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Helen Zia - Last Boat Out of Shanghai: The Epic Story of the Chinese Who Fled Mao’s Revolution

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Helen Zia Last Boat Out of Shanghai: The Epic Story of the Chinese Who Fled Mao’s Revolution
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The dramatic real life stories of four young people caught up in the mass exodus of Shanghai in the wake of Chinas 1949 Communist revolution--aheartrendingprecursor to the struggles faced by emigrants today.
A true page-turner . . . [Helen] Zia has proven once again that history is something that happens to real people.--New York Timesbestselling author Lisa See
Shanghai has historically been Chinas jewel, its richest, most modern and westernized city. The bustling metropolis was home to sophisticated intellectuals, entrepreneurs, and a thriving middle class when Maos proletarian revolution emerged victorious from the long civil war. Terrified of the horrors the Communists would wreak upon their lives, citizens of Shanghai who could afford to fled in every direction. Seventy years later, members of the last generation to fully recall this massive exodus have revealed their stories to Chinese American journalist Helen Zia, who interviewed hundreds of exiles about their journey through one of the most tumultuous events of the twentieth century. From these moving accounts, Zia weaves together the stories of four young Shanghai residents who wrestled with the decision to abandon everything for an uncertain life as refugees in Hong Kong, Taiwan, and the United States.
Benny, who as a teenager became the unwilling heir to his fathers dark wartime legacy, must decide either to escape to Hong Kong or navigate the intricacies of a newly Communist China. The resolute Annuo, forced to flee her home with her father, a defeated Nationalist official, becomes an unwelcome exile in Taiwan. The financially strapped Ho fights deportation from the U.S. in order to continue his studies while his family struggles at home. And Bing, given away by her poor parents, faces the prospect of a new life among strangers in America. The lives of these men and women are marvelously portrayed, revealing the dignity and triumph of personal survival.
Herself the daughter of immigrants from China, Zia is uniquely equipped to explain how crises like the Shanghai transition affect children and their families, students and their futures, and, ultimately, the way we see ourselves and those around us.Last Boat Out of Shanghaibrings a poignant personal angle to the experiences of refugees then and, by extension, today.
Zias portraits are compassionate and heartbreaking, and they are, ultimately, the universal story of many families who leave their homeland as refugees and find less-than-welcoming circumstances on the other side.--Amy Tan, author ofThe Joy Luck Club

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Last Boat Out of Shanghai is a work of nonfiction Some names and identifying - photo 1
Last Boat Out of Shanghai is a work of nonfiction Some names and identifying - photo 2
Last Boat Out of Shanghai is a work of nonfiction Some names and identifying - photo 3

Last Boat Out of Shanghai is a work of nonfiction. Some names and identifying details have been changed.

Copyright 2019 by Helen Zia

Map copyright 2019 by David Lindroth Inc.

All rights reserved.

Published in the United States by Ballantine Books, an imprint of Random House, a division of Penguin Random House LLC, New York.

B ALLANTINE and the H OUSE colophon are registered trademarks of Penguin Random House LLC.

L IBRARY OF C ONGRESS C ATALOGING-IN- P UBLICATION D ATA

N AMES: Zia, Helen, author.

T ITLE: Last boat out of Shanghai: the epic story of the Chinese who fled Maos revolution / Helen Zia.

D ESCRIPTION: New York: Ballantine Books, [2019] | Includes bibliographical references and index.

I DENTIFIERS: LCCN 2018036197 | ISBN 9780345522320 (hardcover) | ISBN 9780525618867 (ebook)

S UBJECTS: LCSH: ChinaHistoryCivil War, 19451949Refugees. | Political refugeesChinaHistory20th century. | ChineseForeign countriesHistory20th century. | ChinaEmigration and immigrationHistory20th century. | Shanghai (China)History20th century.

C LASSIFICATION: LCC DS777.542 .Z53 2019 | DDC 951.04/2dc23 LC record available at https://lccn.loc.gov/2018036197

Ebook ISBN9780525618867

randomhousebooks.com

Book design by Barbara M. Bachman, adapted for ebook

Cover design: Daniel Rembert

Cover photograph: Jack Birns/The LIFE Picture Collection/Getty Images

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Running away is one of our nations characteristics We are very good at it The - photo 4

Running away is one of our nations characteristics. We are very good at it. The best strategy for getting out of a bad situation is to run away. It may be the only way you can save yourself. If you dont follow this rule, you end up suffering.

