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Cantor Norman F. - Alexander the Great: journey to the end of the earth

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Cantor Norman F. Alexander the Great: journey to the end of the earth
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From Publishers Weekly

The last work of the late historian Cantor (In the Wake of the Plague) is a flat and uninspiring study of a leader of gigantic proportions and unparalleled courage. Drawing heavily on previous modern biographies, as well as on biographical sketches from Plutarch, Arrian and other ancient writers, Cantor recreates Alexanders world, his military campaigns and his family life. Cantor mechanically traces Alexanders military exploits through Persia, Jerusalem and India, where he often freed the people of one region from a tyrant and then enslaved them himself. In tantalizing brevity, Cantor provides a picture of the bloody civil wars, the superstition and fears, and the environment of honor and shame in which the young prince grew up. Alexanders reputation as a chivalrous leader developed much later, Cantor says, both in the Alexandrine romances of the first century and in Christian legend and lore of the Middle Ages. The author clearly demonstrates that Alexanders greatness derives primarily from his abilities as a field commander rather than from his abilities as a political leader. Regrettably, Cantor offers no startling information that would help distinguish his short biography from the more complete and detailed works of Robin Lane Fox, Peter Green or Michael Wood. Map.
Copyright Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.

From

Starred Review Has the famous Macedonian king been done to death? Several biographies of the conqueror of what was then the known world have appeared recently; however, turn to this extremely useful one for its incomparable mix of insight and cogency. Professor Cantor, author of, among other books, the best-selling In the Wake of the Plague (2001), begins with a trenchant explanation of the context for understanding Alexander--the tenets of ancient Greek culture--which is matched, as if by a second bookend, by the authors equally solid concluding--chapter summation of the mans greatness. In between lies the heart of the book, in which Cantor, easing the reader along in an effortlessly styled, smoothly flowing narrative, reconstructs the events in Alexanders life; but more difficultly, given the expanse of time between then and now, he offers a valid evaluation of the mans character. Military exploits (in Alexanders case, of course, military talents) are excitingly revivified, and honesty is the hallmark of Cantors appreciation of Alexanders relationship with his longtime male lover, Hephaestion. A book that does the biographical art proud. Brad Hooper
Copyright American Library Association. All rights reserved

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ALEXANDER

THE GREAT

JOURNEY TO THE END OF THE EARTHE END OF THE EARTH

NORMAN F CANTOR


To my students

Contents


Prefacef iv
iThe Greek Worldi
Who Was Alexander?
The March of Conquest7i
The Last Years
5 How Great Was Alexander?H7
Notes
Bibliography
About the Author
Selected Titles by Norman E Cantor
Credits
Cover
Copyright
About the Publisher

Preface


RECENT EVENTS in Iraq, Afghanistan, and the North-West Frontier Province of Pakistan have drawn our attention again to Alexander the Great. Three hundred years before Christ, this hero of antiquity led an army of Macedonians and Greeks on a route through the Middle East and Central Asia that intersected with the recent tactical deployment of the U.S. Army and Marines.

The first Western ruler to attempt a war of conquest in the Middle East and Central Asia, Alexander triumphed. But his army was no more comfortable than American forces have been in the difficult terrain and climate of Kabul, Baghdad, and surrounding territories.

In this book I have minimized the romance and fantasies associated with Alexander, trying instead to construct a critical and well-rounded assessment of the man and the world in which he lived.

ONE The Greek World ANCIENT GREECE extending from the kingdom of Macedonia - photo 1

ONE

The Greek World

ANCIENT GREECE, extending from the kingdom of Macedonia in the north down to the city-state of Sparta in the south, was a large peninsula or archipelago jutting out into the Aegean Sea. Much of its land was taken up by forests, mountains, and deep valleysa topography that made unification of the Greek city-states difficult. Up the coast from Sparta lay the rich and artistic city-state of Athensdistinguished by its Parthenon, navy, democracy, and opinionated oratorswith the bustling port of Piraeus some ten miles to the southwest. Thebes and Corinth were other city-states, lying halfway between Macedonia and the well-disciplined but bellicose Sparta.

