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Ellen Tarry - The third door: the autobiography of an American Negro woman

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st1:*{behavior:url(#ieooui) } Ellen Tarry was born in 1906 in Birmingham, Alabama. While attending a Catholic school in Virginia during her teens, she joined the Church. She returned to Alabama to attend college at Alabama State Normal School for Colored in Montgomery and then taught in the Birmingham Public Schools from 1924 to 1926. In pursuit of her dream of becoming a writer, Tarry moved to New York, where she worked for black newspapers and became acquainted with some of the prominent black artists and writers of the day, particularly Claude McKay and James Weldon Johnson. Her devotion to the church found expression in social work activities, first in Harlem, then in Chicago, and, during World War II, in Anniston, Alabama, where she directed a USO for black soldiers stationed at Fort McClellan. Tarry wrote several books for young readers, including biographies of James Weldon Johnson and Pierre Toussaint. She continued her social work career after the war and now lives in New York. Devoid of pronounced racial markings, Tarrys interactions with white Americans were not characterized by fear or distrust. But when her own brown daughter was subjected to racial discrimination she wrote The Third Door in 1955 to tell America about the plight of her people. With prose that is both moving and powerful, Tarry relates her life against the background of a changing American society. She still awaits the third door, designated neither white nor colored, through which all American will someday walk.

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title The Third Door The Autobiography of an American Negro Woman - photo 1

title:The Third Door : The Autobiography of an American Negro Woman Library of Alabama Classics
author:Tarry, Ellen.
publisher:University of Alabama Press
isbn10 | asin:0817305793
print isbn13:9780817305796
ebook isbn13:9780585211657
language:English
subjectTarry, Ellen,--1906- , African Americans--Biography, African American women--Biography, United States--Race relations.
publication date:1992
lcc:E185.97.T37A3 1992eb
ddc:973/.04960730092
subject:Tarry, Ellen,--1906- , African Americans--Biography, African American women--Biography, United States--Race relations.
Page i
The Third Door
Page ii
The Library of Alabama Classics,
reprint editions of works important
to the history, literature, and culture of
Alabama, is dedicated to the memory of
Rucker Agee
whose pioneering work in the fields
of Alabama history and historical geography
continues to be the standard of
scholarly achievement
Page iii
The Third Door
The Autobiography of an American Negro Woman
Ellen Tarry
With an Introduction by Nellie Y. McKay
The University of Alabama Press
Tuscaloosa and London
Page iv
Copyright 1966, 1955 Ellen Tarry.
Introduction copyright 1992
The University of Alabama Press
Tuscaloosa, Alabama 35487-0380
All rights reserved
Manufactured in the United States of America
The paper on which this book is printed meets the minimum requirements of American Standard for Information Science-Permanence of Paper for Printed Library Materials, ANSI Z39.48-1984.
Library of Congress Cataloging-in-Publication Data
Tarry, Ellen, 1906
The third door : the autobiography of an American Negro
woman / Ellen Tarry : with an introduction by Nellie Y.
McKay.
p. cm.
ISBN 0-8173-0579-3
1. Tarry, Ellen, 1906- . 2. Afro-AmericansBiography.
3. Afro-American womenBiography. 4. United StatesRace
relations.
I. Title.
E185.T37A3 1992
973'.049607302dc20 91-36037
[B] CIP
British Library Cataloguing-in-Publication Data available
Page v
To Edna
in answer to her call
Page vii
Contents
Introduction
Nellie Y. McKay
ix
Foreword
1
1
Africa Beckons
3
2
The Year of Change
24
3
The Castle and My Prisoner
37
4
Belated Heritage
58
5
My First Mission
65
6
A Column Is Born
72
7
New York
85
8
Sugar Hill
100
9
The Music Went Round and Round
117
10
The House of Friendship
127
11
Signs of the Times
154
12
Angry Harlem
181
13
Memories of Chicago!
197
14
USO Diary
213
15
The Land of the Free
249
16
Legacy for Tomorrow
272
Afterword: Ten Eventful Years19551965
305

Page ix
Introduction
Nellie Y. McKay
In 1909, in Harper's Monthly Magazine, William Dean Howells, literary critic, fiction writer, and autobiographer, noted that the "democracy" of the autobiographical narrative made it eminently attractive to the American temperament. Howells was correct, for from the beginning of the republic, American readers and writers demonstrated a great deal of interest in this form. In these waning years of the twentieth century, the continued widespread positive reception of these narratives by the general public, as well as by those with more scholarly inclinations, bears this out. On one hand, life stories of famous television and movie personalities, musicians and other entertainers, sports champions and politicians, and rags-to-riches successes (metaphorical or otherwise) continue to nurture the American dream; on the other, the genre promotes opportunities for serious reflections by those in search of deeper meanings in narrative literature. The study of theories of autobiography by literary critics and social and cultural historians in particular has led to intellectual disagreements and debates on such issues as "truth" in autobiography; the existence or nonexistence of a "self;" and differences between male and female or dominant culture vs. minority group autobiogaphies. Such arguments, based on the history, forms, and linguistic structures of autobiography have indeed fostered the rapid growth of dynamic new scholarship.
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