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Gurdeep Loyal - Mother Tongue: Flavours of a Second Generation

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Gurdeep Loyal Mother Tongue: Flavours of a Second Generation
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WINNER OF THE JANE GRIGSON TRUST AWARD

Amazing, original, boundary breaking. Gurdeep is a genius with flavour and a terrific writer too Diana Henry

With recipes for everything from Coconut Crab Crumpets to Kasundi Keema Lasagne Rolls, award-winning food writer Gurdeep Loyal celebrates the hybrid third-culture cooking of second-generation migrants around the world today.

Born in Britain to Indian parents, Gurd felt constantly pulled by the clashing expectations of both cultures. But through his passion for food and cooking he was able to embrace the delicious contradictions of his plural British Indian identity.

In Mother Tongue he explores his culinary upbringing that combined authentic home-cooked Punjabi food, with inauthentic curry-house Tikka Masalas, the Western foodie cannon, and a wanderlust for travel in pursuit of flavour. What results is a flavour amplified intercultural cuisine, that is a delicious culinary self-expression of his second-generation experience of the world today.

Gurdeep serves up over 100 knock-out recipes, including a mouth-watering Miso-Masala Fried Chicken Sando, Sweet Chilli-Gunpowder Roasted Cauliflower, Desi Kofta Meatballs with Sticky Mango-Lime Tomatoes and Chocolate-Orange Jalebis, all combined with expert know-how on building, blending, and remixing global flavour combinations. Mother Tongue is bursting with vibrantly spiced, colourfully flavour-forward recipes for home-cooks to explore and be inspired by every day.

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CONTENTS
4th Estate An imprint of HarperCollinsPublishers 1 London Bridge Street London - photo 1
4th Estate An imprint of HarperCollinsPublishers 1 London Bridge Street London - photo 2

4th Estate
An imprint of HarperCollinsPublishers
1 London Bridge Street
London SE1 9GF
www.4thEstate.co.uk
HarperCollinsPublishers
Macken House
39/40 Mayor Street Upper
Dublin 1, D01 C9W8
This eBook first published in Great Britain by 4th Estate in 2023
Text Gurdeep Loyal 2023
Photographs Jacqueline Walker 2023
Designed by Evi-O.Studio
Always follow the manufacturer's instructions when using kitchen appliances and other electrical tools and equipment.
Gurdeep Loyal asserts the moral right to be identified as the author of this work.
Jacqueline Walker asserts the moral right to be identified as the photographer of this work.
A catalogue record for this book is available from the British Library
All rights reserved under International and Pan-American Copyright Conventions. By payment of the required fees, you have been granted the non-exclusive, non-transferable right to access and read the text of this e-book on-screen. No part of this text may be reproduced, transmitted, down-loaded, decompiled, reverse engineered, or stored in or introduced into any information storage and retrieval system, in any form or by any means, whether electronic or mechanical, now known or hereinafter invented, without the express written permission of HarperCollins
Source ISBN: 9780008464547
Ebook edition March 2023 ISBN: 9780008464554
Version: 2023-01-19

For mothers, especially my own

,

Tradition is not the worship of ashes, but the preservation of fire.

Gustav Mahler

Excuse me waiter, please can we have some chilli sauce, black pepper and English mustard?

Bhupinder Loyal, aka Mum

Contents

The irony of writing a book called Mother Tongue in a language that my own mum wont be able to fully read is not lost on me. Yet whats missing in her understanding of what these words say is countered by her fluency in the flavours, something that words can barely begin to convey.

Because my culinary palate is rooted to my mothers tongue, and hers to her mother before her; an intergenerational lineage of love that crosses continents, connecting the past to the present through taste.

Nevertheless, the food that has passed along from generation to generation migrating from India to England and a connecting hyphen-of-places in between has not remained static along its journey through time and different lands. Far from a fossilised cuisine preserved in aspic, my food inheritance has been an ever-evolving musical score of flavour, a modulating manuscript of taste scribbled over by each new generation, never deleting what came before, but always leaving edible echoes of the past on the plates of the present.

