Maury Aaseng - Drawing birds
Here you can read online Maury Aaseng - Drawing birds full text of the book (entire story) in english for free. Download pdf and epub, get meaning, cover and reviews about this ebook. year: 2019, publisher: Walter Foster Publishing, genre: Home and family. Description of the work, (preface) as well as reviews are available. Best literature library LitArk.com created for fans of good reading and offers a wide selection of genres:
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- Book:Drawing birds
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- Publisher:Walter Foster Publishing
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- Year:2019
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By choosing to draw birds, youll find never-ending variety to explore with your pencil. The only thing as diverse as the birds themselves is the range of possibilities in how to draw them. By dispensing with color and using a grayscale approach with pencil drawings, you have the opportunity to explore the fundamentals of avian design, focusing your efforts on the values, patterns, and textures of your feathered models. In this book I will show you how to create the basic shapes that give different birds in various habitats and poses their form. Then, through a series of steps, I will help you bring them to life with simple drawing tools and a variety of techniques. Using my notes as a guide, you can render your creations in a way that suits your own style. As you put on the finishing touches, enjoy drawing with a realism that leaves the birds on the page watching you, and ready to fly off the paper.
Maury Aaseng
Graphite pencil artwork requires few supplies, and fortunately they are fairly inexpensive. Choose professional pencils and paper, rather than student-grade materials; they will last longer and ensure a higher-quality presentation.
Pencils are labeled based on their lead texture. Hard leads (H) are light in value and great for fine, detailed work, but they are more difficult to erase. Soft leads (B) are darker and wonderful for blending and shading, but they smudge easily. Medium leads, such as HB and F, are somewhere in the middle. Select a range of pencils between HB and 6B for variety. You can purchase wood-encased pencils or mechanical pencils with lead refills.
Wooden Pencil The most common type of pencil is wood-encased graphite. These thin rodsmost often round or hexagonal when cut crosswiseare inexpensive, easy to control and sharpen, and readily available to artists.
Flat Carpenters Pencil Some artists prefer using a flat carpenters pencil, which has a rectangular body and lead. The thick lead allows you to easily customize its shape to create both thick and thin lines.
Carpenters Pencil
Mechanical Pencil Mechanical pencils are plastic or metal barrels that hold individual leads. Some artists prefer the consistent feel of mechanical pencils to that of wooden pencils; the weight and length do not change over time, unlike wooden pencils that wear down with use.
Mechanical Pencil
Woodless Graphite Pencil These tools are shaped like wooden pencils but are made up entirely of graphite lead. The large cone of graphite allows artists to use either the broad side for shading large areas or the tip for finer strokes and details.
Woodless Pencil
Graphite Stick Available in a full range of hardnesses, these long, rectangular bars of graphite are great tools for sketching (using the end) and blocking in large areas of tone (using the broad side).
Graphite Stick
Paper has a tooth, or texture, that holds graphite. Papers with more tooth have a rougher texture and hold more graphite, which allows you to create darker values. Smoother paper has less tooth and holds less graphite, but it allows you to create much finer detail. Plan ahead when beginning a new piece, and select paper that lends itself to the textures in your drawing subject.
There are several tools you can use to blend graphite for a smooth look. The most popular blenders are blending stumps, tortillons, and chamois cloths. Never use your finger to blendit can leave oils on your paper, which will show after applying graphite.
Stumps Stumps are tightly rolled paper with points on both ends. They come in various sizes and are used to blend large and small areas of graphite, depending on the size of the stump. You can also use stumps dipped in graphite shavings for drawing or shading.
Tortillons Tortillons are rolled more loosely than a stump. They are hollow and have one pointed end. Tortillons also come in various sizes and can be used to blend smaller areas of graphite.
Facial Tissue Wrap tissue around your finger or roll it into a point to blend when drawing very smooth surfaces. Make sure you use plain facial tissue, without added moisturizer.
Chamois Chamois are great for blending areas into a soft tone. These cloths can be used for large areas or folded into a point for smaller areas. When the chamois becomes embedded with graphite, simply throw it into the washer or wash by hand. Keep one with graphite on it to create large areas of light shading. To create darker areas of shading, add graphite shavings to the chamois.
Erasers serve two purposes: to eliminate unwanted graphite and to draw within existing graphite. There are many different types of erasers available.
Kneaded This versatile eraser can be molded into a fine point, a knife-edge, or a larger flat or rounded surface. It removes graphite gently from the paper but not as well as vinyl or plastic erasers.
Block Eraser A plastic block eraser is fairly soft, removes graphite well, and is very easy on your paper. Use it primarily for erasing large areas, but it also works quite well for doing a final cleanup of a finished drawing.
Stick Eraser Also called pencil erasers, these handy tools hold a cylindrical eraser inside. You can use them to erase areas where a larger eraser will not work. Using a utility razor blade, you can trim the tip at an angle or cut a fine point to create thin white lines in graphite. Its like drawing with your eraser!
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