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Glendinning - Leonard woolf: a biography

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Glendinning Leonard woolf: a biography

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Award-winning biographer Victoria Glendinning draws on her deep knowledge of the twentieth century literary scene, and on her meticulous research into previously untapped sources, to write the first full biography of the extraordinary man who was the dark star at the center of the Bloomsbury set, and the definitive portrait of the Woolf marriage. A man of extremes, Leonard Woolf was ferocious and tender, violent and self-restrained, opinionated and nonjudgmental, always an outsider of sorts within the exceptionally intimate, fractious, and sometimes vicious society of brilliant but troubled friends and lovers. He has been portrayed either as Virginias saintly caretaker or as her oppressor, the substantial range and influence of his own achievements overshadowed by Virginias fame and the tragedy of her suicide. But Leonard was a pivotal figure of his age, whose fierce intelligence touched the key literary and political events that shaped the early decades of the twentieth century and would resonate into the post-World War II era. Glendinning beautifully evokes Woolf s coming-of-age in turn-of-the-century London. The scholarship boy from a prosperous Jewish family would cut his own path through the world of the British public school, contending with the lingering anti-Semitism of Imperial Age Britain. Immediately upon entering Trinity College, Cambridge, Woolf became one of an intimate group of vivid personalities who would form the core of the Bloomsbury circle: the flamboyant Lytton Strachey; Toby Stephen, the Goth, through whom Leonard would meet Stephens sister Virginia; and Clive Bell. Glendinning brings to life their long nights of intense discussion of literature and the vicissitudes of sex, and charts Leonards course as he becomes the lifelong friend of John Maynard Keynes and E.M. Forster. She unearths the crucial influence of Woolf s seven years as a headstrong administrator in colonial Ceylon, where he lost confidence in the imperial mission, deciding to abandon Ceylon in order to marry the psychologically troubled Virginia Stephen. Glendinning limns the true nature of Leonards devotion to Virginia, revealing through vivid depiction of their unconventional marriage how Leonard supported Virginia through her breakdowns and in her writing. In co-founding with Virginia the Hogarth Press, he provided a secure publisher for Virginias own boldly experimental works. As the Eminence grise of the early Labour Party, working behind the scenes, Woolf became a leading critic of imperialism, and his passionate advocacy of collective security to prevent war underpinned the charter of the League of Nations. After Virginias death, he continued to forge his own iconoclastic way, engaging in a long and happy relationship with a married woman. Victoria Glendinnings Leonard Woolf is a major achievement -- a shrewdly perceptive and lively portrait of a complex man of extremes and contradictions in whom passion fought with reason and whose far-reaching influence is long overdue for the full appreciation Glendinning offers in this important book.

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Also by Victoria Glendinning Trollope Rebecca West A Life Vita The Life of - photo 1

Picture 2
Also by Victoria Glendinning

Trollope

Rebecca West: A Life

Vita: The Life of Vita Sackville-West

Edith Sitwell: A Unicorn Among Lions

Elizabeth Bowen: Portrait of a Writer

Jonathan Swift

A Suppressed Cry

Hertfordshire

Sons and Mothers (ed., with Matthew Glendinning)

FICTION

Flight

The Grown-Ups

Electricity

for O.N.V.G.

Picture 3

FREE PRESS

A Division of Simon & Schuster, Inc.

1230 Avenue of the Americas

New York, NY 10020

Copyright 2006 by Victoria Glendinning

All rights reserved, including the right of reproduction in whole or in part in any form.

FREE PRESS and colophon are trademarks of Simon & Schuster, Inc.

Library of Congress Cataloging-in-Publication Data is available.

ISBN-13: 978-0-7432-8918-4
ISBN-10: 0-7432-8918-8

Visit us on the World Wide Web:

http://www.SimonSays.com

Contents

1
In the Beginning

H aving a child is problematic, wrote Leonard Woolf when in his eighties, and childless. It concerns the new human being as much as its parents, since this new human being is born without having given its consent. One should think twice, from the point of view of the hypothetical child. He himself was born, without his consent, on 25 November 1880. There he is, Leonard Sidney Woolf, in the Census returns for 1881, a five-month-old baby.

Everyone, holding a baby, has to wonder what life holds in store for him. No one could have foreseen what would happen to this one. He grew up to become a core member of a group of intimate and talented friends who continue to inspire interest and analysis a century later. In his early twenties, as a colonial servant, he administered ten thousand square miles of village and jungle. He became an anti-imperialist, a Marxist of a sort and a socialist, and was an minence grise of the early Labour Party in Britain as it became a party of government. His adult life spanned the two world wars; his writings informed the charter of the League of Nations and, as polemical journalist, as editor and author, his lifelong mission was to prevent the barbarism and insanity of future war through international cooperation and collective security.