With each era, new chords of flavour have enriched the hereditary palate, as ever more relatives have added a tuneful taste of who they were. Each masala-ed imprint reveals enduring stories of individual loves and losses, toils and travels, follies and fortunes, bestowing new layers of delicious harmony on the generations that follow.

By means of this continual adaptation, the cookery handed down through maternal fingertips has transformed at each fork of the family tree. Today, it is rooted as much to its legacy trail of uprooting as it is to the soil of Punjab: my ancestral motherland and origin of my epicurean mother tongue.

I am a second generation British Indian food writer and home cook, a descendant of Punjabi farmers and Leicester market traders with big appetites, born in the early 1980s right in the very middle of Old Blighty. My paternal grandparents were the pioneers, migrating from the sugarcane fields of Punjab, via Kenya where my dad was born, to England in the late 1960s.

While the history of outward Punjabi migration dates to before the 19th century, the butterfly effects of Indian independence impelled the relocation for my own Mama and Dhadi-Ji. Indias emancipation from British rule ripped the state of Punjab in two, through a bloodstained partition that led to the murder of millions and one of the largest mass migrations across borders in recorded human history. Furthermore, the British Nationality Act of 1948 gave all Commonwealth citizens a right to move to a battered post-war Britain. Consequently, it was to Leicester that many displaced Punjabis travelled a manufacturing hub for textiles, biscuits and crisps which in decades to follow would become the first British city with a majority non-white population.

My parents married in Leicester in 1981. Mum a stylish 19-year-old at the time, with kohl-lined eyes and only a handful of English words arrived from Mehliana in Punjab just a few weeks before the big day. It was her first venture outside India. Meeting for the first time just weeks before their wedding, the pair were bonded for life through a connecting Aunty-Ji who acted as their bachoolah , or matrimonial fixer. To be the bachoolah for any Punjabi couple is a terrific honour. Indeed, for some in our community its their fulltime preoccupation, and this brilliant coterie of wedding-mensch really are a force to be reckoned with: their Falstaffian presence always known, their gossiping proudly indiscreet and their elaborate matchmaking the dramatic epicentre of any party worth being seen at. Its the destiny of most Punjabi children to be caught in their cupid-crossfire as soon as adulthood hits. In modern times, this plays out through covert photo albums of unaware nieces and nephews, presented to suitors on phone screens at a moments notice. In my parents day, it was done through Polaroid photographs slipped inside blue aerograms, scribbled with a few vital statistics: analog parent-to-parent nuptial Tinder in postal form, if you will.

Their sepia-bleached wedding video, which I still take unparalleled joy in watching, begins with their Anand Karaj ceremony in our Leicester gurdwara. My dad, spruced up in a Marks & Spencer suit and wearing a turban for the very first time, sits agitatedly on the floor next to my defiantly composed mum, a firecracker of bridal red with gleaming sequins the size of pennies.

What follows is fragmented footage of their wedding party, which in that archaic era was reserved for the groom and male guests only. This raucous sausage-fest of mostly Punjabi men is a nostalgic window into a past life; the afro haircuts, flared hemlines and retro bhangra dancing preserving a revelry that lies somewhere in the Venn diagram overlap where Bend It Like Beckham meets an Abba tribute concert.

But its the food on the trestle tables of that party which took place two years before I existed and conjoined my parents in a loving marriage thats still flourishing more than forty years later that I find myself thinking about at weddings today. Paper plates filled with keema samosas, chilli fish pakoras, spicy cholay with piles of fried puris, tamarind chutney, syrup-swirled jalebi, fudgey cardamom burfi and Johnnie Walker whisky. Its the celebratory feasting of uprooted Punjabi migrants, voyaged from the motherland to their newly adopted home.

This is the flavour-punch of food that I grew up eating and to which my palate is deeply rooted. Yet from an early age my greedy stomach was also seeking out something else; because like all second generationers around the world (and indeed like any first generationers raised away from their native cradle), my British Indian existence, by birth, was the hybrid kind.

Outwardly, my cinnamon-brown skin, almond eyes and aquiline nose mark me out as immigrant in India.

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