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Katheryn M. Linduff - Pazyryk Culture Up in the Altai

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Pazyryk Culture Up In The Altai
This book reconsiders the archaeology of the Pazyryk, the horse-riding people of the Altai Mountains who lived in the 4th3rd centuries BCE, in light of recent scientific studies and excavations not only in Russia but also Kazakhstan, Mongolia and China, together with new theories of landscape.
Excavation of the Pazyryk burials sparked great interest because of their wealth of organic remains, including tattooed bodies and sacrificed horses, together with superb wooden carvings and colorful textiles. In view of this new research, the role of the Pazyryk Culture in the ancient globalized world can now be more focused and refined. In this synthetic study of the region, the Pazyryk Culture is set into the landscape using recent studies on climate, technology, human and animal DNA and local resources. It shows that this was a powerful, semi-sedentary, interdependent group with contacts in Eurasia to their west, and to their east in Mongolia and south in China.
This book is for archaeologists, anthropologists, art historians, social and economic historians as well as persons with general interests in mobile pastoralism, the emergence of complex societies, the social roles of artifacts and the diverse nature of an interconnected ancient world.
Katheryn M. Linduff is University Center for International Studies Professor Emerita in the Departments of Art History and Anthropology at the University of Pittsburgh and currently teaches at Carnegie-Mellon University in the School of Architecture. She has engaged for many years in art-historical research and collaborative fieldwork, focusing on pre- and early history, including the Bronze and Iron Ages, of the Inner Asian Frontier. She has published on metallurgy, gender, China and Eurasia, the archaeology of Inner Asia and on artifacts.
Karen S. Rubinson is a Research Associate, Institute for the Study of the Ancient World, New York University. An art historian and archaeologist specializing in the steppe and Central Asia in the first millennium BCE and early first millennium CE and the South Caucasus in the Bronze Age and Early Iron Ages, one focus of her work is how objects of artistic production, both aesthetically and technologically, can help understand cultural contact and exchange; another is gender questions in the Eurasian Iron Age.
Pazyryk Culture Up in the Altai
Katheryn M. Linduff and Karen S. Rubinson
First published 2022 by Routledge 2 Park Square Milton Park Abingdon Oxon - photo 1
First published 2022
by Routledge
2 Park Square, Milton Park, Abingdon, Oxon OX14 4RN
and by Routledge
605 Third Avenue, New York, NY 10158
Routledge is an imprint of the Taylor & Francis Group, an informa business
2022 Katheryn M. Linduff and Karen S. Rubinson
The right of Katheryn M. Linduff and Karen S. Rubinson to be identified as author of this work has been asserted by them in accordance with sections 77 and 78 of the Copyright, Designs and Patents Act 1988.
All rights reserved. No part of this book may be reprinted or reproduced or utilised in any form or by any electronic, mechanical, or other means, now known or hereafter invented, including photocopying and recording, or in any information storage or retrieval system, without permission in writing from the publishers.
Trademark notice: Product or corporate names may be trademarks or registered trademarks, and are used only for identification and explanation without intent to infringe.
British Library Cataloguing-in-ublication Data
A catalogue record for this book is available from the British Library
Library of Congress Cataloging-in-Publication Data
A catalog record has been requested for this book
ISBN: 978-1-138-31535-8 (hbk)
ISBN: 978-1-138-31536-5 (pbk)
ISBN: 978-0-429-45637-4 (ebk)
DOI: 10.4324/9780429456374
Typeset in Bembo
by MPS Limited, Dehradun
To the horses of Pazyryk and their people Contents Introduction The shape - photo 2
To the horses of Pazyryk and their people
Contents
  1. Introduction: The shape of Pazyryk Culture
  2. 1.1 What is the Pazyryk Culture? Who were the Pazyryk people?
