Jacobs - Film rhythm after sound : technology, music, and performance

LEA JACOBS

University of California Press

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University of California Press

Oakland, California

2015 by The Regents of the University of California

Library of Congress Cataloging-in-Publication Data

Jacobs, Lea, author.

Film rhythm after sound : technology, music, and performance/Lea Jacobs.

pages cm

Includes bibliographical references and index.

ISBN 978-0-520-27964-3 (cloth : alk. paper) ISBN 978-0-520-27965-0 (pbk. : alk. paper) ISBN 978-0-520-96001-5 (ebook)

1. Sound in motion pictures. 2. Motion picture music. 3. Dialogue in motion pictures. 4. Motion picturesProduction and direction. 5. Rhythm. I. Title.

PN 1995.7. J 33 2015

791.436578dc23

2014031038

Manufactured in the United States of America

24 23 22 21 20 19 18 17 16 15

10 9 8 7 6 5 4 3 2 1

The stills and musical transcriptions that illustrate this book are drawn from the following films: Figures 114, Song o My Heart (U.S., Fox Film Corporation, 1930); 1832, Ivan the Terrible (Ivan Grozny), Part I (U.S.S.R., Mosfilm, 1944); 3336, Santas Workshop (U.S., Walt Disney Productions, United Artists, 1932); 37, 4554, Three Little Pigs (U.S., Walt Disney Productions, United Artists, 1933); 3844, Hells Bells (U.S., Walt Disney Productions, Columbia Pictures, 1929); 5563, Playful Pluto (U.S., Walt Disney Productions, United Artists, 1934); 6466, Love Me Tonight (U.S., Paramount-Publix, 1932); 6768, 7072, Monte Carlo (U.S., Paramount-Publix 1930); 69, One Hour with You (U.S., Paramount-Publix, 1932)

Portions of chapter 2 were based on an article originally published in Music and the Moving Image 5, no. 1 (spring 2012), 2012 by the Board of Trustees of the University of Illinois. Used with permission of the University of Illinois Press.

In keeping with a commitment to support environmentally responsible and sustainable printing practices, UC Press has printed this book on Natures Natural, a fiber that contains 30% post-consumer waste and meets the minimum requirements of ANSI/NISO Z 39.48-1992 ( R 1997) ( Permanence of Paper ).

In memory of Rosalia and Dean Jacobs

For music, as we said, exists in the medium of time. It is time itself that must be carved up, molded, and remolded until it becomes, like a statue, an existing shape and form. This is the hardest to do. For a symphony is not like a statue, which can be viewed all at once, or bit by bit at leisure, in ones own chosen time. With music we are trapped in time.

LEONARD BERNSTEIN, The Conductors Art