Katheryn M. Linduff - Pazyryk Culture Up in the Altai
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- Book:Pazyryk Culture Up in the Altai
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- Year:2021
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- Introduction: The shape of Pazyryk Culture
- 1.1 What is the Pazyryk Culture? Who were the Pazyryk people?
- 1.2 Archaeological background
- 1.3 Burial display
- 1.4 Chronology at Pazyryk
- 1.5 Interpretive framework: Shaping the study of the Pazyryk Culture
- 1.6 Questions we have answered and those we have not
- Economic topography in the Pazyryk Culture
- 2.1 The Pazyryk economic setting
- 2.2 The Pazyryk landscape and ecology
- 2.3 Metallurgical knowhow at Pazyryk
- 2.4 Horse rearing as a foundation of the Pazyryk economy
- 2.5 Role of horses and horse management
- 2.6 Climate and topography in relation to economic activity within and outside of the Pazyryk Culture
- 2.7 Political history of the region
- Social and occupational topography of the Pazyryk Culture: Valedictory use of burials
- 3.1 Introduction: An adaptable community
- 3.2 Established social boundaries: Animal handlers
- 3.3 Occupations within Pazyryk Culture: Craftworkers as social actors
- 3.4 Animals: Markers of social order
- 3.5 Multi-tiered society: Bound together within family structure
- 3.5.1 What we know about gender in Pazyryk Culture
- 3.6 Multi-occupational society: Exchange of goods and trade and spiritual bonds
- 3.6.1 Trade/traders
- 3.6.2 Analysis of imports
- 3.7 Spiritual life
- The larger picture: Relationships with Mongolia and China
- 4.1 Back and forth with Mongolia and China
- 4.2 Pazyryk and Western Mongolia
- 4.3 Pazyryk and Northwestern China, Xinjiang
- The Pazyryk Culture: Concluding remarks
- 5.1 Concluding remarks
- 0.1 Authors in 2017
- 1.1 Map of Pazyryk Culture sites mentioned in the text. Map by Evan Matthew Mann
- 1.2 Pazyryk barrow and contents. (a) Ground plan, Pazyryk, Kurgan 1 showing supporting wooden structure and burials of horses. (b) Cross section of Kurgan 5, Pazyryk showing frozen ground, wooden chamber and contents. (c) Eagle-Griffin on saddle cover, Kurgan 2, Pazyryk, felt appliqu. (d) Wood, leather finials for male headgear, Pazyryk, Kurgan 2, State Hermitage Museum, St. Petersburg 1684/170; 1684/162163
- 1.3 Arzhan I, ca. 9th c. BCE, Tuva. (a) Ground Plan of excavated structures, Arzhan I. (b) Bronze coiled feline, 25 cm, TRM K220, State Museum of the Tuva, Kyzyl Arzhan I
- 1.4 Plan of burial group at Pazyryk
- 1.5 Arzhan 2, Tuva, ca, 7th C. BCE. (a) Gold plaques of felines, clothing adornments, State Hermitage Museum, St. Petersburg 2917/20/71100. (b) View of landscape near Arzhan, Tuva
- 1.6 Caftan/shirt, cotton (design is local, cotton is either from India or China), Pazyryk, Kurgan 2
- 1.7 Tattoos from Pazyryk and Ak-Alakha. (a) Tattoo. Right shoulder, Pazyryk, Kurgan 5. (b) Tattoo. Left shoulder, from Ak-Alakha, Ukok Plateau
- 1.8 Woolen, knotted carpet, Central Asian manufacture, 1.9 2m
- 1.9 Satellite image, mounded site, Kegen Plateau, Semirechye, Kazakhstan, showing repeated use site
- 1.10 Phase I: Distinguishing Goods from Pazyryk. (a) Horses, two (of ten) lavishly adorned with felt saddle covers, horned headgear made of felt and leather. (b) Leather cutout on saddle bow, with gold overlay on wood, Pazyryk, K5. (c) Reconstructed felt hats with wooden attachments:1, Pazyryk K5; 2, Verkh Kaldzhin-2, K3; 3, Ulandryk 2, K8
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