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Arnold Grummer - Arnold Grummers Complete Guide to Easy Papermaking

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The Fun and Easy Way to Make Beautiful Paper
Step-by-step illustrated instructions for basic papermaking
Methods to make handmade paper safe for scrapbooking
27 art and decorative techniques for endless variations
Adding botanicals and other nonpaper ingredients
If you set out to find the best papermaking teacher in the world, your search would lean to Arnold Grummer. Not only is his knowledge of the subject all-encompassing, but his methods are so simple and easy that he truly makes the process fun. And the results will amaze you - so many varieties of beautiful sheets of paper, so many ingenious ways to change the effect. Whether you use your paper for fun party invitations, elegant wedding invitations, personal greeting cards, or as framed art, youll have the satisfaction of knowing you created it yourself.
A champion of our planet, Arnold believes that waste paper is not waste fiber and shows how to recycle any and all types of paper. Unlimited resources are available in your office waste basket, without spending a penny on materials. Water and fiber blended to pulp, colored with inks and dyes already in the paper, produce stunning new sheets that are truly art in every sense of the word.

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Arnold Grummers Complete Guide to Easy Papermaking - image 1

Arnold Grummer's

Arnold Grummers Complete Guide to Easy Papermaking - image 2EasyArnold Grummers Complete Guide to Easy Papermaking - image 3
Papermaking

C OMPLETE G UIDE TO

Copyright 1999 by Arnold Grummer
All Rights Reserved

Published by

700 East State Street Iola WI 54990-0001 715-445-2214 888-457-2873 Please - photo 4

700 East State Street Iola, WI 54990-0001
715-445-2214 888-457-2873

Please call or write for our free catalog of publications. Our toll-free number to place an order or obtain a free catalog is (800) 258-0929 or please use our regular business telephone (715) 445-2214 for editorial comment and further information.

No part of this book may be reproduced, transmitted, or stored in any form or by any means, electronic or mechanical, without prior written permission from the publisher.

Cover design by Jon Stein
Book design by Jan Wojtech

Photography Credits
All photo and electronmicrographs in Chapters 3, 4, and 5: Microscopy Laboratories
of the former Institute of Paper Chemistry (now the Institute of Paper
Science and Technology).
Black and white photos in the Introduction: Fred Sweeney, head of the Photographic
Laboratories of the Institute of Paper Chemistry.
Color setup photos: Don Ackerman Photography, New Berlin, Wis.
Color flat work: Pro Visual Photography, West Allis, Wis.; the author.

Art Credits
All paper sheets, shapes, forms, and castings by the author unless otherwise credited.
All color in this books paper pieces is colored fibersno paint.

Manufactured in the United States of America

Library of Congress Cataloging-in-Publication Data

Grummer, Arnold
Arnold Grummers Complete Guide to Easy Papermaking

ISBN 0-87341-710-0

eISBN: 978-1-4402-1955-9

1. Papermaking 2. Grummer 3. Title

98-86905
CIP

DEDICATION

To all my favorite people: Mabe, Mark, Ellen, Ed and Bill; Greg, Janet and Jack; Kim, Dave, Jon, Dan and Ellie; and any who yet may come.

ACKNOWLEDGMENTS

For this books amazing and educational photo and electron micrographs and their meaning, I thank former Institute of Paper Chemistry electron microscopists, the late Olga Smith, Hilka Kaustinen, and Dr. Russell Parham. Their colleague, Jack Hankey, prepared and shared paper cross sections. Hopefully, through this book, what they so willingly and patiently shared with me will be extended to many others.

The outstanding photography and print production of Fred Sweeney and his Institute photography staff chronicled occurrences in and about the Dard Hunter Paper Museum as well as the Institutes whole scientific and educational program. The entire Institute staff, scientific and informational, has a direct connection with this book, because from them came all the background information from which its contents have sprung. Specialized watermark technology came from my Institute colleague and frequent co-lecturer, Bill (William C.) Krueger. Three extended interviews, granted by Institute colleagues late in my career there, are major to this book. Their sources are Dr. John Swanson, surface chemistry; Dr. Irwin A. Pearl, lignin; Dr. Dean Einspahr, forest genetics.

Fascinating paper insight came from the IPC 1478 Filter Paper research headed by Dr. J.A. Van Den Akker and Dr. Roy C.Whitney. I thank Dr. Bill Bliesner (Institute alumnus) of Filter Materials Corp. for discussion of paper pH matters.

Translating the above into this book relied repeatedly on encouragement from Kim Schiedermayer, my daughter, and more general support from my son Greg and my wife Mabe, whose combined creativity and labor have translated ideas and concepts into performing products. Kims husband, Dr. David Schiedermayer (also an author), helped extensively in sheet selection to illustrate each technique.

Finally, I acknowledge support provided by a continuance of interest, encouragement, and positive response from thousands of people at trade shows, workshops, seminars, exhibits, and demonstrations over two decades. No writer is an island.

T ABLE OF C ONTENTS

Arnold Grummers Complete Guide to Easy Papermaking - photo 5

Arnold Grummers Complete Guide to Easy Papermaking - photo 6

Arnold Grummers Complete Guide to Easy Papermaking - photo 7

Chapter 18 The Pa - photo 8

Chapter 18 The Papermakers Tear Bibliography PART I - photo 9

Chapter 18 The Papermakers Tear Bibliography PART I Introd - photo 10

Chapter 18 The Papermakers Tear Bibliography PART I Introduction - photo 11

Chapter 18 The Papermakers Tear

Bibliography

PART
I

Introduction Welcome to Arnolds World T his book pulls together much of what - photo 12

Introduction
Welcome to Arnolds World

T his book pulls together much of what I have learned about paper and hand papermaking in 30 years of experimenting and pursuing the answer to What if.... It reflects 16 years of experience with deep science and high technology accumulated at The Institute of Paper Chemistry in Appleton, Wisconsin; six years of in-depth historical immersion while curator of the Institutes Dard Hunter Paper Museum, and host to its visiting luminaries from most nooks of the earth; being cleared by the Federal Bureau of Investigation (FBI) for certain work and subsequently glimpsing, via my friend and Institute colleague Bill Krueger and his staff, areas of watermark- ing and other exploration where likely no man had ever trod before. Heady stuff.

Former President Richard M Nixon holds the sheet of paper he made under the - photo 13

Former PresidentRichard M. Nixon holds thesheet of paper he made underthe tutelage of ArnoldGrummer (foreground, secondfrom right) on the GreatAmerican Paper Machine.

Demonstrating hand papermaking on the historical streets of Galena Ill I - photo 14

Demonstrating handpapermaking on the historicalstreets of Galena, Ill.

I watched patiently a three-year study on the development of a test for paper permanence. I followed with anticipation the development of callus in a petri dish and had the real joy of managing the press conference and introducing the scientists who developed the worlds first test tube tree, which the callus eventually produced. I experienced real awe reading the final report on IPC 1478 Filter Paper which, courtesy of the first U2 spy planes, wrote the book on where radioactive debris entered, moved in, and left the atmosphere. On the basis of data delivered by the paper, atmospheric testing of radioactive devices was halted certainly a stunning success for the Institute.

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