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Sam Staggs - Finding Zsa Zsa: The Gabors Behind the Legend

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Sam Staggs Finding Zsa Zsa: The Gabors Behind the Legend
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For decades, the Gabor dynasty was the epitome of glamour and fairy tale success. But as biographer, film historian, and Gabor family friend Sam Staggs reveals, behind the headlines is a true story more dramatic, fabulous, and surprising than their self-styled legend would have you believe . . .

In 1945, after barely escaping Hitlers invasion of Hungary followed by liberation of the country by the Red Army, three members of the Gabor family--Jolie, her ex-husband Vilmos, and their daughter Magda--arrived in New York City. In Hollywood, their other daughters,
Zsa Zsa and Eva, had worked feverishly throughout the war years to secure their rescue from the Nazis plan to exterminate the Jews. Stepping off the boat, Jolie, the iron-willed matriarch, already had a golden future mapped out for her sharp-witted, cosmopolitan beauties.
Over the next six decades, with twenty-three husbands between them (suaveAll About Evestar George Sanders would wed both Zsa ZsaandMagda), scores of lovers, and roller-coaster rides in film, television, theater, and business, the elegant yet gloriously bawdy, addictively watchable Gabors carved a niche in the entertainment industry that made them world-famous pop-culture icons. But beneath the artifice of Dior and diamonds was another side to the story they never revealed: the whole truth.
This first verifiable history of the Gabors casts a startling new light on these extraordinary women.Finding Zsa Zsareveals the tumultuous and often unforgiven battles between mother and daughter, sister and sister, wife and husband; Evas bearded romance with Merv Griffin that allowed them both to seek same-sex lovers; Zsa Zsas involuntary confinement in a mental hospital; her life-long struggle with bipolar disorder; and her last--unconsummated--marriage to the manipulatingfauxprince Frederic von Anhalt. Here too is the untold story of Zsa Zsas daughter, Francesca Hilton, a gifted photographer who eschewed the Gabor lifestyle and paid a sad price for her independence. The story of family patriarch Vilmos Gabor, who returned to Hungary only to be trapped behind the Iron Curtain, reads like a Cold War spy thriller.
Culled from new interviews with family, colleagues, and confidantes, and the unpublished memoirs of the authors friend Francesca Hilton,Finding Zsa Zsafinally introduces fans to the Gabor family they never knew, including many never-before-seen photos. Its a riveting, outrageously funny, bittersweet, and affectionately honest read of four women who were vulnerable, tough, charitable, endlessly fascinating, and always glamorous to a fault.

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Table of Contents Acknowledgments H ow does anyone write a book without - photo 1
Table of Contents

