JoAnne Olian - Victorian and Edwardian Fashions from La Mode Illustrée

HATS: A HISTORY OF FASHION IN HEADWEAR, Hilda Amphlett. (0-486-42746-3)

BRITISH COSTUME FROM EARLIEST TIMES TO 1820, Mrs. Charles H. Ashdown. (0-486-41813-8)

BLOOMINGDALES ILLUSTRATED 1886 CATALOG, Bloomingdale Brothers. (0-486-25780-0)

EVERYDAY FASHIONS OF THE TWENTIES AS PICTURED IN SEARS AND OTHER CATALOGS, Edited by Stella Blum. (0-486-24134-3)

EVERYDAY FASHIONS OF THE THIRTIES As PICTURED IN SEARS CATALOGS, Edited by Stella Blum. (0-486-25108-X)

A PICTORIAL HISTORY OF COSTUME FROM ANCIENT TIMES TO THE NINETEENTH CENTURY: WITH OVER 1900 ILLUSTRATED COSTUMES, INCLUDING 1000 IN FULL COLOR, Wolfgang Bruhn and Max Tilke. (0-486-43542-3)

ARCHITECTURA NAVALIS MERCATORIA: THE CLASSIC OF EIGHTEENTH-CENTURY NAVAL ARCHITECTURE, Fredrik Henrik af Chapman. (0-486-45155-0)

THE HISTORY OF UNDERCLOTHES, C. Willett Cunnington and Phillis Cunnington. (0-486-27124-2)

AMERICAN VICTORIAN COSTUME IN EARLY PHOTOGRAPHS, Priscilla Harris Dalrymple. (0-486-26533-1)

Two YEARS BEFORE THE MAST: A PERSONAL NARRATIVE, Richard Henry Dana, Jr. (0-486-45802-4)

WOMENS HATS, HEADDRESSES AND HAIRSTYLES: WITH 453 ILLUSTRATIONS, MEDIEVAL TO MODERN, Georgine de Courtais. (0-486-44850-9)

WOMENS COSTUME OF THE ANCIENT WORLD: 700 FULL-COLOR ILLUSTRATIONS, Paul Louis de Giafferri. (0-486-4452 7-5)

HISTORIC COSTUMES AND How TO MAKE THEM, Mary Fernald and E. Shenton. (0-486-44906-8)

TURN-OF-THE-CENTURY FASHION PATTERNS AND TAILORING TECHNIQUES, S. S. Gordon. (0-486-41241-5)

WHAT PEOPLE WORE: 1,800 ILLUSTRATIONS FROM ANCIENT TIMES TO THE EARLY TWENTIETH CENTURY, Douglas Gorsline. (0-486-28162-0)

AUTHENTIC VICTORIAN DRESSMAKING TECHNIQUES, Edited by Kristina Harris. (0-486-40485-4)

AUTHENTIC VICTORIAN FASHION PATTERNS: A COMPLETE LADYS WARDROBE, Edited by Kristina Harris. (0-486-40721-7)

THE KEYSTONE JACKET AND DRESS CUTTER: AN 1895 GUIDE TO WOMENS TAILORING, Chas. Hecklinger. Preface by Kristina Seleshanko. (0-486-45105-4)

AMERICAS LIGHTHOUSES: AN ILLUSTRATED HISTORY, Francis Ross Holland. (0-486-25576-X)

COSTUME DESIGN IN THE MOVIES: AN ILLUSTRATED GUIDE TO THE WORK OF 157 GREAT DESIGNERS, Elizabeth Leese. (0-486-26548-X)

ACCESSORIES OF DRESS: AN ILLUSTRATED ENCYCLOPEDIA, Katherine Lester and Bess Viola Oerke. (0-486-43378-1)

THE CRUISE OF THE SNARK, Jack London. (0-486-41248-2)

DOOMED SHIPS: GREAT OCEAN LINER DISASTERS, William H. Miller, Jr. (0-486-45366-9)

EVERYDAY FASHIONS OF THE FORTIES As PICTURED IN SEARS CATALOGS, Edited by JoAnne Olian. (0-486-26918-3)

VICTORIAN AND EDWARDIAN FASHIONS FROM LA MODE ILLUSTRE, JoAnne Olian. (0-486-29711-X)

EVERYDAY FASHIONS, 1909-1920, As PICTURED IN SEARS CATALOGS, Edited by JoAnne Olian. (0-486-28628-2)

