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Courtney Cerruti - Make Art Where You Are Guidebook

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Explore mindfulness and self-expression with this guide to sketching your surroundings on long weekends, vacations, or wherever you happen to be.
In this guidebook, artist Courtney Cerruti provides her tool kit for capturing the essence of a place and your personal impression of everything you see. From a five-minute blind contour of a cup of coffee to an hour-long sketch of a cityscape, the guidebook is filled with ideas for finding opportunities to draw, make marks, and paint while you are on the move.
Each activity includes the estimated time needed to finish, a unique feature that helps you find a moment for art-making in your travel itinerary or your daily life. Whether you are an experienced artist looking for a new perspective or an aspiring creative who needs some guidance, Make Art Where You Are empowers you to enjoy the mindful practice of observing and recording your experiences.

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Table of Contents
Guide
Make Art Where You Are A Travel Sketchbook Guide by Courtney Cerruti Abrams - photo 1
Make Art Where You Are A Travel Sketchbook Guide by Courtney Cerruti Abrams - photo 2
Make Art
Where You Are
A Travel Sketchbook & Guide
by Courtney Cerruti
Abrams Noterie, New York
INTRODUCTION Recording your travels through sketchin - photo 3
INTRODUCTION Recording your travels through sketching and painting is an - photo 4
INTRODUCTION Recording your travels through sketching and painting is an - photo 5
INTRODUCTION
Recording your travels through sketching and painting is an amazing way to - photo 6
Recording your travels through sketching and painting is an amazing way to
immerse yourself in a new environment. Doing even a quick sketch slows
you down and sharpens your observations in a way that snapping a photo
cannot replicate. Your sketchbook will also become a treasured souvenir
that helps you revisit and relive the moments you experienced on vacation,
whether abroad or simply in your own city.
Try keeping your sketchbook with you at all times. Take it out when you
have even as little as five minutes to spare, such as while you are waiting
for your check or finishing a cup of coffee. Establish the habit of using it,
and it will become your best travel companion.
The approaches included in this book are handpicked from my experience
as an artist and educator. They work for folks of all ability levels. Some
of the techniques build on each other and many can be combined. Start
by experimenting with quick blind-contour drawings, adding color if you
have more time. Move on to more in-depth sketches, perhaps incorporate
some writing, and play with mixing mediums. Skip around and try whatever
appeals to you in the moment.
Most importantly, dont hold yourself to the standard of perfection. Any
drawing or sketch, no matter how imperfect, is better than none at
all. Bring the same sense of adventure to your sketchbook as you would
to your travels; sample the techniques and exercises in this book as you
would try new foods off a menu. Use your sketchbook in the way any true
artist wouldas a place to record the everyday, both the mundane and
the extraordinary. Allow yourself to be open and ready!
The ideas and techniques in this book are for
the curious and creatively daring.
They require imagination and engagement,
not technical drawing, painting skills, and hours of free time.
INTRODUCTION 5
The most successful artist is the prepared one This section out- lines my - photo 7
The most successful artist is the prepared one This section out- lines my - photo 8
The most successful artist is the
prepared one! This section out-
lines my favorite materials to pack
for my travels. You absolutely
dont need to run out and buy all
of these supplies or pack every
art supply you own. Bring the
materials that work best for you
and continue to refine your kit as
your art practice grows.
GATHER YOUR
SUPPLIES
HOW TO PACK I like to pack everything in a light zippered pouch Sometimes Ill - photo 9
HOW TO
PACK
I like to pack everything in a light,
zippered pouch. Sometimes Ill use
a travel Dopp kit with a hook that I
can hang from the seat in front of me
on a train or airplane. Protect your
Supply Checklist y Travel watercolor palette y 2 round watercolor brushes I - photo 10
Supply
Checklist
y
Travel watercolor palette
y
2 round watercolor brushes
(I like having a size 4 and 8)
y
Brush pen markers
y
Water container
y
Small kitchen towel
(not fuzzy)
y
Colored pencils
y
Mechanical pencil
y
Eraser
y
Waterproof pen (such as
Micron)
y
Scissors (ones that are small
enough for travel)
y
Glue stick (my favorite is the
Scotch Create stick)
y
Washi tape
y
A pair of clips to hold pages
down when working in a
windy environment
y
This guidebook and
sketchbook
y
Lightweight, washable
carrying case
brushes by rolling them in the towel,
or spend a bit more to get a travel
watercolor brush with a metal handle
(it separates from the brush and does
double-duty as a cap to protect the
bristles). Alternatively, you could
pack a water brush (like those made
by Niji or Pentel), which holds water
in a squeezable handle and has a
protective cap for the brush tip.
COLOR MIXING Primary colors red yellow and blue are colors that cannot be - photo 11
COLOR MIXING
Primary colors
(red, yellow, and blue) are colors that cannot be
created by mixing other colors.
Secondary colors
(orange, green, and purple) are created by mixing
two primary colors.
Complementary colors
are pairs that are opposite from one
another on the color wheel (e.g., red and green). When you mix together
two complementary colors, they create a neutral brown or gray. If you
have a red thats too bright, add a touch of green to mute the saturation
and vibrancy.
If you are working with dry mediums, such as colored pencil or brush
marker, these rules still apply. Layering two colors on top of one another
will blend them optically, giving the impression of a mixed color.
10 MAKE ART WHERE YOU ARE
PERSONALIZE YOUR PALETTE You dont need to travel with every color in the - photo 12
PERSONALIZE
YOUR PALETTE
You dont need to travel with every color in the rainbow!
Heres an edited list of my go-to hues:
Notes
v
Greens are easy to make by mixing blues and yellows.
v
Instead of using black, mix Ultramarine with Sepia to
make a deep gray.
v
Youll want a tube of white gouache to paint highlights
and mix opaque pastels.
Primaries
Warm red
(e.g., Vermilion)
Cool red
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