Acknowledgments
H ow does anyone write a book without the generous assistance and goodwill of a company of friends, colleagues, acquaintances, and casual well-wishers? For me, it would be impossible. Minus that vast company, Finding Zsa Zsa would surely have been an incomplete biography.
My first stop on what became the Gabor superhighway was a telephone call in 2010 to Francesca Hilton, Zsa Zsas daughter. Her cooperation and friendship convinced me to go forward with this lengthy and complex project. Francescas death in 2015 was a terrible loss. Nevertheless, many of the details published here for the first time result from Francescas confidence in me as a lifelong devotee of her family.
Also in 2010, I made the acquaintance of Tony Turtu, whose book Gaborabilia is unsurpassed. I devoured this museum of raritiesphotographs, memorabilia, ephemerain 2001, when the book was published. Then, at the outset of my own project, I wrote to him and he replied immediately. That was the beginning of a friendship without which my own book would surely have gone begging. Finding Zsa Zsa is dedicated to him and to the memory of Francesca.
Tony and two other authors, Ron Bowers and Richard Teleky, volunteered to read the chapters of Finding Zsa Zsa as I completed them. The sharp eyes and valuable suggestions of these threefriends, advisors, critics, comforterscontributed enormously to my final manuscript. Other friends also read sections along the way; they are Daniel Kusner, Glenn Russell, Leigh W. Rutledge, Robert Sanchez, and Ken Smith. I cite also film historian Foster Hirsch, a friend of long standing and a Gabor enthusiast whose insights and humor helped set the tone of this book. It was he who asked the haunting question that ends the final chapter: Arent you glad to have lived at a time when there were Gabors?
I am grateful also to Mrs. Annette Lantos, Jolie Gabors niece and thus first cousin to Zsa Zsa, Eva, and Magda, and to her daughter, Annette Tillemann-Dick, who welcomed me to their home and answered my many questions about the Gabors and other family members. Mrs. Lantos also supplied details of life in Budapest before and during the Holocaust.
Murat Belge, the son of Zsa Zsas first husband, replied promptly to my many emails. His straightforward briefings helped to uncloud Zsa Zsas fanciful narrative of her early years in Turkey.
Betsy Jentz and Nancy DeJean led me to an understanding of the private Zsa Zsathe woman for whom they worked at various times as assistants and for whom they had the highest regard. Other friends of Zsa Zsa and Eva who shared memories are Juli Reding Hutner and Ruta Lee. Stephen Cox, who met Eva several times while writing The Hooterville Handbook , answered all questions about Green Acres . Kevin Sasaki, Evas publicist, very kindly supplied details of his and Evas trip to Budapest in the 1990s, her first visit to Hungary since her departure in 1939.
Research, in person and via email, took me to a number of libraries and archives whose staff members extended every courtesy. At New York Public Library, the Main Branch, I was indeed fortunate to receive the professional expertise of John Cordovez, Cara Dellatte, Tal Nadan, and Kyle Triplett. At NYPL for the Performing Arts, at Lincoln Center, Sylvia Alicea, Jennifer Eberhardt, and Suzanne Lipkin were especially helpful. I am equally grateful to the following: Andrew Anderson, Dallas Public Library; Peter Balestrieri, Special Collections at the University of Iowa; Jane Klain and Patricia Lunde, at the Paley Center for Media in New York; Bob Tangney of the Seattle Public Library; Edith A. Sandler, Library of Congress; and Dr. Elizabeth B. White of the United States Holocaust Memorial Museum in Washington, D.C.
A special note of thanks to Amanda Smulowitz and Marisa Fine of Yad Vashem, the World Holocaust Remembrance Center in Jerusalem, for their efforts on my behalf in obtaining permission to quote a long passage from the Yad Vashem website.
A visit to Photofest in New York is always a happy experience. Howard Mandelbaum and Ron Mandelbaum seem to have memorized every photograph in their two-million-plus archive, and upon arrival I invariably found dozens of folders full of rarities unavailable elsewhere, some of which I have included in this book.
Several persons who spoke on condition of anonymity surely know the depth of my gratitude to them.
The following people and organizations contributed in myriad ways to what I hope is a three-dimensional portrait of the Gabors: Sara Abosch-Jacobson, the late Patrick Agan, Michael Ankerich, Barbara Bedevian, Jack Bedevian, Eva Beluska, the late John Blanchette, Tim Boss, Peter Carlson, Sarah Clothier, Ned Comstock, Judy Diamond, Joann Duff, Wendy W. Fairey, Roger Farabee, Bernard Fitzgerald, Heyd Fontenot, J.R. Giesen, Gene Gill, Michael Gilmore, Betty Abbot Griffin, Janet Groth, Mariel Hart, Ginger Haselden, Nicholas Haslam, Anastasia Hendrix, Robert Hickey, Patricia Hilton, Steven Hughes, Bobby Hyde, the late Vernon Jordan, the late Brian Kellow, Lana Kohler, Jokke Lagerspets, Steve Lambert, the late Robin Leach, Eszter Lestk, Shawn Levy, the late Scott Lindsey, the late Al Lowman, Edward Lozzi, John Lukacs, Allison Littell McHose, Lucy Mallows, William J. Mann, Evan Matthews, Calvin Mingo, Linda Briscoe Myers, Dorie Nussbaum, Tom Nussbaum, Jerry Oppenheimer, James Robert Parish, Rubn Parra, Dennis Payne, Diane Pecknold, Jeffrey Prang, Glenn Russell, Tim Smith, Elke Sommer, Leonard Stanley, Kelli Strode, the late Ray Summer, Gabriela Tagliavini, Jim Tamulis, Gordon Taylor, Zenith Tillemann-Dick, Jason Tomes, Frederick Tucker, Robert Uher, Pter Vli, Hugo Vickers, Buddy Weiss, Susan Kohner Weitz, Robert T. Westbrook, and Wayne Wright.
Also, Eric Bradley, director of public relations, and Steve Lansdale, public relations specialist, at Heritage Auctions; and the Boris Karloff Information Centre.
I must emphasize that whatever strengths this book may have, they would be fewer without those named above. The flaws, however, are mine alone.
A disclosure, in the form of a nod to my late friend Pauline Kael: the phrase refugee chic, in Chapter 13, is not original, though I wish it were. So perfectly does it describe Jolie Gabor at a particular moment that I borrowed it from Paulines review, in The New Yorker , of the 1974 film Les Violons du bal.
Finally, at the end of this cavalcade, loud applause to my agent, Eric Myers of Myers Literary Management, whose enthusiasm and guidance lightened a difficult task. I also thank my editor, John Scognamiglio, for his generosity. And a deep bow to Carly Sommerstein, the ne plus ultra of copy editors.
Selected Bibliography
Aherne, Brian. A Dreadful Man: The Story of Hollywoods Most Original Cad, George Sanders . New York: Berkley Books, 1981 [orig. 1979].
Brady, Frank. Citizen Welles: A Biography of Orson Welles . New York: Scribners, 1989.
Brown, Peter Harry. Such Devoted Sisters: Those Fabulous Gabors . New York: St. Martins Press, 1985.
Caron, Leslie. Thank Heaven: A Memoir . New York: Viking, 2009.
Collins, Joan. Past Imperfect . New York: Simon & Schuster, 1984.
Cox, Stephen. The Hooterville Handbook: A Viewers Guide to Green Acres. New York: St. Martins Press, 1993.
Cronkite, Kathy. On the Edge of the Spotlight: Celebrities Children Speak Out About Their Lives . New York: William Morrow, 1981.
Diderich, Bernard. Trujillo: The Death of the Goat . Boston: Little, Brown, 1978.
Eyman, Scott. Ernst Lubitsch: Laughter in Paradise . New York: Simon & Schuster, 1993.
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