EVERYDAY FASHIONS OF THE SIXTIES As PICTURED IN SEARS CATALOGS, Edited by JoAnne Olian. (0-486-40120-0)

EVERYDAY FASHIONS OF THE FIFTIES As PICTURED IN SEARS CATALOGS, Edited by Joanne Olian. (0-486-42219-4)

FULL-COLOR SOURCEBOOK OF FRENCH FASHION: 15TH TO 19TH CENTURIES, Pauquet Frres. (0-486-42838-9)

AN ILLUSTRATED DICTIONARY OF HISTORIC COSTUME, James Robinson Planch. (0-486-42323-9)

60 CIVIL WAR-ERA FASHION PATTERNS, Kristina Seleshanko. (0-486-46176-9)

PICTURE HISTORY OF WORLD WAR II AMERICAN AIRCRAFT PRODUCTION, Joshua Stoff. (0-486-27618-X)

THE MODE IN COSTUME: A HISTORICAL SURVEY WITH 202 PLATES, R. Turner Wilcox. (0-486-46820-8)

THE MODE IN FOOTWEAR: A HISTORICAL SURVEY WITH 53 PLATES, R. Turner Wilcox. (0-486-46761-9)

THE MODE IN HATS AND HEADDRESS: A HISTORICAL SURVEY WITH 198 PLATES, R. Turner Wilcox. (0-486-46762-7)

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Little girls toilette. Dress of bright blue poplin. Manteau of orange-and-black striped Algerian fabric. Hat trimmed with black velvet and matching feathers. Little girls toilette. Black taffeta dress. The flounces are edged with a band of plaid taffeta. The bodice is trimmed front and back en chelle, with plaid taffeta bands. Wide black ribbon sash bound in plaid taffeta. Taffeta redingote, buttoned from neck to hem. Mantelet of embroidered black tulle. Round hat for the country, lined in green taffeta edged with black velvet and trimmed with green and black pheasant feathers. Dress of violet poult-de-soie. The skirt is trimmed with three ruches la vieille. The bodice is pointed; the sleeves, extremely wide, are trimmed with a ruche la vieille. Hat of pale green ribbed velvet with a pleated brim and a white blonde lace facing; trim of white and green feathers. The coiffure is composed of hair waved slightly off the face and puffed out by the waviness of the hair itself, without the aid of pads.

Young ladys toilette. Dress of blue-and-black striped taffeta. The skirt is trimmed with a wide flounce, surmounted by two narrow ruffles; a double ruche is placed above the narrow ruffles. The dcollet bodice is trimmed with a fichu with rounded ends, edged with a double ruche; white muslin sleeves; high-necked pleated muslin chemisette. Round straw hat. Dress of buff foulard, trimmed with six flounces topped by a narrow bouillonn; the jacket fronts and neck edging are trimmed with two bands of shirring; the sash and the bows on the jacket are of black velvet. The collar is a shirred band of white muslin, threaded with a ribbon.

Little boys suit. Blouse and pants of black-and-white striped poplin with black soutache trim. Autumn redingote of gray taffeta. Each width of fabric is scalloped along its entire length in brown silk with a button in every scallop, and each overlaps the next panel. The bodice is also scalloped in front, as are the cuffs and the sleeve seams. Dress of violet poult-de-soie. A two-tone violet ruche edges the black guipure along the sides of the skirt, on the bodice, and the sleeves. Passementerie buttons of two shades of violet encircled by guipure are placed in the space between the ruches.

Marie Antoinette fichu, front and back views. Taffeta Lavallire bonnet in two shades of brown, embroidered in chenille; trimmed with velvet flowers and a bunch of grapes. It is encircled by black lace; black velvet ribbon strings. The interior is trimmed with the same flowers. Mexican blue satin bonnet. The brim is black satin, appliqud with black velvet leaves whose veins are indicated by black beads. The bavolet, matching the brim, is trimmed with wide lace. A black aigrette adorns the crown, the brim facing is trimmed with feathers and velvet flowers of Mexican blue. The strings are black taffeta with lace edging. White velvet bonnet with full bavolet of green velvet, edged with black lace; the top of the hat is embellished with a large green velvet bow trimmed with pink flowers and black berries; brim facing matches; wide white bonnet strings, second set in black lace.