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Yara Roberts - Brazilian Table, The

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Yara Roberts Brazilian Table, The
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THE BRAZILIAN TABLE

BRAZIL-EXOTIC, SENSUAL, MYSTERIOUS-mingles pleasure with high energy, and its cuisine is no different. The recipes of The Brazilian Table frequently blend the native ingredients of manioc, cachaa, pequi, hearts of palm, and Dend palm oil with the rich cultures of Portugal, Africa, Japan, the Middle East, and that of the indigenous population to create complex tastes that define this region of the world. A sample of the extraordinary cuisine includes Tucupi Duck Soup, Fish Paupiette with Crabmeat Brazilian-Style, Papaya Galette, Chicken Xim-Xim, Coconut Custard Baha Way, Gil Puff Pastry Tart, and Guava Paste Souffl.

The Brazilian Table was a Julia Child First Book Award finalist and a finalist for the Gourmand International Cookbook Award.

Authored by master chef Yara Castro Roberts-one of Brazils most forthright advocates of its lifestyle and cuisine-this intimate look at the regions of Minas Gerais, the Amazon, the Cerado, and the Bahas from a food perspective not only introduces one hundred delicious recipes but also provides an in-depth cultural lesson on the regions and their unique foods.

Yara Roberts has been featured in UltraTravel and the New York Times. She is currently producing her own TV series with filmmaker Vivian Mester called Delicious Brazil, a show about culture and lifestyles utilizing food as the medium.

The authors Academy of Cooking and Other Pleasures is a vacation destination, with more than 5,000 visitors in the past six years.

Brazilian restaurants are found in most major cities.

Online marketing and promotions.

Print and web advertising campaign.

National broadcast and print publicity.

Co-op available.

Chef Yara Roberts is well known in the arena of international chefs. She graduated from Boston University School of Culinary Arts and holds degrees from the Sorbonne and the cole du Louvre. She taught at the Brazilian Academy of Cooking before moving to Paraty, Brazil, where she operates the Academy of Cooking and Other Pleasures with her photographer husband, Richard Barclay Roberts.

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The Brazilian Table
Yara Castro Roberts
Richard Roberts
The Brazilian Table Digital Edition v10 Text except preface 2009 Yara Castro - photo 1

The Brazilian Table

Digital Edition v1.0

Text except preface 2009 Yara Castro Roberts

Preface text 2009 Richard Roberts

Photographs 2009 Richard Roberts, pages 2, 10, 14, 3031, 38, 51, 11213, 12223, 146, 15051, 155, 192

Photographs 2009 Marty Snortum, pages 55, 61, 63, 65, 91, 95, 97, 105, 131, 135, 141, 145, 163, 165, 167, 181, 184, 189, 191, 195, 197

All other photographs from Shutterstock, Inc.

All rights reserved. No part of this book may be reproduced by any means whatsoever without written permission from the publisher, except brief portions quoted for purpose of review.

Gibbs Smith, Publisher

PO Box 667

Layton, UT 84041

Orders: 1.800.835.4993

www.gibbs-smith.com

Library of Congress Catalog-in-Publishing Data

ISBN-13: 978-1-4236-0315-3

ISBN-10: 1-4236-0315-X

1. Cookery, Brazilian. I. Roberts, Richard, 1937 II. Title.

TX716.B6R62 2009

641.5981dc22

2008042798

To my parents, Belita and Etienne, who revealed to me how essential the table and its pleasures are.

To my grandchildren, Shane and Maya: may they follow the tradition.

Foreword

Brazil is a country the size of a continent. From the Amazon rainforest in the north to the Pampas in the south, the scenery sweeps like a cinemascope catalogue of breathtaking beauty. The people are as varied as the scenery: Native Indians, Portuguese, Africans, Japanese, Italians, Germans, Lebanese, and others come together daily to mix and mingle and make Brazil one of the most diverse nations in the world. I love Brazil. And I delighted in Yara Roberts love of her native land the first time we met over a decade ago. We both understood that Brazils cooking was as amazing as its history.

Brazils cooking holds no secrets for Yara. In The Brazilian Table, she takes the reader on a culinary tour of the country she obviously loves and knows well. From the palm oilhued dishes created by the enslaved Africans of Salvador da Baha to the dishes inspired by the Portuguese royal courts passing through the food of the native peoples of the Amazon region, with a gracious nod to the nations newer immigrants, and a salute to her home state of Minas Gerais, Roberts is an able tour guide. She not only tempts us with mouthwatering dishes, she also gives us a primer on Brazilian culinary history and regales us with anecdotes from her childhood along the way.

