of travel meant something to me, being a form of magic. We didnt have a rented car but a time-traveling fish. It brings me back to the desire in Trade In from Set the Twilight Reeling to transcend oneself to trade your very soul the very same soul that was up for sale in Coney Island Baby. The same Average Guy in The Blue Mask who put pins through the nipples in his chest and thought he was a saint.
Love and the desire for transcendence run through these songs. The Proposition; Make Up My Mind; Wild Side for that matter. The characters in these songs are always moving toward something; there is conflict and they try to deal with it. In Some Kind of Love he put(s) jelly on your shoulder. While later trying to Hang on to Your Emotions so that you can Set the Twilight Reeling as the moon and stars sit set before my window. The actresses relate because theyre acting.
They understand the desire to see The Bells, to hear the announcement of transcendence and freedom. And thats what all the lyrics are about. Lou Reed, 2000
I remember that he was even impressed with the use of music, from Mascagni to Louis Prima. After the screening, I happened to mention to Lou that I wanted to make a film out of a short story called In Dreams Begin Responsibilities by Delmore Schwartz, which I had read the year before when Bob De Niro and I were working on the script. I was amazed when he told me that hed been a student of Schwartzs at Syracuse University, and he was just as amazed that I knew this autobiographical story by his mentor, the man who gave him a foundation in poetry, and that it had resonated so deeply for me. Later, I thought about adapting In Dreams for my contribution to
Font size:
Interval:
Bookmark:
Similar books «Ill Be Your Mirror: The Collected Lyrics»
Look at similar books to Ill Be Your Mirror: The Collected Lyrics. We have selected literature similar in name and meaning in the hope of providing readers with more options to find new, interesting, not yet read works.
Discussion, reviews of the book Ill Be Your Mirror: The Collected Lyrics and just readers' own opinions. Leave your comments, write what you think about the work, its meaning or the main characters. Specify what exactly you liked and what you didn't like, and why you think so.