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Allyne S. Holland - Treasury of Smocking Designs

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Allyne S. Holland Treasury of Smocking Designs

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Smocking, the venerable English peasant craft dating from the late eighteenth century, was a needle technique originally used to adorn the traditional rural work chemise. Todays needleworkers will welcome this collection of 22 beautiful smocking patterns by noted designer Allyne Holland, as well as an informative discussion of smocking traditions, materials, fabric preparation, stitching techniques, and all the finishing touches.
Make an exquisite yoke or a pocket for a favorite blouse, ornament pillows and evening bags, embellish childrens clothing with baskets or butterflies, and create countless other special items using the charming patterns provided. Ranging in difficulty from intermediate to advanced, the patterns divide into four basic groups: Geometric Smocking, Cross-Over Combinations, popular Picture Smocking, and Advanced Designs. Choose from Victorian Memories, Katies Best, Magic, Rosinas Garden, Madeira Lace, and many other beautiful designs.
A valuable section on stitching techniques presents clear step-by-step instructions and helpful diagrams for dozens of straight stitches, wave stitches, stitch combinations, and decorative or accent embroidery stitches including cable stitch, honeycomb stitch, trellis stitch, satin stitch, lazy daisy stitch, and many more. In addition, youll find easy-to-follow smocking graphs for each design, stitch keys, and a useful glossary of smocking terms.

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Table of Contents ACKNOWLEDGMENTS I thank my wonderful family for - photo 1
Table of Contents

ACKNOWLEDGMENTS

I thank my wonderful family for sparing me the time to write, stitch and teach. To Sandra Shield, who many years ago suggested I teach smocking, I express sincerest appreciation. My students have been diligent and invaluable in helping me compile this book. Barbara Owen, Garrie Daly, Jeanne Freund, Alma Baxter, Phyllis Dazet, Lynne Chambers, Joan West, Elaine Kelly and Sue Patton all deserve very special mention and thanks. Mark Cunningham was most skillful in preparing the beautiful artwork and made this work complete.

Allyne Holland is an embroidery designer, teacher and author, certified on the advanced level by the Valentine Museum. She is the author of A Guide to English Smocking and A Handbook for Smocking Teachers. She has taught smocking and other types of needlework for many years and has studied smocking extensively in the United States and England. She is former national President of the Smocking Arts Guild of America.

Mark Cunningham is a technical and commercial illustrator. A graduate of V.P.I., he currently owns his own business, Technical Graphics, in Richmond, Virginia.

STITCHES

Traditional English smocking is built around four groups of stitches:

Straight Stitches

Wave Stitches

Combination Rows

Decorative or Accent Embroidery Stitches

NOTE: On the stitch details shown, the gray area represents the valley of the pleat.

STRAIGHT STITCHES

In this category are outline, stem and cable stitches and their various combinations. Curved lines can be formed by using straight stitches; the lines may wave, intertwine or form scallops.

Outline Stitch

This is a very attractive stitch that is useful in creating unusual designs and combinations, and is therefore especially suitable for contemporary smocking. It is worked in the same manner as in surface embroidery and must be worked very carefully to insure the effect of a neat, even line. Working parallel to the gathering thread and from left to right, pick up each pleat with the thread positioned above the needle. Work the stitches with the pleats close together and pull the thread fairly snugly. Cut the thread long enough to complete one section without a change. The floss will tend to knot and tangle as you work, so untwist the thread every few stitches to correct this.

Outline Stitch Stem Stitch This stitch is worked in the same manner as the - photo 2

Outline Stitch

Stem Stitch

This stitch is worked in the same manner as the outline stitch, but with the thread held below the needle. The individual stitches are not as clear as with the outline stitch, and a line of stem stitch will appear thinner than a line of outline stitch.

Stem Stitch The outline and stem stitches are very similar in appearanceboth - photo 3

Stem Stitch

The outline and stem stitches are very similar in appearanceboth form a continuous rolled line. In outline stitch, this roll forms toward the top of the line; in stem stitch, it forms toward the bottom of the line. Which of the two stitches to use in a given situation is a matter of personal preference.

Wheat Stitch

The outline and stem stitches worked together form the Wheat Stitch. You may begin with either outline stitch or stem stitch.

Wheat Stitch Cable Stitch This stitch is worked left to right and parallel - photo 4

Wheat Stitch

Cable Stitch

This stitch is worked left to right and parallel to the gathering thread. For the first stitch the thread is held below the needle; on the next stitch, the thread is held above the needle. By alternating the position of the thread on each stitch, the cable stitch is formed. As you work, pull the pleats together gently, giving each stitch a slight tug in the appropriate upward or downward position; at the same time, push the stitch into position with your thumbnail. Keep the stitch tension even throughout and see that no fabric shows under the embroidery.

Cable Stitch Double Cable Two parallel rows of cable stitch both worked - photo 5

Cable Stitch

Double Cable

Two parallel rows of cable stitch, both worked from left to right, form the double cable. The second row of stitches is positioned opposite to the first; that is, the first row begins in the stem-stitch position while the second row begins in the outline-stitch position (this is called an Opposite Cable ). The stitches should lay neatly side by side, but should not overlap. Because the stitch resembles a chain, it is sometimes called Chain Stitch.

Double Cable Alternating Cable This is a base row of cable stitch dark - photo 6

Double Cable

Alternating Cable

This is a base row of cable stitch (dark thread in diagram) with a second row worked alternately above and below the base row.

Alternating Cable Flowerettes or Cable Flowers See section Decorative or - photo 7

Alternating Cable

Flowerettes or Cable Flowers

See section Decorative or Accent Embroidery Stitches, below.

Stacked Cables

Large areas of color can be filled in by working several rows of cable stitch, one on top of the other. Stacked cables are used primarily in picture smocking to create such motifs as teddy bears, ducks, sailboats, angels and baskets. Rows can be arranged as Opposite Stacked Cables (see double cable stitch for opposite cable), or they can be worked identically to each other (called Parallel Stacked Cables ). The parallel stacked cable is very tight and has little elasticity; hence, the opposite stacked cable is usually the preferred stitch. To insure proper sizing when working stacked cables, stretch the pleats to the desired width before beginning to smock. Work the first row, then take the needle to the back of the fabric and turn the piece upside down to begin the next row. Technique is important here, for each stitch must line up perfectly with the previous row. When beginning a new row, be sure that the stitches are aligned and, where stitches line up, that the needle will come out at parallel points.

Opposite Stacked-Cables Parallel Stacked Cables WAVE STITCHES - photo 8

Opposite Stacked-Cables

Parallel Stacked Cables WAVE STITCHES Besides wave and trellis stitch - photo 9

Parallel Stacked Cables

WAVE STITCHES

Besides wave and trellis stitch, honeycomb, surface honeycomb, vanDyke and herringbone stitches belong to this division. All of these stitches form a zigzag pattern, and all of them can vary in size. A wave stitch worked between two rows of gathering threads is called a Full-Space Wave; a wave stitch worked halfway between two gathering threads is called a Half-Space Wave. Stitches may be worked as parallels (two or more identical rows) or as opposites (two or more rows with one row the mirror image of the next). Parallel wave stitches may be worked so closely together that no fabric shows (Closed-Space Waves) or in a more open formation (Open-Space Waves).

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