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Poulin - The complete colored pencil book

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Poulin The complete colored pencil book
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    The complete colored pencil book
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The complete colored pencil book: summary, description and annotation

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A comprehensive technique guide that offers a full spectrum of coloured pencil instruction. It features more than ten demonstrations that focus on the results that specific tools can bring to your work.
Abstract: Embark on an adventure with colored pencils! Read more...

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The complete colored pencil book - image 1

Chili PeppersGary Greene

the complete
colored pencil book

bernard aim poulin

The complete colored pencil book - image 2

www.artistsnetwork.com

dedication

To Marie and our two daughters, Elaine and Valerie. Without their encouragement, drawing, painting and writing would never have been possible.

To my two sons-in-law, Michael and Jean Michel. Thank you.

Victoria Kellett Bernard Aim Poulin Contents chapter one drawing tools - photo 3

Victoria Kellett
Bernard Aim Poulin

Contents


chapter one
drawing tools
Sound advice on all the equipment you really need and why.


chapter two
studio space
Some surprising ideas for transforming the space you have, including complete specifications for building a mobile studio.


chapter three
papers and other surfaces
Expert help for sorting through the reams of possibilities.


chapter four
the preliminary sketch
Learn step-by-step how to get that drawing off to a good start and stay on the right track.


chapter five
the impact of color
Learn how not to use every color at your disposal.


chapter six
colored pencil techniques
All the basic techniques the pros use, explained and illustrated, from hatching to sgraffito.


chapter seven
advanced tips and techniques
Find out how to avoid smudges and other professional secrets and creative techniques.


chapter eight
creating textures
See how you can create dozens of lifelike textures.


chapter nine
portraits and figures
Three step-by-step demos show why many feel colored pencil is the best portrait medium.


chapter ten
landscapes
Get some ideas from eight large reproductions of master drawings showing rich and diverse landscapes.

introduction

One of the most consistent tools of expression for each of us has been the colored pencil. The day we received our first full box of assorted colors we felt grown-up, the passage from baby status to childhood was complete. The broken wax crayon stubbles were immediately thrown out to make way for the more elegant and mature pencils.

As time passed, their allure faded, too. These colored pencils were often the cheaper kinds, sporting hard leads and producing color that lacked the brilliance sought by our vivid imaginations. Despite their capacity for more exact line renderings, the emotional impact of the hues they imparted left much to be desired. Eventually, school introduced us to watercolors, which seemed to meet our undefined creative needs.

Towards adolescence (if not yet artistically discouraged), oil paints with their buttery sophistication pulled us away from the immaturity of pencils and watercolors. Working with oils was the sign of a real artist! We had finally reached, or so we thought, the most commonly accepted medium of professional stature.

Because childhood years are seen as lacking in maturity and sophistication, art tools used by children also are seen as unworthy of adult consideration. It is therefore difficult for us to separate materials from the process of maturity. We have been conditioned to view some art materials as infantile and others as adult.

Luckily, people who enjoy art do not adhere to such limited viewpoints. In the search for materials that will help us convey accurately our visions and perceptions, we often return to those tools with which we were most comfortable in childhood.

Great paintings have been produced in watercolor by some of the worlds finest artists, yet the value of these renderings has traditionally been considered to be less than those created in oils. Today, however, watercolor is beginning to get the recognition it deserves. Likewise, the colored pencil, in the past used primarily by designers and illustrators, is slowly being acknowledged as a valid tool of expression in the fine arts arena.

In presenting The Complete Colored Pencil Book, I wish to offer every reader a glimpse into the world of a versatile and vibrant medium, one that hopefully brings back fond childlike memories. At best, I hope the rediscovery of colored pencils will be an inspiring one. Colored pencils have evolved greatly. The spontaneous application of rich, deep colors will certainly enthrall those of you who find the combination of drawing and painting an exciting exercise.

Bernard Aim Poulin What You Need COLORED PENCILS artist- and student-grade - photo 4

Bernard Aim Poulin

What You Need

COLORED PENCILS

artist- and student-grade

water-soluble

colored sticks

PAPERS

machine- and handmade

colored

watercolor
(hot- and cold-pressed) acid-free board

OTHER DRAWING SURFACES

wood

coated Mylar

coated vinyl

DRAWING TOOLS

spray fixative

tortillions

facial tissue

erasers
(ink and pencil, gum, kneaded)

sharpening tools
(pencil sharpeners, blades, sandpaper block)

pencil holder

pencil extender

HB and B graphite pencils

graphite powder

soft graphite stick

knife, razor blade or craft blade
(for sgraffito)

acetate or onion skin paper

colorless blender

MISCELLANEOUS SUPPLIES

easel (collapsible)

bench (collapsible)

sketch box, fishing tackle box, or photographers vest

light table

armrest

reverse screen

slide projector/slides

camera with telephoto lens

chapter one drawing tools I wrote The Complete Colored Pencil Book to take - photo 5

chapter one
drawing tools

I wrote The Complete Colored Pencil Book to take you beyond those first hatches and crosshatches that piqued your interest in colored pencil artwork.

Though you may be a relative newcomer to colored pencils, you will be surprised at how exciting it is to extend your basic experiences into more elaborate and satisfying renditions.

But before crossing the next hatch in this adventure with colored pencils, take time to analyze the techniques and styles you generally practice. First, examine the tools you use.

Orchids
Gary Greene

choosing your materials

Like other mediums, colored pencils should be selected to suit your specific needs. The differing qualities of these carefully manufactured pencils will be explained in this chapter. Not all colored pencils are created for the purpose of fine artwork; some are produced for illustration or graphic art rendering.

It is important to know whether you enjoy producing graphically precise drawings, fluid-stroked fine art renderings or illustrations. Recognizing whether your work is soft, loose, precise, evocative or moody is an important consideration in the choice and application of colored pencils and their related accessories.

Once you have taken stock of your needs and interests purchase the best - photo 6

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