His anguished intelligence saw all too clearly both the failure of this great project, and what he saw as the failure of the Left in Britain. He had his own demons to fight in public and in private life, being a man of extremes and contradictions: ferocious and tender, violent and self-restrained, opinionated and nonjudgmental. Belief in reason pulled him one way, irrational passion another. He was disconcerting, inner-directed, attractive, always an outsider. The constants in his character were honesty, persistence and energy. He played all games, competitively. He was a dedicated gardener. He had an affinity with animals. Nonstop workat his writing, at his political activities, in the gardencame naturally to him.

He liked women, and women liked him. (I have always been greatly attracted to the undiluted female mind, as well as to the female body.) With his wife, he founded the Hogarth Press. He had no idea when he married Virginia Stephen how her mental instability would determine and distort his own trajectory, nor that she would become one of the most famous English authors of the twentieth century. He knew how to love, and she was the love of his life. After her suicide came change and a new attachment. In his last decade, five volumes of autobiography won him respect and recognition. He left not only distinguished books on international relations, but also satirical squibs, a great mass of literary and political journalism, a play, poetry, short stories, and two novels.

Eclipsed in the literary canon, and in the public imagination, by the illustriousness of Virginia Woolfhis family name, when standing alone, commonly signifying her, not himhe is a dark star. You cannot escape Fate, he wrote at the end of his life, and Fate, I have always felt, is not in the future, but in the past.

The five-month-old Leonard, dark-haired and blue-eyed, had an elder sister, Bella Sidney, aged four; and a brother, Arnold Herbert Sidney, always called Herbert, aged nearly two. Bella, Herbert and Leonard were joined in the nursery at 101 Lexham Gardens, Kensington, by Harold Sidney, Edgar Sidney, Clara Henriette, Flora, Cecil Nathan Sidney and Philip Sidney. The nine little Woolfs were born within twelve years, the youngest arriving in 1889. There had been yet one more baby, who died in infancy.

Even a rapid overview of Leonards forebears recalls the remorselessly genealogical chapters of the Book of Genesis.

Picture 4

Leonards mother, Marie de Jongh, was married at seventeen to Albert Zacharias Goldstcker, a City merchant. Maries brother Benjamin de Jongh, a stock-jobber (a stock exchange member who buys and sells shares on his own account), married Clara Woolf. When Marie Goldstcker was widowed, aged twenty-two, an executor of her late husbands will was a brother of her sister-in-law Clara: Sidney Woolf, a recently qualified young barrister. He was Leonards future father.

Sidney Woolf was living then with two recent widows, his mother and his elder sister Sophia. When Sophia remarried, her new husband was another of Maries brothers, Anselm de Jongh. In 1875, the following year, Marie Goldstcker and Sidney Woolf were married; she was still in her twenties, and he five years older.

Thus the Woolfs and the de Jonghs were intricately connected. Leonard saw a lot of his maternal grandparents. They too lived in Kensington, at 7 Addison Gardens, and the little Woolfs were taken over to tea once a week. Leonard thought that his de Jongh grandparents lived in the cleanest house and they were the cleanest people I have ever seen anywhere.

Grandfather Nathan de Jongh, a diamond merchant, lived until 1897, when he was knocked down by a horse-drawn omnibus. Leonard was then well into his teens; and his Grandmother de Jongh survived until 1902, when he was at Cambridge. The de Jonghs seemed to Leonard to be rather soft people. Grandfather de Jongh was tall, gentle, quiet, with a long white beard. In the house he wore a brightly colored smoking-cap, and was never seen without a cigar and a book. Outside he wore the same kind of clothes as all the other gentlemen in Addison Gardens, but he nevertheless looked to Leonard as if he had stepped out of a typical picture of caftaned, bearded Jews in a ghetto, straight-backed, dignified, sad, resigned, expecting and getting over two millennia nothing but misery

Leonard remembered his de Jongh grandmother sitting in a high-backed ebony chair in her lace-curtained front window and always knitting, extremely fast. She wore a black lace cap over her white hair, and beneath it was the round, pink face of an incredibly old Dutch doll. She brought the cap with her in a special basket when she came to visit at Lexham Gardens, for putting on after she removed her hat.

Leonard, describing these grandparents in what was to become Sowing , had originally written that the cap she wore was of white lace. His elder sister Bella, correcting his draft, insisted it was black. By publishing his autobiography, Leonard laid down and preempted the family myths. His brothers and sisters regularly and irritably corrected the record. Children born into the same family remember different things, and the same things differently.

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