The two principal forms of Greek culture stemmed from two periods of Greek history. The first, which could be called the Heroic Age (about 1300 to 800 BC), was an era in which kings like Agamemnon and Menelaus ruled, and their successes and failures were recounted in a grand oral tradition of heroic poetry. These rulers held on to a so-called shame culture in which honor and dignity were exalted and in which the worst thing was to be disgraced, to be without honor.

Reflecting this societal norm, the ten-year Trojan War allegedly occurred because a Trojan prince stole Helen, Menelauss wife, and honor decreed that the king had to go to war to retrieve her. At the end of this period, around 800, in two epics, The Iliad and The Odyssey, Homer set down the oral traditions of the war, thus providing the written material for Alexanders obsession with Achilles. Homers writings were a kind of light at the end of the tunnel of the Greek Dark Age. During this period there had been much jockeying for power among various peoples: the Dorians, the Ionians, and the Mycenaeans.

The years from about 800 to 500 BC are known as the Archaic Age. This was the period during which the city-state, or polls, was formed and the cities of the peninsula split into separate governmental bodies. This was also a time of great colonization, of Sicily and southern Italy. In art the human form underwent a transformation from an earlier style, in which it had looked almost like a stick figure, to the realistic portrayal of the human form in all its beauty that characterizes Greek art of the Classical Age.

From 500 to 320 BC, Greekor at least the Athenian culture underwent a radical transformation. In the words of Edgar Allan Poe, this was the period that gave the world the glory that was Greece. It saw the rise of Athens and the building of the Parthenon as well as the democratic ideals and government of Pericles; the drama of Sophocles, Aeschylus, and Euripides; and the philosophical schools of Socrates, Plato, and Aristotle. This period also witnessed the development of the conflict between Persia and the Greek cities that finally ended with the rise of Alexander the Great.

For many years the city-states had fought one another over territory and commercial privileges in miserable, bloody wars. No one person had ever come along who was strong and ruthless enough to unite these natural enemies; thus there were only two exceptions to these dreadfuland futileinternecine conflicts. One was the period in the later fifth century BC when Athens and Sparta united during the Peloponnesian War against the menace of the Persian Empire coming over from Asia Minor. The alliance of Athens and Sparta defeated the Persians in the famous Battle of Marathon in 490 BC. After the war had dragged on for almost ten years, the Greeks forced the battle by advancing full force toward the Persian army and surrounding it. The Persians had no alternative except to retreat to their ships, heading south toward Athens to launch a surprise attack on the defenseless city. As they retreated, however, it occurred to the Athenian general that the city of Athens itself was defenseless, its citizens unprepared for an attack. He ordered a soldier named Phidippides to run to Athens and bring them the news of the impending attack. Phidippides ran the distance of twenty-six miles in three hours (this was the birth of the marathon), delivered the message to the waiting city, and then promptly died from overexertion. In some versions of the story, Phidippides had already fought in the battle as well as having run to Sparta and back (about 280 miles in all) in the previous daysall his efforts culminating in his death from overexertion.

The only regular occasion on which the city-states were united was during the period of the Olympic games. At the games they discussed important political issues, celebrated common military victories, and even formed political and military alliances. Between about 700 BC and AD 400, every four years heralds were sent out from a small town near Mount Olympus declaring an Olympic truce, which lasted for the duration of the games and protected the athletes, visitors, spectators, and embassies from danger during the actual period of the competition. Most competitors were men and boys, but separate track events were held for unmarried girls (married women were strictly barred from the games). The men competed naked, their skin covered with olive oil. It was a highly competitive, heroic, largely masculine world. At the conclusion of the games, the city-states went back to fighting among themselves as usual for the next four years.

What was singular about Athens was its ribbons of colonies extending from the Black Sea to Asia Minor, to Sicily and the south coast of France. Settlers had gone out from Athens, settled these far-distant places, and sent tax money back to Athens. In return they were governed by officials sent by the Athenian government. Though the Athenians treatment of these colonies was harshly exploitative, the obvious power and strength of their navy kept most rebellion at a minimum.

In Athens itself at least a third of the population consisted of slaves. Some were domestic servants who were treated quite well; others did hard, forced labor in the mines or as oarsmen in multioared boats. (Some Athenian warships were rowed by as many as 170 slaves.) Athens was distinct in the ancient world because it was a democratic republic, though only about ten thousand adult males held the franchise, and the citizens engaged in noisy politics in a way very similar to the ones we associate with modern democracies.

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