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Mike Jones - Graphic Design

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TechCareers: Graphic Design explores the career potential in the centuries-old tradition of graphic design and printing. It provides insight into what the future might hold for those interested in entering the field. With sections on education and training requirements, as well as job descriptions and salary ranges, TechCareers: Graphic Design is a great resource for anyone considering a career in the business.

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TECH CAREERS:

Graphic Design

Mike Jones

Graphic Design - image 1

Graphic Design - image 2

2012 TSTC Publishing

ISBN 978-1-934302-90-3 (softback)
ISBN 978-1-936603-12-1 (ebook)

All rights reserved, including the right to reproduce this book or any portion thereof in any form. Requests for such permissions should be addressed to:

TSTC Publishing
Texas State Technical College Waco
3801 Campus Drive
Waco, Texas 76705
http://publishing.tstc.edu/

Publisher: Mark Long
Editor: Ana Wraight
Art director: Stacie Buterbaugh
Graphics specialist: Grace Arsiagta
Marketing: Sheila Boggess
Sales: Wes Lowe
Office coordinator: Melanie Peterson
Indexing: Michelle Graye (indexing@yahoo.com)
Printing production: Data Reproductions

Manufactured in the United States of America

First edition

Publishers Cataloging-in-Publication
(Provided by Quality Books, Inc.)

Jones, Michael, 1946 Dec. 20

Graphic design / Michael Jones. -- 1st ed.
p. cm. -- (TechCareers)
Includes index.
ISBN-13: 978-1-934302-90-3 (softback)
ISBN-10: 1-934302-90-2 (softback)
ISBN-13: 978-1-936603-12-1 (ebook)
ISBN-10: 1-936603-12-8 (ebook)

1. Graphic arts--Vocational guidance. 2. Commercial arts--Vocational guidance. I. Title. II. Series: TechCareers.

NC1001.J66 2012 741.6023

QBI11-600198

Table of Contents
Commonly Used Abbreviations

AAAA

American Association of Advertising Agencies

AAF

American Advertising Federation

AIGA

The Professional Association for Design, formerly American Institute of Graphic Arts

ASIFA

Association Internationale du Film dAnimation; International Animated Film Society

CMYK

Cyan, magenta, yellow, (key) black

IAB

Interactive Advertising Bureau

IAPHC

International Association of Printing House Craftsmen

IEEE

Institute of Electrical and Electronics Engineers

IIID

International Institute for Information Design

IoPP

Institute of Packaging Professionals

IPA

Association of Graphic Solutions Providers

NAPL

National Association of Printers Leadership

NO!SPEC

A movement to resist the traditional paradigm of producing work on approval

OBD

Organization of Black Designers

OES

Occupational Employment Statistics

OOH

Occupational Outlook Handbook

PHP

Hypertext Preprocessor

PIA

Printing Industries of America

PIAS

Printing Industry Association of the South

PRIMIR

Print Industries Market Information and Research Organization

PSDA

Print Services & Distribution Association

RGB

Red, Green, Blue

ROI

Return on Investment

ROR

Resources on a Resource XML format

SIGGRAPH

Association for Computing Machinerys Special Interest Group on Graphics and Interactive Techniques

SEGD

Society for Environmental Graphic Design

SGIA

Specialty Graphic Imaging Association

SLMM

Society of Layerists in Multimedia

SPD

Society of Publication Designers

SGIA

Specialty Graphic Imaging Association

TAGA

Technical Association of the Graphic Arts

TSTC

Texas State Technical College

UCDA

University and College Designers Association

Warc

World Advertising Research Center

CHAPTER ONE
Graphic Design and Pre-Press Technology Careers
Overview

Just about everyone is connected these days. Everywhere we look, we see people using their cellphones or working at wireless laptops. How many times a day do we access the Internet for information and entertainment like recipes, music tracks, and rock band tour schedules or to contact friends via social networking websites like Facebook, Twitter, or MySpace?

The more this personal digital evolution expands, the more it works its way into virtually every moment of our lives, and the more it will also expand your exposure to advertisements, pop-up graphics, text boxes, and Flash animations. You may not be aware that every bit of advertising you see was crafted by a team of marketing professionals (sometimes even by just one hardworking, talented individual) with the sole objective of grabbing your attention long enough to get their message through to your busy brain. Since so much of the information you see consists of a cool photo, a lively animation, an interesting text font, or a thought-provoking illustration, chances are youre responding to the work of a graphic designer.

Graphic designers often begin their journeys with a lifelong fascination with color, drawing, photography, storytelling, or the way certain things or music call up an unexpected emotion or memory. As they settle into their careers, they work with writers, videographers, and clients to create advertising and marketing materials. They may work alone in a small community or with a huge, big city advertising agency, fielding several teams and coordinating to produce everything from kiddie meal prizes to billboards, product jingles for TV commercials to glossy symphony concert programs, unforgettable corporate logos to elegant, 400-page annual reports. A single designer may be tasked with a single drawing or with planning and directing the whole design process, from coming up with a fresh concept for achieving the clients marketing objectives through creating thematically related messages for TV, product packaging, promotional materials, and apparel featuring the clients unforgettable logo.

Profile: Michael Albee, Freelance Graphic Designer

Michael Albee, an accomplished freelance multimedia designer, illustrator, and graphic artist based in the Dallas-Fort Worth area, likes to say, I make things pretty.

Albees initial studies in Visual and Speech Communication at Stephen F. Austin State University led him into the world of professional design. After graduating, he moved from Nacogdoches, Texas, to Dallas, where he began his career with famed department and catalog retailer Neiman Marcus. He gained not only theoretical knowledge in this position but also practical application of design theory at the same time. The constant challenge to come up with something new and exciting, to promote something as complex as high-end fashion, made me dig even deeper into my work, he says. He soon was promoted to the position of Design Coordinator for Corporate Visual Planning and Presentation and tasked with designing and producing seasonal promotions, in-store visual displays, signage, and window displays for all of Neiman Marcus thirty-six stores. He also received practical experience with duties such as locating source materials, finding vendors, negotiating discounts and budgets, and managing a seasonal budget.

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