ALSO BY DACRE STOKER
Dracula: The Un-Dead
The Lost Journal of Bram Stoker: The Dublin Years
ALSO BY J. D. BARKER
Forsaken
The Fourth Monkey
The Fifth to Die
G. P. PUTNAMS SONS
Publishers Since 1838
An imprint of Penguin Random House LLC
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Copyright 2018 by Dacre Stoker and J. D. Barker
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Library of Congress Cataloging-in-Publication Data
Names: Stoker, Dacre, author. | Barker, J. D. (Jonathan Dylan), author.
Title: Dracul / Dacre Stoker and J. D. Barker.
Description: New York : G. P. Putnams Sons, [2018]
Identifiers: LCCN 2017052374 | ISBN 9780735219342 (hardcover) | ISBN 9780735219366 (ebook)
Subjects: LCSH: Stoker, Bram, 18471912Fiction. | VampiresFiction. | Horror fiction.
Classification: LCC PS3619.T645 D7 2019 | DDC 813/.6dc23
LC record available at https://lccn.loc.gov/2017052374
MAP DESIGN B Y MEIGHAN CAVANAUGH
This is a work of fiction. Names, characters, places, and incidents either are the product of the authors imaginations or are used fictitiously, and any resemblance to actual persons, living or dead, businesses, companies, events, or locales is entirely coincidental.
For further information, please contact www.bramstokerestate.com.
Version_1
For all those who know monsters are real.
How these papers have been placed in sequence will be made manifest in the reading of them. All needless matters have been eliminated so that a history may stand forth as simple fact. I have collected these documents and organized them from those involved with their knowledge and desire to share what occurreda bleak and formidable time. Interspersed, you will find my narrative to create a whole.
Take from this what you wish.
PART I
I am quite convinced that there is no doubt whatever that the events here described really took place, however unbelievable and incomprehensible they might appear at first sight.
Bram Stoker, Dracula
Taken from the recently discovered original preface, which was extracted prior to publication.
I heard a strange, shrill laugh, like the sound of a glass bellit was her voiceI still shudder at it, this voice was not human at all.
Bram Stoker, Makt Myrkranna
NOW
Bram stares at the door.
Sweat trickles down his creased forehead. He brushes his fingers through his damp hair, his temples throbbing with ache.
How long has he been awake? Two days? Three? He doesnt know, each hour blends into the next, a fevered dream from which there is no waking, only sleep, deeper, darker
No!
There can be no thought of sleep.
He forces his eyes wide. He wills them open, preventing even a single blink, for each blink comes heavier than the last. There can be no rest, no sleep, no safety, no family, no love, no future, no
The door.
Must watch the door.
Bram stands up from the chair, the only furniture in the room, his eyes locking on the thick oak door. Had it moved? He thought he had seen it shudder, but there had been no sound. Not the slightest of noises betrayed the silence of this place; there was only his own breathing, and the anxious tapping of his foot against the cold stone floor.
The doorknob remains still, the ornate hinges looking as they probably did a hundred years ago, the lock holding firm. Until his arrival at this place, he had never seen such a lock, forged from iron and molded in place. The mechanism itself is one with the door, secured firmly at the center with two large dead bolts branching out to the right and the left and attached to the frame. The key is in his pocket, and it will remain in his pocket.
Brams fingers tighten around the stock of his SniderEnfield Mark III rifle, his index finger playing over the trigger guard. In recent hours, he has loaded the weapon and pulled and released the breech lock more times than he can count. His free hand slips over the cold steel, ensuring the bolt is in the proper position. He pulls back the hammer.
This time he sees ita slight wavering in the dust in the crack between the door and the floor, a puff of air, nothing more, but movement nonetheless.
Noiselessly, Bram sets the rifle down, leaning it against his chair.
He reaches into the straw basket to his left and retrieves a wild white rose, one of seven remaining.
The oil lamp, the only light in the room, flickers with his movement.
With caution, he approaches the door.
The last rose lay in a shriveled heap, the petals brown and black and ripe with death, the stem dry and sickly with thorns appearing larger than they had when the flower still held life. The stench of rot wafts up; the rose has taken on the scent of a corpse flower.
Bram kicks the old rose away with the toe of his boot and gently rests the new bloom in its place against the bottom of the door. Bless this rose, Father, with Your breath and hand and all things holy. Direct Your angels to watch over it, and guide their touch to hold all evil at bay. Amen.
From the other side of the door comes a bang, the sound of a thousand pounds impacting the old oak. The door buckles, and Bram jumps back to the chair, his hand scooping up the leaning rifle and taking aim as he drops to one knee.