Donovan - MASTER LISTS FOR WRITERS: Thesauruses, Plots, Character Traits, Names, and More
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Table of Contents
Master Lists for Writers Copyright 2015 by Munds Park Publishing All rights reserved bryndonovan.com
First edition, October 2015 ISBN: 978-0-9967152-0-1 No part of this publication may be reproduced or distributed in print or electronic form without prior permission of the author. ACKNOWLEDGEMENTS As I wrote this book, I was blessed with the enthusiastic moral support of my family, my real life friends, including the Scoobies, and my online communitiesthe Lentils, the Binders, and the NaNoWriMo group. I appreciate you all so much. I also want to thank the readers and followers of my blog, bryndonovan.com. I would like to give special appreciation to Pulitzer Prize-winning poet Robert Hass for his permission to quote his poem in this book. Most of all, I owe so much to Gill Donovan, a wonderful writer, a smart editor, the kindest human being I have ever met, and my soul mate.
I love you, darling.
To tell the truth, even as a little kid, I always loved making lists. They are exercises in thinking about all the possibilities, and as an optimist, that appeals to me. Additionally, Ive always had the strong urge to help other peoples creative projects succeed. Some people have referred to my lists as cheat sheets. Im happy that they make writing faster and easier, because that was my intention. However, I dont think youre cheating by using this book! We all get inspiration and solutions from many sourcesTV, movies, books, websites, conversations, and observations of real life.
This book is just one additional resource. If you find the perfect solution in here when youre stuck, please feel free to apply it directly. Thats what the book is for. Chances are, youll have to either change it a bit or expand upon it to fit your writing. Even if you dont, its a drop of water in the big sea of your story. It will blend in, and youll make it your own.
On the other hand, reading a list may make you think of a new solution that isnt even on the page. Thats how lists work. For instance, when someone posts a top 10 list online, others usually chime in to ask, But what about this one? How could you leave that one off? None of the lists in this book is comprehensive. In most cases, it would be impossible to make a complete list. Youll probably think of additions, which is part of the value of the book. I want to make a note about pronouns.
At first, I tried to use they as a singular, non-gendered pronoun everywhere. Because of the succinct format of lists, the use of they sometimes made things confusing, particularly in the section on plot ideas. Ive chosen to use he and she, mostly at random. Please remember that in every list, you can substitute any pronouns you like. I hope this book is an inspiring, time-saving reference for you. Happy writing!
DESCRIPTIONS Its very important for most readers to be able to picture characters and items in a scene clearly in their heads. Writers also need good descriptions of facial expressions, body language, and gestures to convey emotions and to set up lines of dialogue without always having to write said or any of its synonyms. Sometimes, we need fresh ways to describe emotions directly. Its easy for us to rely on the same handful of descriptions. We can also lose our writing momentum when we take a long time trying to think of the right word or phrase. This section can make that process quicker and easier.
DESCRIPTIONS OF FACIAL EXPRESSIONS Ive categorized these expressions under positive and neutral (neutral meaning things like surprise and curiosity) and negative. I havent organized them according to particular emotion, because so many of them work for more than one. A person might narrow his eyes out of vindictiveness or skepticism, for instance, and his face might turn red out of anger or embarrassment. Some of these require a little more explanation on your part. Youll have to say what shes glaring at, or if his face is contorting in rage, or grief, or what. And not all of these will work for every characterit depends on what the character looks like and how she generally reacts to things.
Some of these arent exactly facial expressions, but still useful for dialogue tags. In many cases Ive given several ways to describe the same thing. While I have included some longer phrases, they are not proprietary and its fine to use them.
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