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Ben Folds - A Dream About Lightning Bugs: A Life of Music and Cheap Lessons

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Ben Folds A Dream About Lightning Bugs: A Life of Music and Cheap Lessons
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A Dream About Lightning Bugs: A Life of Music and Cheap Lessons: summary, description and annotation

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From the genre-defying icon Ben Folds comes a memoir that is as nuanced, witty, and relatable as his cult-classic songs.
A Dream About Lightning Bugs reads like its author: intelligent, curious, unapologetically punk, and funny as hell.Sara Bareilles
Ben Folds is a celebrated American singer-songwriter, beloved for songs such as Brick, You Dont Know Me, Rockin the Suburbs, and The Luckiest, and is the former frontman of the alternative rock band Ben Folds Five. But Folds will be the first to tell you hes an unconventional icon, more normcore than hardcore. Now, in his first book, Folds looks back at his life so far in a charming and wise chronicle of his artistic coming of age, infused with the wry observations of a natural storyteller.
In the title chapter, A Dream About Lightning Bugs, Folds recalls his earliest childhood dreamand realizes how much it influenced his understanding of what it means to be an artist. In...

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A Dream About Lightning Bugs is a work of nonfiction Some names and - photo 1
A Dream About Lightning Bugs is a work of nonfiction Some names and - photo 2

A Dream About Lightning Bugs is a work of nonfiction. Some names and identifying details have been changed.

Copyright 2019 by Ben Folds

All rights reserved.

Published in the United States by Ballantine Books, an imprint of Random House, a division of Penguin Random House LLC, New York.

B ALLANTINE and the H OUSE colophon are registered trademarks of Penguin Random House LLC.

All lyrics by Ben Folds Free From The Man Songs LLC (BMI). All rights administered by BMG Rights Management (US) LLC. Used by permission. All rights reserved.

Lyrics from Grown Man Cry written by Amanda Palmer. Published by Eight Foot Music. Administered by Kobalt Songs Music Publishing. Used by permission.

LIBRARY OF CONGRESS CATALOGING-IN-PUBLICATION DATA

Names: Folds, Ben, author.

Title: A dream about lightning bugs : a life of music and cheap lessons / Ben Folds.

Description: First edition. | New York : Ballantine Books, [2019] | Identifiers: LCCN 2019011730 (print) | LCCN 2019012936 (ebook) | ISBN 9781984817280 (ebook) | ISBN 9781984817273 (hardcover)

Subjects: LCSH: Folds, Ben. | Rock musiciansUnited StatesBiography.

Classification: LCC ML420.F656 (ebook) | LCC ML420.F656 A3 2019 (print) | DDC 782.42166092 [B]dc23

LC record available at https://lccn.loc.gov/2019011730

Ebook ISBN9781984817280

randomhousebooks.com

Book design by Susan Turner, adpated for ebook

Cover design and illustration: David G. Stevenson, based on images Shutterstock

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Contents

FILE UNDER MUSIC MUSIC FEELS LIKE THE FRAME on which Ive hung nearly every - photo 3

FILE UNDER MUSIC

MUSIC FEELS LIKE THE FRAME on which Ive hung nearly every recollection, giving me access to large files of childhood memories. Each song, each note, has a memory attached to it. Just a few bars of the saxophone intro of The Girl Cant Help It, by Little Richard, and out of nowhere I can see the towering leg of my fathers gray sweatpants passing. I can almost feel the crusty scar of the radiator burn on my forearm and smell the creosote of asphalt shingles. The song Puff, the Magic Dragon brings back the texture of the dirty linoleum floor, the spinning of the colorful label of the 45-rpm record, and the window-lit specks of dust on their journey around my room. These memories are from when I was two years old. Thats a lot of detail to recall from so far back. Either that or I have a good imagination.

