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Wes D. Gehring - Groucho and W.C. Fields: Huckster comedians

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Before Groucho Marx and W.C. Fields, comedy was innocent. After they left their hilarious smudges on the genre, it was anything but. Groucho Marx the leering, wise-cracking, pseudo-intellectual (c.1890-1977) together with his brothers Chico, Harpo, Gummo, and Zeppo, first performed on Broadway in 1924 and took it by storm in The Coconuts (1925) and more memorably Animal Crackers (1928) which was filmed the following year. Moving to Hollywood with the advent of talkies for such classics as Monkey Business (1931), Duck Soup (1933) and A Night at the Opera (1935), Groucho developed his own hilarious brand of farce poking fun at convention and confronting audiences with a wealth of double-entendres. W.C. Fields ..never act with dogs or children! (1879-1946) began his stage life as a juggler on the vaudeville circuit. By his early 20s he was already a top-billed star who performed alongside the renowned Ziegfield Follies on Broadway. His first film was Pool Sharks (1915) but it was his appearance in D.W. Griffiths Sally of the Sawdust (1925) which established him in Hollywood at the relatively late age of 46. This is a tribute to the pair and the art of filmflam comedy with both Groucho and Fields revealed as trail-blazers who dared depart from the paths laid down by the comedy of innocence.

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title Groucho and WC Fields Huckster Comedians Studies in Popular - photo 1

title:Groucho and W.C. Fields : Huckster Comedians Studies in Popular Culture (Jackson, Miss.)
author:Gehring, Wes D.
publisher:University Press of Mississippi
isbn10 | asin:0878057250
print isbn13:9780878057252
ebook isbn13:9780585190495
language:English
subjectMarx, Groucho,--1891-1977--Criticism and interpretation, Fields, W. C.,--1879-1946--Criticism and interpretation.
publication date:1994
lcc:PN2287.M53G44 1994eb
ddc:791.43/028/092273
subject:Marx, Groucho,--1891-1977--Criticism and interpretation, Fields, W. C.,--1879-1946--Criticism and interpretation.
Page iii
Groucho and W. C. Fields Huckster Comedians
Page iv
The antiheroic side of two hucksters W C Fields is victimized by his wooden - photo 2
The antiheroic side of two hucksters: W. C. Fields is victimized by his wooden nemesis,
Charlie McCarthy, while Groucho Marx is pursued by his forever
derailing brothers, Chico and Harpo.
Studies in Popular Culture M. Thomas Inge, General Editor
Page v
Groucho and W. C. Fields
Huckster Comedians
Wes D. Gehring
UNIVERSITY PRESS OF MISSISSIPPI
Jackson
Page vi
Copyright 1994 by the University Press of Mississippi
All rights reserved
Manufactured in the United States of America
97 96 95 94 4 3 2 1
The paper in this book meets the guidelines for permanence and
durability of the Committee on Production Guidelines for Book
Longevity of the Council on Library Resources.
Library of Congress Cataloging-in-Publication Data
Gehring, Wes. D.
Groucho and W. C. Fields : Huckster comedians / Wes D. Gehring.
p. cm. - (Studies in popular culture)
Includes bibliographical references and index.
ISBN 0-87805-724-2 (cloth). - ISBN 0-87805-725-0 (pbk.)
1. Marx, Groucho, 1891-1977-Criticism and interpretation.
2. Fields, W. C., 1879-1946-Criticism and interpretation.
I. Title. II. Series: Studies in popular culture (Jackson, Miss.)
PN2287.M53G44 1994
791.43'028'092273-dc20 94-18366
CIP
British Library Cataloging-in-Publication data available
Page vii
TO
HUMORIST
Viv Sade
AND
SCHOLAR AND MENTOR
Tom Inge
Page ix
Contents
Preface and Acknowledgments
ix
Chapter One
Introduction
3
Chapter Two
Background of the American Comic
Con Artist and the Antihero
9
Chapter Three
W. C. Fields and Groucho Marx
An Analytical Dual Biography
40
Chapter Four
Contrasting Film Huckster Styles
W. C. versus Groucho
102
Chapter Five
Antiheroes and Absurdity
As Defined by the Films of W. C. and Groucho
136
Chapter Six
Epilogue
168
Filmography
171
Bibliography
181
Index
19

Page x
Page xi
Picture 3
"We're making motion picture history here."
Egbert Sous (W. C. Fields), as a substitute film director in The Bank Dick (1940)
Preface And Acknowledgments
The key objective of this study is to compare and contrast the flimflam comic shtick and antiheroic humor of W. C. Fields and Groucho Marx during the golden age of American sound film comedy, the period sandwiched between the 1929 stock-market crash and the country's 1941 entry into World War II. The study also explores possible con artist and antihero roots for the two comedians in various popular culture sources, and the lives of the men themselves.
There is, of course, no single correct "reading" of artists Fields and Marx. Each critiquing author or film viewer brings his or her special perspective to a master work and learns from the work, ideally, as much about himself or herself as about the comic art. While it should never be forgotten that comedy analysis is another way of celebrating laughter, I hope that this critical study underscores anew the cultural significance of Fields and Marx.
In many ways this book began with a 1950s childhood watching these comedians' films on television. It reached another level when I did analytical biographies of Fields and the Marx brothers, and of
Page xii
some of their comedy contemporaries, including Charlie Chaplin, Laurel and Hardy, Robert Benchley, and director Leo McCarey. Consequently, the work in hand is a natural progression of my interest in and study of these comic artists. Much of it would have been impossible, however, without several important archives and their invariably helpful staffs, including the New York Public Library system, which houses the Billy Rose Theater Collection; the Library of Congress (particularly the Manuscript Division, the Motion Picture, Broadcasting and Recorded Sound Division, and the Library Reading Room); the Margaret Herrick-Library at the Academy of Motion Picture Arts and Sciences (Beverly Hills); the American Film Institute (Beverly Hills); the UCLA Theatre Arts Library within its University Research Library (Los Angeles); the University of Iowa's Special Collections Library and its main library (Iowa City); and Ball State University's Bracken Library (Muncie, Indiana).
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