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Walt Whitman - Civil War Poetry and Prose

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Walt Whitman Civil War Poetry and Prose
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    Civil War Poetry and Prose
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    Dover Publications
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    1995
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Walt Whitman experienced the agonies of the Civil War firsthand, working, in his forties, as a dedicated volunteer throughout the conflict in Washingtons overcrowded, understaffed military hospitals. This superb selection of his poems, letters, and prose from the war years, filled with the sights and sounds of war and its ugly aftermath, express a vast and powerful range of emotions.
Among the poems include here, first published in Drum-Taps (1865) and Sequel to Drum-Taps (1866), are a number of Whitmans most famous works: O Captain! My Captain! The Wound-Dresser, When Lilacs Last in the Dooryard Bloomd, and Come Up from the Fields, Father. The letters and prose selections, including Whitmans musings on the publication of his works, on the wounded men he tended, and his impressions of Lincoln traveling about the city of Washington, offer keen insights into an extraordinary era in American history.

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Table of Contents

Alphabetical List of Poem Titles

Army Corps on the March, An
Artillerymans Vision, The
Ashes of Soldiers
As Toilsome I Wanderd Virginias Woods
Bathed in Wars Perfume
Beat! Beat! Drums!
Bivouac on a Mountain Side
By the Bivouacs Fitful Flame
Camps of Green
Cavalry Crossing a Ford
Come Up from the Fields Father
Dirge for Two Veterans
Eighteen Sixty-One
First O Songs for a Prelude
From Paumanok Starting I Fly Like a Bird
Hushd Be the Camps To-day
Long, Too Long America
Look down Fair Moon
March in the Ranks Hard-Prest, and the Road Unknown, A
O Captain! My Captain!
Old War-Dreams
O Tan-Faced Prairie-Boy
Over the Carnage Rose Prophetic a Voice
Pensive on Her Dead Gazing
Quicksand Years
Race of Veterans
Reconciliation
Sight in Camp in the Daybreak Gray and Dim, A
Solid, Ironical, Rolling Orb
Song of the Banner at Daybreak
Spirit Whose Work Is Done
This Dust Was Once the Man
To a Certain Civilian
To the Leavend Soil They Trod
Vigil Strange I Kept on the Field One Night
VirginiaThe West
When Lilacs Last in the Dooryard Bloomd
Wound-Dresser, The
Year That Trembled and Reeld Beneath Me

Alphabetical List of Poem First Lines

A line in long array where they wind betwixt green islands
A march in the ranks hard-prest, and the road unknown
An old man bending I come among new faces
Armd yearyear of the struggle
Ashes of soldiers South or North
A sight in camp in the daybreak gray and dim
As toilsome I wanderd Virginias woods
Bathed in wars perfumedelicate flag!
Beat! beat! drums!blow! bugles! blow!
By the bivouacs fitful flame
Come up from the fields father, heres a letter from our Pete
Did you ask dulcet rhymes from me?
First O songs for a prelude
From Paumanok starting I fly like a bird
Hushd be the camps to-day
In midnight sleep of many a face of anguish
I see before me now a traveling army halting
Long, too long America
Look down fair moon and bathe this scene
Not alone those camps of white, old comrades of the wars
O a new song, a free song
O Captain! my Captain! our fearful trip is done
O tan-faced prairie-boy
Over the carnage rose prophetic a voice
Pensive on her dead gazing I heard the Mother of All
Quicksand years that whirl me I know not whither
Race of veteransrace of victors!
Solid, ironical, rolling orb!
Spirit whose work is donespirit of dreadful hours!
The last sunbeam
The noble sire fallen on evil days
This dust was once the man
To the leavend soil they trod calling I sing for the last
Vigil strange I kept on the field one night
When lilacs last in the dooryard bloomd
While my wife at my side lies slumbering, and the wars are over long
With its cloud of skirmishers in advance
Word over all, beautiful as the sky
Year that trembled and reeld beneath me!

