PUFFIN CANADA
MOUNTAIN GIRL, RIVER GIRL
TING-XING YE , born in Shanghai in 1952, was an English interpreter for the Chinese government before leaving China in 1987. Her memoir, A Leaf in the Bitter Wind, has been published in nine countries. She is also the author of Throwaway Daughter and the award-winning White Lily. She lives in Orillia, Ontario.
Also by Ting-xing Ye
A Leaf in the Bitter Wind
My Name Is Number Four
Throwaway Daughter
White Lily
Three Monks, No Water
Weighing the Elephant
Share the Sky
Mountain Girl,
River Girl
a novel
Ting-xing Ye
PUFFIN CANADA
Published by the Penguin Group
Penguin Group (Canada), 90 Eglinton Avenue East, Suite 700,
Toronto, Ontario, Canada M4P 2Y3 (a division of Pearson Canada Inc.)
Penguin Group (USA) Inc., 375 Hudson Street, New York, New York 10014, U.S.A.
Penguin Books Ltd, 80 Strand, London WC2R 0RL, England
Penguin Ireland, 25 St Stephens Green, Dublin 2, Ireland
(a division of Penguin Books Ltd)
Penguin Group (Australia), 250 Camberwell Road, Camberwell,
Victoria 3124, Australia (a division of Pearson Australia Group Pty Ltd)
Penguin Books India Pvt Ltd, 11 Community Centre, Panchsheel Park,
New Delhi - 110 017, India
Penguin Group (NZ), 67 Apollo Drive, Rosedale, North Shore 0745, Auckland,
New Zealand (a division of Pearson New Zealand Ltd)
Penguin Books (South Africa) (Pty) Ltd, 24 Sturdee Avenue, Rosebank,
Johannesburg 2196, South Africa
Penguin Books Ltd, Registered Offices: 80 Strand, London WC2R 0RL, England
Published in Puffin Canada paperback by Penguin Group (Canada),
a division of Pearson Canada Inc., 2008
Published in this edition, 2009
1 2 3 4 5 6 7 8 9 10 (OPM)
Copyright Ting-xing Ye, 2008
All rights reserved. Without limiting the rights under copyright reserved above, no part
of this publication may be reproduced, stored in or introduced into a retrieval system,
or transmitted in any form or by any means (electronic, mechanical, photocopying,
recording or otherwise), without the prior written permission of both the copyright
owner and the above publisher of this book.
Publishers note: This book is a work of fiction. Names, characters, places and incidents either are the product of the authors imagination or are used fictitiously, and any resemblance to actual persons living or dead, events, or locales is entirely coincidental.
Manufactured in the U.S.A.
Library and Archives Canada Cataloguing in Publication data available
upon request to the publisher.
ISBN: 978-0-14-316813-3
Except in the United States of America, this book is sold subject to the condition that
it shall not, by way of trade or otherwise, be lent, re-sold, hired out, or otherwise
circulated without the publishers prior consent in any form of binding or cover other
than that in which it is published and without a similar condition including this
condition being imposed on the subsequent purchaser.
Visit the Penguin Group (Canada) website at www.penguin.ca
Special and corporate bulk purchase rates available; please see
www.penguin.ca/corporatesales or call 1-800-810-3104, ext. 477 or 474
A N OTE ON P RONUNCIATION
AND U SAGE
The standard pin-yin notation is used through-out. Most letters in pin-yin are pronounced more or less the same as in English.
Pan-pan is pronounced as in English.
Shui-lian is pronounced shway lee-an.
The words Lao (old, venerable) and Xiao (young) when used with a surname are common terms of respect in China.
For Bill, who calls China his second home.
Shan chong shui fu yi wu lu
Liu an hua ming you yi cun
Mountain folds into mountain,
river flows into river,
with no path in sight.
In the shadow of a willow
wildflowers glow.
A village comes in view.
FROM TOURING SHANXI VILLAGE
BY SONG DYNASTY POET LU YOU, 11251210
Chapter One
Pan-pan
Give the back of your neck a good scrub.
Startled, her heart pounding in her throat, Pan-pan gripped the rim of the enamel washbasin to contain her irritation. Yes, Ah-Po, she murmured.
And behind your ears.
Yes, Ah-Po.
Good Heavens! Theyre a whole shade darker than the rest of your skin, the old woman rattled on. You should know theyre also part of your face.
Are they really? Pan-pan muttered, slowly turning away from the stone sink. Blinking and squeezing soapy water out of her eyes, she looked up to find that the tip of her nose was only an inch away from her grandmothers.
Yes, Ah-Po, she said again.
And
And, Pan-pan cut her off, lifting her chin and staring into her grandmothers eyes, give my armpits a good wash and dust them with the talcum powder you so kindly bought for me.
Aiya, Pan-er, Ah-Po exclaimed, her voice rising. Did you eat gunpowder for supper last night? Fine, then. Do whatever you want! Im leaving. Why do I care so much? she lamented, reaching to brush soapy water off Pan-pans bare shoulder with her open palm before she turned and shuffled toward the door. There she raised her plump arms in surrender and called out, I give up. Its your face, after all. And your body.
Youll never give up! Pan-pan shot back angrily, but not until the kitchen door had shut behind her grandmother. As for today, my face and my body are all yours. She paused, making sure that Ah-Po was gone, and yelled, And dont call me Pan-er. Im not a boy. My name is Pan-pan!
Pan-pan had told Ah-Po time after time that she didnt like to be sneaked up on, particularly when she was washing herself. That was why for months she had been getting up each morning before anyone else in the house. Now, two weeks before her fifteenth birthday, Pan-pan enjoyed having the tiny kitchen to herself. She cherished the quiet moments and solitude, or her privacy, a word she had heard Xin-Manew motheruse a lot lately.
Rubbing her neck with a rough cloth, Pan-pan held back another surge of fury as she realized that even the hinges on the door had betrayed her, letting her grandmother come into the kitchen unheard. For as long as she could remember, the warped wooden door had squeaked each time it was pushed open. Didnt Mom use to say that when a person is feeling low or struck by bad luck, she can be bullied by her own shadow?
Thinking about her mother brought tears to Pan-pans eyes, and, overcome with frustration, she wiped them away with the back of her hand more forcefully than necessary. Todays grand ceremony would mark the third anniversary of Moms death. Her father had remarried, and over a year ago Xin-Ma had given birth to Gui-yang, Pan-pans half-brother. No matter how hard she tried, Pan-pan couldnt work up much enthusiasm for the coming rituals.
No one in the family had ever explained to Pan-pan why her mother had died so unexpectedly at the age of thirty-six. People are not supposed to die so young, and Mom hadnt even been sick. Many times Pan-pan had begged her father for an answer, but each time he hemmed and hawed as if he had suddenly lost his voice. He would fidget, rubbing the back of his neck or repeatedly wiping his face with his hand. His pain and agony were so hard to watch that eventually Pan-pan stopped asking him questions altogether.
Next page