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Ramon Frederick Adams - Burs Under the Saddle: A Second Look at Books and Histories of the West

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This immense book, by a noted bibliographer of the West, is beyond question the fairest, most complete and most learned evaluation of printed references to western outlaws to appear until now....It will stand for many years, solid as a rock amid the flooding maelstrom of western myth and legend, pointing up the truth about those men of the past who lived by their wits and their guns. It will be impossible for anyone studying that era and such men to do so without reference to this volume.Los Angeles TimesAdams turns again to the books and histories of the western gunmen and outlaws and critically examines 425 titles, most of which rate as burs under his saddle. Ramon Adams plea is that the writers must stop compounding each others errors into legend. In this book, with great skill and without malice, he has pointed out past mistakes. His book should be in the essential baggage of every writer on western outlaws and on every library shelf.American WestThe value of this book to writers and historians of the badman tradition cannot be overestimated, for Adams has replaced rumors, myths, and falsehoods with documented historical facts. It is a book for all conscientious students of and writers on the American West; henceforth, any writer of authentic Western history who refuses to check with Adams should be, as the judge said to Billy the Kid in one legend, hanged by the neck until dead, dead, dead.Southwest Review

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title Burs Under the Saddle A Second Look At Books and Histories of the - photo 1

title:Burs Under the Saddle; : A Second Look At Books and Histories of the West
author:Adams, Ramon F.
publisher:University of Oklahoma Press
isbn10 | asin:080612170X
print isbn13:9780806121703
ebook isbn13:9780806171098
language:English
subjectCrime--West (U.S.)--Bibliography, West (U.S.)--Historiography, Outlaws in literature.
publication date:1964
lcc:Z1251.W5A28 1964eb
ddc:016.36410978
subject:Crime--West (U.S.)--Bibliography, West (U.S.)--Historiography, Outlaws in literature.
Page iii
Burs Under the Saddle
A Second Look at Books and Histories of the West
By Ramon F. Adams
Foreword by William W. Savage, Jr.
University of Oklahoma Press : Norman and London
Page iv
To Allie
A loving companion
for over fifty years
LIBRARY OF CONGRESS CATALOG CARD NUMBER: 64-13593
ISBN: 0-8061-2170-x
Copyright 1964 by the University of Oklahoma Press, Norman, Publishing Division of the University. All rights reserved. Manufactured in the U.S.A. First edition, 1964. First paperback printing, 1989.
Page v
Contents
Foreword to the Paperback Edition,
by William W. Savage, Jr.
vii
Introduction
xi
Books and Histories of the West
3
Afterword
583
Index
585

Page vii
Foreword to the Paperback Edition
By William W. Savage, Jr.
Ramon Frederick Adams (1889-1976) did not look like a man to scare hell out of people. When I first met him in the late 1960s, he was a tall and lean old-timer whose visage was not unreminiscent of Walter Brennan, but with more of an impish quality than even Brennan could have mustered, and I thought it betrayed his good nature. Yet, to many writers in those days he must have seemed more like a literary gunslinger, a dark and malevolent mercenary on Clio's payroll, hired to perforate their work whenever they erredand that, according to Adams, was frequently. He was a man who wanted to get things right, and he expected others to do the same. When they did notand, worse, when they borrowed one another's mistakeshe set the record straight, and in terms sufficient to make the transgressors tremble and grow pale.1 Ramon Adams did, in point of fact, scare hell out of a good number of people.
Historian and fellow Texan Joe B. Frantz once described Adams's function in the historical profession. "Just like the Christians," he wrote,
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the genre of Western historians divides into two eras, in this instance B.R.A. and P.R.A. Before Ramon Adams (B.R.A.), historians of western cattle trails and western gunmen served up their offerings like a timorous bride..., expecting that Adams would destroy the validity of the offering just as soon as he got around to it. And Adams, a mild enough candy manufacturer and sometime violinist with the Dallas Symphony Orchestra, always got around
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1That to which Adams most vigorously objected was what David Hackett Fischer, Historians' Fallacies: Toward a Logic of Historical Thought (New York: Harper & Row, 1970), pp. 51-53, later identified as the "fallacy of the prevalent proof," according to which, if most people say a thing is so, then it must of course be so.
Page viii
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to detailing everyone else's errors. Without an apparent creative bone in his body, he built a deservedly formidable reputation by picking apart the exposed bones of other people's writings.2
Frantz wrote from personal experience, to the extent that he and co-author Julian Ernest Choate, Jr., had been nailed by Adams for a few errors in their The American Cowboy: The Myth and the Reality (1955), enumerated on page 177 of this book. His resentment, however, seemed to proceed not from Adams's treatment of him but from the fact that he had happened to share the planet with the old gentleman for a few years and thus had been available and vulnerable to Adams's consideration. Historians arriving after 1976 did not have the same sword suspended above their heads. "Adams has shown historians the truth," Frantz grumbled, "and the truth has set them freefree to make ex cathedra pronouncements without fear of rebuttal. Adams, to their relief, is not defeathering the angels, and no mortal successor has ridden into sight."3
Beneath all such criticisms by professional historians (and Frantz, it must be noted, was considerably less strident and remarkably more amiable than mostbut, like him, most waited until Adams had died to have their say) lay the irritating knowledge that Adams was an amateurwhich is to say that he had neither suffered through graduate education in history nor produced a dissertation. Rather, he had begun his professional life as a violinist. A graduate of Austin College, in Sherman, Texas, he established the violin program at the University of Arkansas, in 1912. Later, he played in the orchestra pits of silent-film theaters in Dallas, Fort Worth, and Wichita Falls. From the historian's perspective, he might have fiddled around indefinitely had he not experienced the misfortune of having a cantankerous Ford Model T break his arm while he was trying to crank it to life. Improperly set, the arm healed askew, and Adams had to find a new line of work. He and his wife established a profitable wholesale candy company, and thereafter his spare time could be spent on the avocation of history.4
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