The two characters tao nan mean running away from difficulty. When transposed, it is nan tao and means difficult to run away. Looking back at those who tried to run away by plane or train or ship, many ended up getting killed in accidents. It was indeed difficult for them to run away.

EXCERPT TRANSLATED FROM LUN YU [The Analects Fortnightly], CHINAS LEADING LITERARY MAGAZINE, IN ITS SPECIAL ISSUE ON RUNNING AWAY, MARCH 16, 1949

Anyone who delves into China its people and history soon discovers that over - photo 5

Anyone who delves into China, its people and history, soon discovers that, over the years, there have been an assortment of imperfect methods used to render the nonalphabetic Chinese language into English and other romanized languages. Most systems have been phoneticthat is, words have been transliterated based on the sounds in Chinese. This is problematic since pronunciation of words can vary to the point of their being unrecognizable from one Chinese dialect to the next. My surname, Zia, for example, is a common Chinese name that was transliterated using the system dominant in early 1900s Shanghai and based on its dialect. With different romanization methods and dialects in play, the alphabetic spelling can be Hsieh, Hsia, Sieh, Sie, Jie, and more. In todays China, it would be Xie using pinyin, the official standard in China and widely accepted by most universities around the world, including in the United States.

During the period covered by this book, from the 1920s to the 1960s, various romanization systems have been in use. Furthermore, places were often renamed by the latest political or military organization in command of the oft-changing landscape. As many other authors have done, I use the most familiar names for key historic figures, particularly if their names in pinyin may confuse readers unversed in the nuances of romanization. Thus Chiang Kai-shek, Soong May-ling, and T. V. Soong appear in this book, not Jiang Jieshi, Song Meiling, or Song Ziwen, as they are in pinyin. However, I defer to pinyin where the names will not confound the reader, as with Mao Zedong and Zhou Enlai.

Similarly, I rely on the present-day place-names Guangzhou, Suzhou, Chongqing, and Taiwan, rather than Canton, Soochow, Chungking, and Formosa. For street names, I use the name as known by the books characters, for example, Avenue Joffre and Jessfield Road, not the current Huaihai Lu and Wanhangdu Lu. However, to make those former street names relevant to present-day Shanghai, Ive placed an endnote with the current name on the first reference to each. I also refer to Chiang Kai-sheks government as Nationalists, which is how they were commonly known in English, rather than Kuomintang (in the Wade-Giles system) or Guomindang (in pinyin).

Finally, some words appear that are peculiar to Shanghai: Expatriates called themselves Shanghailanders, a term applied only to the citys foreign residents, whereas Shanghainese refers only to its Chinese residentsa distinction that would be well appreciated if one were transported alongside the characters of this book.

SHANGHAI MAY 4 1949 Bing sat straight up in the pedicab gripping the hard - photo 6

SHANGHAI, MAY 4, 1949

Bing sat straight up in the pedicab, gripping the hard seat as the driver cursed and spat. She watched with alarm as his feet, clad in sandals cut from old tires, seemed to slow to a snails pace just when she most needed speed. This stylish-looking young woman had imagined that her last hours in Shanghai would be spent waving farewell from a ships deck to envious onlookers below as a river breeze gently lifted her dark hair, just as shed seen in the movies. After all, she was about to leave Chinas biggest, most glamorous, and most notorious city. Shanghai had been Bings home since she had arrived following the Japanese invasion nearly twelve years earlier, as a frightened girl of nine. But now, with the imminent threat of a violent Communist revolution, she was running away again, along with half the citys population, it seemed. And instead of standing at the rail, exchanging smiles with the ships other passengers, she was stuck in traffic, terrified that she wouldnt reach the Shanghai Hongkou Wharf in time. That would spell disaster.

She lurched forward as the pedicab driver stood on the pedals of his three-wheeled cycle and came to a stop. Around her was a sea of other pedicabs, rickshaws, cars, buses, carts, and trucksall screeching and honking, their drivers yelling every manner of obscenity. The cacophony reverberated against the walls of the stone-and-concrete canyon of Nanjing Road. Bing was no stranger to Shanghais mayhem, but she had never seen anything quite like this. Of all times to be stuck in such bedlamon the very day she had to get to the riverfront, the date set for her departure from this desperate city.

Shed sewn her floral-print

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