The journey is a fascinating one filled with the bright tastes of mangoes, pineapples, and coconut. It intrigues the cook with dishes that put new twists on favorite foods such as Roast Chicken, King-Style, Stuffed with Farofa, and delights with innovations such as Corn Crme Brle that could only come from this country of bounty and wonder. It challenges the food historian with its revelation of a culinary culture that is little known to the English-speaking world. Finally, it thrills armchair travelers and culinary omnivores with its brilliant photography, much of it by Yaras husband, Richard Roberts. Whether reading or eating, The Brazilian Table offers a satisfying meal that will delight eyes, mind, and palate.

Jessica B. Harris

Professor, author, and culinary historian

January 2009

Acknowledgments

I would like to thank the following people:

To Richard, for his love, for being the best partner throughout our lives, and for his guidance for this book. To my daughter, Danielle, and her husband, Randall, for their love and for the wonderful family they have created.

To my brother, Marcio, and his wife, Eliza, and my nieces, Thas and Natascha, and their families for the joyful and delicious meals we have shared together. To my cousins, Roger, Dee, and Helen Roberts for their fondness and support. To Roberto and Joanna Ciruffo, Anne Marie Bruno, Vivian Mester, Cecilia Frigerio, Christine Fox, my hearty thanks, and to all my friends in Brazil, France, Mexico, the United States, and Canada for the fun, the cheering, and vital enthusiasm.

To Jos Alberto Nemer, and Arlete and Eduardo Andrade in Minas Gerais, for sharing their Minas with me. To chef Beto Pimentel in Baha, whose tour of the restaurant kitchen Paraiso Tropical and his garden of tropical delights made my taste buds jump! To chef Teresa Paim, and Aniete Lima and their families for their graciousness and Bahan hospitality. To Las Castro and family who warmly hosted Richard and me in Belm. To Abelardo Bacelar and Andra Gonalves who took us around this amazing city. To Anibal, Desire and Lorena Lima who made us feel at home in their home in Goinia. To chef Chris Isaac for unlocking the secrets of the cooking of the Cerrado.

To Martha Cintra Leite in Paraty, an artist and great associate, who creates dazzling table decorations, adding more pleasures to the dinners at the cooking school. To our kitchen assistants, Tatiana Lemos, Mrcia Helena Gomes, and Simone Pimenta for their dedication and professional exchanges. To Laurent Suaudeau, Carla Pernambuco, Felipe Bronze, Roberta Shudback, and Dadette Mascarenhas for their inspiring recipes.

To my agent, Sally Brady, for her confidence and enthusiasm. And finally, to Gibbs Smith for offering me a unique opportunity to share Brazil throughout this book, and to the talented team who produced an elegant and attractive book.

Preface

Its eight in the evening, curtain time. Within a few minutes, eight people will arrive at our house for dinner. Yara and I dont know them nor do they know usyet. We start with a brief preview of the evening as we serve caipirinhas, batidas, and soft drinks. Then Yara invites those who are interested to move to the kitchen with her and to help with or just watch the preparation of the dinner to come. A few minutes after she begins to show how to make each dish on the menu, many participants decide to don aprons, wash hands, and join in the preparation. After a half hour or so, a sense of play begins to enliven in the participants a desire to learn, and that sets off jokes, cheering, and gentle heckling. It has become fun.

Characteristically, the food she prepares with our guests is all from Brazilian ingredients, with recipes that are traditional, adapted, or wholly created by a Brazilian: Yara Castro Robertsyour chef, writer, and guide through this book. During dinner, she tells the story of food in Brazil from its earliest days to the present.

At the table, the conversation flows freely and ranges wide. Guests who are new to Brazil often question both of us about what its really like to live here, and we answer frankly according to their interests. We love it, and we can identify and communicate what we love about it, namely, its people and its beauty. With Brazilians, conversation quickly becomes one you would have with old friends.

Weve entertained people from a variety of backgrounds, interests, and nationalities. There have been vacationing businessmen touring Brazil on motorcycles, backpacking students staying at hostels, a king and queen, nobelauriate authors, artists, professors, chefs, couples with children, grandparents, the young, and the old. After a while, we wondered if there was some commonality in this variety. One day it dawned on us that all our guests had two simple but salient qualities in common. First, each one was curious about the world at large. Second, each had the quality of feeling comfortable in his or her own skin (a literal translation from the apt French phrase bien dans sa peau ). Now a dinner composed of people who share those two qualities is going to be... fun. And they have been. Toward the end of the evening at our Brazilian Table, guests often exchange addresses not just with us but also with each other. We call what we do here in Paraty the Academy of Cooking & Other Pleasures, and, by the time they leave, guests understand that we really mean it when we answer, You are, when we are asked the question, What are the other pleasures? Of course, there is also the visual pleasure of the table decoration that is set to fit each region, using only a natural palette of flowers, seeds, fruits, palm fronds, and local arts

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