I recently asked my mother if it was accurate to say that I was listening to a couple hours of music a day when I was two years old, and she said no. It was more like eight hourssplayed on the floor at my record player, organizing my records into neat stacks and just listening. And I would become an absolute irate little jackass when interrupted. Eight hours, damn. Thats obsessive, but then, some things never change. Its also a lot of input and stimulation for such a young brain.

I happen to believe that all the music I listened to in my toddlerhood has served as a memory tool of sorts. Maybe its why I can accurately describe the floor plan of our house on Winstead Place in Greensboro, North Carolina. Where all the furniture was placed, where the Christmas tree was, which radiator to avoid ever touching again, the jar of salt I would never ever again mistake for sugar, and the small black-and-white TV playing a rocket launch from Cape Kennedy. We left that house in Greensboro when I was three. In fact, we moved nearly every year of my childhood and I can tell you these sorts of things about each house we lived in.

Neurologists and music therapists are increasingly convinced of the effect of music on the brain. A music therapist friend of mine likes to say that Music lights up the brain like a Christmas tree. Shes referring to the large regions of brain scans that light up when stimulated by music. Other important functions, like speech, activate far smaller areas. In fact, there is an observable physical difference between a musicians brain and everyone elses. Here, I googled this for you, so you wouldnt think I was crazy.

Using a voxel-by-voxel morphometric technique, [neuroscientists have] found gray matter volume differences in motor, auditory, and visual-spatial brain regions when comparing professional musicianswith a matched group of amateur musicians and non-musicians.

From Brain Structures Differ between Musicians and Non-Musicians, Christian Gaser and Gottfried Schlaug, Journal of Neuroscience, October 8, 2003

But neuroscience is not my area of expertise, and this is not a book of science or facts. This is a book about what I know. Or what I think I know. Its about music and how it has framed and informed my life, and vice versa. About the stumbles, falls, and other brilliant strokes of luck that brought me here.

A DREAM ABOUT LIGHTNING BUGS

HERES A DREAM I HAD when I was three years old. Its the first dream I can remember. It was set in one of those humid Southern dusks I knew as a kid. The kind of night where Id look forward to the underside of the pillow cooling off, so I could turn it over and get something fresher to rest my head on for a good minute or so. The old folks described this sort of weather as close. In my dream, a group of kids and I were playing in the backyard of my familys home in Greensboro, North Carolina. Fireflieslightnin bugs, as the same old folks called themlit up in a dazzling succession and sparkled around the backyard. Somehow, I was the only one who could see these lightnin bugs, but if I pointed them out, or caught them in a jar, then the others got to see them too. And it made them happy.

This was one of those movie-like dreams and I recall one broad, out-of-body shot panning past a silhouetted herd of children, with me out in front. There was joyous laughter and a burnt sienna sky dotted with flickering insects that no one else could see until I showed them. And I remember another, tighter shot of childrens faces lighting up as I handed them glowing jars with fireflies Id captured for them. I felt needed and talented at something.

Now, this dream wasnt any kind of revelation. Hell, I was barely three years old. And although its stuck with me all these years, Ive never taken it to be a message from above that Im a chosen prophet, or Joseph from Joseph and the Amazing Technicolor Dreamcoat. However, a half century later, its obvious to me that the dream reflects the way I see artistry and the role of an artist. At its most basic, making art is about following whats luminous to you and putting it in a jar, to share with others.

Here you go. A melody. See? I found it. Its always been right there. Thats why its so familiar. Maybe it was in the rhythm of the washing machine, the awkward pause in a conversation, or the random collision of two radio stations blasting from two different cars and how it reminded you of your parents trying to be heard over one another. Remove a note, one flicker, and its the sound of the door closing for the last time and her footsteps fading into the first silence in forever. But waitnope, the silence wasnt really silence after all. You just werent paying attention. Theres always sound beneath the sound you hear. Or something else to see when your eyes adjust. It turns out there was also the sound of children playing outside your window and, below that, the buzz of a ceiling fan. Thats a sound youd overlooked before, but now its all you can hear. We all see different flickers in a busy sky.

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