POEMS FROM LEAVES OF GRASS (189192)
First O Songs for a Prelude

First O songs for a prelude,

Lightly strike on the stretchd tympanum pride and joy in my city,

How she led the rest to arms, how she gave the cue,

How at once with lithe limbs unwaiting a moment she sprang,

(O superb! O Manhattan, my own, my peerless!

O strongest you in the hour of danger, in crisis! O truer than steel!)

How you spranghow you threw off the costumes of peace with indifferent hand,

How your soft opera-music changed, and the drum and fife were heard in their stead,

How you led to the war, (that shall serve for our prelude, songs of soldiers,)

How Manhattan drum-taps led.

Forty years had I in my city seen soldiers parading,

Forty years as a pageant, till unawares the lady of this teeming and turbulent city,

Sleepless amid her ships, her houses, her incalculable wealth,

With her million children around her, suddenly,

At dead of night, at news from the south,

Incensd struck with clinchd hand the pavement.

A shock electric, the night sustaind it,

Till with ominous hum our hive at daybreak pourd out its myriads.

From the houses then and the workshops, and through all the doorways,

Leapt they tumultuous, and lo! Manhattan arming.

To the drum-taps prompt,

The young men falling in and arming,

The mechanics arming, (the trowel, the jack-plane, the blacksmiths hammer, tost aside with precipitation,)

The lawyer leaving his office and arming, the judge leaving the court,

The driver deserting his wagon in the street, jumping down, throwing the reins abruptly down on the horses backs,

The salesman leaving the store, the boss, book-keeper, porter, all leaving;

Squads gather everywhere by common consent and arm,

The new recruits, even boys, the old men show them how to wear their accoutrements, they buckle the straps carefully,

Outdoors, arming, indoors arming, the flash of the musket-barrels,

The white tents cluster in camps, the armd sentries around, the sunrise cannon and again at sunset,

Armd regiments arrive every day, pass through the city, and embark from the wharves,

(How good they look as they tramp down to the river, sweaty, with their guns on their shoulders!

How I love them! how I could hug them, with their brown faces and their clothes and knapsacks coverd with dust!)

The blood of the city uparmd! armd! the cry everywhere,

The flags flung out from the steeples of churches and from all the public buildings and stores,

The tearful parting, the mother kisses her son, the son kisses his mother,

(Loth is the mother to part, yet not a word does she speak to detain him,)

The tumultuous escort, the ranks of policemen preceding, clearing the way,

The unpent enthusiasm, the wild cheers of the crowd for their favorites,

The artillery, the silent cannons bright as gold, drawn along, rumble lightly over the stones,

(Silent cannons, soon to cease your silence,

Soon unlimberd to begin the red business;)

All the mutter of preparation, all the determind arming,

The hospital service, the lint, bandages and medicines,

The women volunteering for nurses, the work begun for in earnest, no mere parade now;

War! an armd race is advancing! the welcome for battle, no turning away;

War! be it weeks, months, or years, an armd race is advancing to welcome it.

Mannahatta a-marchand its O to sing it well!

Its O for a manly life in the camp.

And the sturdy artillery,

The guns bright as gold, the work for giants, to serve well the guns,

Unlimber them! (no more as the past forty years for salute or courtesies merely,

Put in something now besides powder and wadding.)

And you lady of ships, you Mannahatta,

Old matron of this proud, friendly, turbulent city,

Often in peace and wealth you were pensive or covertly frownd amid all your children,

But now you smile with joy exulting old Mannahatta.

1865

1867

Eighteen Sixty-One

Armd yearyear of the struggle,

No dainty rhymes or sentimental love verses for you terrible year,

Not you as some pale poetling seated at a desk lisping cadenzas piano,

But as a strong man erect, clothed in blue clothes, advancing, carrying a rifle on your shoulder,

With well-gristled body and sunburnt face and hands, with a knife in the belt at your side,

As I heard you shouting loud, your sonorous voice ringing across the continent,

Your masculine voice O year, as rising amid the great cities,

Amid the men of Manhattan I saw you as one of the workmen, the dwellers in Manhattan,

Or with large steps crossing the prairies out of Illinois and Indiana,

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