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Oliver Craske - Indian Sun: The Life and Music of Ravi Shankar

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Copyright 2020 by Oliver Craske Cover design by Amanda Kain Cover photograph by - photo 1

Copyright 2020 by Oliver Craske

Cover design by Amanda Kain

Cover photograph by The Everett Collection

Cover copyright 2020 by Hachette Book Group, Inc.

Hachette Book Group supports the right to free expression and the value of copyright. The purpose of copyright is to encourage writers and artists to produce the creative works that enrich our culture.

The scanning, uploading, and distribution of this book without permission is a theft of the authors intellectual property. If you would like permission to use material from the book (other than for review purposes), please contact permissions@hbgusa.com. Thank you for your support of the authors rights.

Hachette Books

Hachette Book Group

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New York, NY 10104

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Originally published in 2020 by Faber & Faber in the UK

First U.S. Edition: April 2020

Hachette Books is a division of Hachette Book Group, Inc.

The Hachette Books name and logo are trademarks of Hachette Book Group, Inc.

The publisher is not responsible for websites (or their content) that are not owned by the publisher.

The Hachette Speakers Bureau provides a wide range of authors for speaking events. To find out more, go to www.hachettespeakersbureau.com or call (866) 376-6591.

Library of Congress Cataloging-in-Publication Data has been applied for.

ISBNs: 9780306874888 (hardcover); 9780306874871 (ebook)

E3-20200225-JV-NF-ORI

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The Indian Subcontinent 2020 The boundaries on this map are representational - photo 3

The Indian Subcontinent 2020 The boundaries on this map are representational - photo 4

The Indian Subcontinent, 2020
The boundaries on this map are representational only. They do not purport to be accurate and do not imply endorsement by either author or publisher.

The Sitar Ravi Shankar Model In everyday usage the Indian octave - photo 5

The Sitar (Ravi Shankar Model)

In everyday usage, the Indian octave resembles the Western equivalent in being divided into seven principal notes (swaras) or twelve semitones. The seven notes are most commonly known by their abbreviationssa, re, ga, ma, pa, dha and nifrom which they derive their collective name, the sargam.

The Indian sargam is movable in that these names do not stand for absolute pitch values. They are comparable to the terms do, re, me, fa, so, la and ti in Western terminology (where a movable do solfege system is followed).

In Indian musicology the octave is sometimes further subdivided into twenty-two shrutis or microtones, which are said to be the smallest changes in pitch that a human ear can detect.

Ravi Shankars principal sitar was usually tuned so that his sa (the tonic or first note) was C sharp. When he played with Western orchestras he used a sitar tuned to D.

NOTE : 1st

NAME : Sadya

ABBREVIATION : sa

NOTATION : S

EQUIVALENT IN KEY OF C : C

NOTE : flattened 2nd

NAME : komal Rishabh

ABBREVIATION : komal re (or ri)

NOTATION : R

EQUIVALENT IN KEY OF C : C sharp/D flat

NOTE : 2nd

NAME : Rishabh

ABBREVIATION : re (or ri)

NOTATION : R

EQUIVALENT IN KEY OF C : D

NOTE : flattened 3rd

NAME : komal Gandhar

ABBREVIATION : komal ga

NOTATION : G

EQUIVALENT IN KEY OF C : E flat

NOTE : 3rd

NAME : Gandhar

ABBREVIATION : ga

NOTATION : G

EQUIVALENT IN KEY OF C : E

NOTE : 4th

NAME : Madhyam

ABBREVIATION : ma

NOTATION : M

EQUIVALENT IN KEY OF C : F

NOTE : sharp 4th

NAME : teevra Madhyam

ABBREVIATION : teevra ma

NOTATION : Picture 6

EQUIVALENT IN KEY OF C : F sharp

NOTE : 5th

NAME : Pancham

ABBREVIATION : pa

NOTATION : P

EQUIVALENT IN KEY OF C : G

NOTE : flattened 6th

NAME : komal Dhaivat

ABBREVIATION : komal dha

NOTATION : D

EQUIVALENT IN KEY OF C : A flat

NOTE : 6th

NAME : Dhaivat

ABBREVIATION : dha

NOTATION : D

EQUIVALENT IN KEY OF C : A

NOTE : flattened 7th

NAME : komal Nishad

ABBREVIATION : komal ni

NOTATION : N

EQUIVALENT IN KEY OF C : B flat

NOTE : 7th

NAME : Nishad

ABBREVIATION : ni

NOTATION : N

EQUIVALENT IN KEY OF C : B

Nat Bhairav

Ahir Lalit

Rasiya

Yaman Manjh

Gunji Kanhara

Janasanmodini

Tilak Shyam

Bairagi

Mohan Kauns

Manamanjari

Mishra Gara

Pancham Se Gara

Purvi Kalyan

Kameshwari

Gangeshwari

Rangeshwari

Parameshwari

Palas Kafi

Jogeshwari

Charu Kauns

Kaushik Todi

Bairagi Todi

Bhawani Bhairav

Sanjh Kalyan

Shailangi

Suranjani

Rajya Kalyan

Banjara

Piloo Banjara

Suvarna

Doga Kalyan

Dadra tal: 6 beats, divided 33

Ardha jaital: 6 beats, divided 321

Rupaktal: 7 beats, divided 322

Keherwa tal: 8 beats, divided 44

Mattatal: 9 beats, divided 423

Jhaptal: 10 beats, divided 2323

Sadhe Das: 10 beats, divided 4411

Chartal ki sawari: 11 beats, divided 443

Sadhe Gyarah: 11 beats, divided 4421

Ektal: 12 beats, divided 4422

Jaital: 13 beats, divided 2222212

Dhamar: 14 beats, divided 5234

Ada chautal: 14 beats, divided 2444

Chanchar: 14 beats, divided 3434

Pancham sawari: 15 beats, divided 3444

Teental: 16 beats, divided 4444

Shikhar tal: 17 beats, divided 444212

Why are you writing about me now You should wait until Im gone otherwise how - photo 7

Why are you writing about me now? You should wait until Im gone, otherwise how can you possibly write a fair and unbiased story?

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