  3. 1.2 Archaeological background
  4. 1.3 Burial display
  5. 1.4 Chronology at Pazyryk
  6. 1.5 Interpretive framework: Shaping the study of the Pazyryk Culture
  7. 1.6 Questions we have answered and those we have not
  8. Economic topography in the Pazyryk Culture
  9. 2.1 The Pazyryk economic setting
  10. 2.2 The Pazyryk landscape and ecology
  11. 2.3 Metallurgical knowhow at Pazyryk
  12. 2.4 Horse rearing as a foundation of the Pazyryk economy
  13. 2.5 Role of horses and horse management
  14. 2.6 Climate and topography in relation to economic activity within and outside of the Pazyryk Culture
  15. 2.7 Political history of the region
  16. Social and occupational topography of the Pazyryk Culture: Valedictory use of burials
  17. 3.1 Introduction: An adaptable community
  18. 3.2 Established social boundaries: Animal handlers
  19. 3.3 Occupations within Pazyryk Culture: Craftworkers as social actors
  20. 3.4 Animals: Markers of social order
  21. 3.5 Multi-tiered society: Bound together within family structure
  22. 3.5.1 What we know about gender in Pazyryk Culture
  23. 3.6 Multi-occupational society: Exchange of goods and trade and spiritual bonds
  24. 3.6.1 Trade/traders
  25. 3.6.2 Analysis of imports
  26. 3.7 Spiritual life
  27. The larger picture: Relationships with Mongolia and China
  28. 4.1 Back and forth with Mongolia and China
  29. 4.2 Pazyryk and Western Mongolia
  30. 4.3 Pazyryk and Northwestern China, Xinjiang
  31. The Pazyryk Culture: Concluding remarks
  32. 5.1 Concluding remarks
Figures
  1. 0.1 Authors in 2017
  2. 1.1 Map of Pazyryk Culture sites mentioned in the text. Map by Evan Matthew Mann
  3. 1.2 Pazyryk barrow and contents. (a) Ground plan, Pazyryk, Kurgan 1 showing supporting wooden structure and burials of horses. (b) Cross section of Kurgan 5, Pazyryk showing frozen ground, wooden chamber and contents. (c) Eagle-Griffin on saddle cover, Kurgan 2, Pazyryk, felt appliqu. (d) Wood, leather finials for male headgear, Pazyryk, Kurgan 2, State Hermitage Museum, St. Petersburg 1684/170; 1684/162163
  4. 1.3 Arzhan I, ca. 9th c. BCE, Tuva. (a) Ground Plan of excavated structures, Arzhan I. (b) Bronze coiled feline, 25 cm, TRM K220, State Museum of the Tuva, Kyzyl Arzhan I
  5. 1.4 Plan of burial group at Pazyryk
  6. 1.5 Arzhan 2, Tuva, ca, 7th C. BCE. (a) Gold plaques of felines, clothing adornments, State Hermitage Museum, St. Petersburg 2917/20/71100. (b) View of landscape near Arzhan, Tuva
  7. 1.6 Caftan/shirt, cotton (design is local, cotton is either from India or China), Pazyryk, Kurgan 2
  8. 1.7 Tattoos from Pazyryk and Ak-Alakha. (a) Tattoo. Right shoulder, Pazyryk, Kurgan 5. (b) Tattoo. Left shoulder, from Ak-Alakha, Ukok Plateau
  9. 1.8 Woolen, knotted carpet, Central Asian manufacture, 1.9 2m
  10. 1.9 Satellite image, mounded site, Kegen Plateau, Semirechye, Kazakhstan, showing repeated use site
  11. 1.10 Phase I: Distinguishing Goods from Pazyryk. (a) Horses, two (of ten) lavishly adorned with felt saddle covers, horned headgear made of felt and leather. (b) Leather cutout on saddle bow, with gold overlay on wood, Pazyryk, K5. (c) Reconstructed felt hats with wooden attachments:1, Pazyryk K5; 2, Verkh Kaldzhin-2, K3; 3, Ulandryk 2, K8
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