Cover
title | : | Music At the Edge : The Music Therapy Experiences of a Musician With AIDS |
author | : | Lee, Colin. |
publisher | : | Taylor & Francis Routledge |
isbn10 | asin | : |
print isbn13 | : | 9780203376980 |
ebook isbn13 | : | 9780203360224 |
language | : | English |
subject | Music therapy--Case studies, AIDS (Disease)--Palliative treatment, AIDS (Disease)--Case studies, Music therapy |
publication date | : | 1996 |
lcc | : | ML3920.L42 1996eb |
ddc | : | 616.97/92065154 |
subject | : | Music therapy--Case studies, AIDS (Disease)--Palliative treatment, AIDS (Disease)--Case studies, Music therapy |
Page i
MUSIC AT THE EDGE
Through the words of the therapist and the words and music of the client, Music at the Edge allows the reader to experience a complete music therapy journey. Francis, a musician living with AIDS, challenged Colin Lee, the music therapist, to clarify his feelings about living and dying within the therapeutic process. In doing so he helped the therapist to discover aspects of this particularly demanding form of therapeutic work and to question the framework of the therapeutic relationship in palliative care.
Music at the Edge is a complete music therapy case study. After an introduction outlining the practice of music therapy in palliative care, the author relates Franciss particular history. There are two types of music incorporated in this project: notational examples in the text, to give an indication of the intricacies of the musical content to readers and musicians, and the enclosed CD containing extracts from the sessions themselves.
The CD is a central part of the book, allowing readers to hear extracts from Franciss improvisations which illuminate the text and provide the musical voice of the client. These extracts are a unique insight into the therapeutic process when working with death and dying. Transcribed music allows all those able to read music to follow and play selections from Franciss improvisations.
This unusual and very moving book offers anyone who is working with, or facing, illness and death an opportunity to understand how the transcendent power of music can enable expression of feelings more accurately than words.
Colin Lee is a music therapist working in palliative care and in postgraduate education.
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Page iii
MUSIC AT THE EDGE
The music therapy experiences of a musician with AIDS
Colin Lee
London and New York
Page iv
First published l996
by Routledge
11 New Fetter Lane, London EC4P 4EE
Simultaneously published in the USA and Canada
by Routledge
29 West 35th Street, New York, NY 10001
Routledge is an International Thomson Publishing Company
This edition published in the Taylor & Francis e-Library, 2004.
1996 Colin Lee
All rights reserved. No part of this book may be reprinted or
reproduced or utilized in any form or by any electronic,
mechanical, or other means, now known or hereafter
invented, including photocopying and recording, or in any
information storage or retrieval system, without permission in
writing from the publishers.
British Library Cataloguing in Publication Data
A catalogue record for this book is available from the British Library
Library of Congress Cataloguing in Publication Data
Lee, Colin
Music at the edge: music therapy experiences of a musician with AIDS/Colin Lee.
Includes bibliographical references (p. 163) and index.
1. Music therapyCase studies. 2. AIDS (Disease)Palliative treatment.
3. AIDS (disease)Case studies. I. Title.
ML3920.L42 1996
616.9792065154dc20 9525782
ISBN 0-203-36022-2 Master e-book ISBN
ISBN 0-203-37698-6 (OEB Format)
ISBN 0-415-12463-8 (Print Edition)
0-415-12464-6 (pbk)
Page v
CONTENTS
List of figures | viii |
List of CD extracts | ix |
Foreword | xi |
Acknowledgements | xiii |
| BACKGROUND | |
Introduction | |
Beginnings | |
London Lighthouse | |
Francis | |
Structure of the book | |
Concluding comments | |
| IMPROVISATION, MUSIC THERAPY AND AIDS | |
Introduction | |
Aspects of improvisation | |
Meaning, philosophy and tonality | |
Music therapy in palliative careimprovisation | |
HIV and AIDS | |
Concluding comments | |
| CREATIVITY AND CHAOSASSESSMENT AND SESSIONS ONE TO FIVE | |
Meeting | |
Session Onefirst step | |
Session Twofinding a voice | |
Session Threechallenges and solos | |
Session Fourconfrontation | |
Session Fiveexploring boundaries | |
Page vi
| WRITTEN ON THE WINDSESSIONS SIX TO TEN | |
Session Sixmusic, creativity and therapy | |
Session Sevenplateau | |
Session Eightassessment and analysis | |
Session Ninelife and death | |
Session Tenexpressing the pain | |
| THIS WAS A PERSON THIS WAS A FLAMEINTERLUDE | |
Nurture and loss | |
Structure and content | |
Silence | |
Tonality and atonality | |
Conscious and unconscious elements | |
Childhood barriers | |
Duets and solos | |
The client-therapist relationship | |
Future aims | |
Conclusion | |
| EVERYTHING FADESSESSIONS ELEVEN TO EIGHTEEN | |
Listening |
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