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NicholsLeigh - The Eyes of Darkness

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NicholsLeigh The Eyes of Darkness

The Eyes of Darkness: summary, description and annotation

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A year after Las Vegas show director Tina Evanss twelve-year-old son, Danny, dies in a bus crash, the phrase not dead appears repeatedly in mysterious ways. Tina and her attorney friend, Elliot Stryker, are drawn into a deadly chase when they want Dannys body exhumed. Strong language, violence, and some explicit descriptions of sex. 1996, c1981.

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Originally published under the pseudonym Leigh Nichols BERKLEY BOOKS NEW - photo 1

Originally published under the pseudonym Leigh Nichols

Picture 2

BERKLEY BOOKS. NEW YORK

If you purchased this book without a cover, you should be aware that this book is stolen property.

It was reported as "unsold and destroyed" to the publisher, and neither the author nor the publisher has received any payment for this "stripped book."

This is a work of fiction. Names, characters, places, and events are

either the product of the author's imagination or are used fictitiously,

and any resemblance to actual persons, living or dead, business

establishments, events or locales is entirely coincidental.

Originally published under the

pseudonym Leigh Nichols.

THE EYES OF DARKNESS

A Berkley Book / published by arrangement with

Nkui, Inc.

PRINTING HISTORY

Pocket Books edition / February 1981

Berkley edition /July 1996

All rights reserved.

Copyright 1981 by Leigh Nichols.

Copyright 1996 by Nkui, Inc.

Author photo copyright 1993 by Jerry Bauer.

This book may not be reproduced in whole or in part,

by mimeograph or any other means, without permission.

For information address: The Berkley Publishing Group,

a division of Penguin Putnam Inc.,

375 Hudson Street, New York, New York 10014.

The Penguin Putnam Inc. World Wide Web site address is

http://www.penguinputnam.com

ISBN: 0-425-15397-5

BERKLEY

Berkley Books are published by The Berkley Publishing Group,

a division of Penguin Putnam Inc.,

375 Hudson Street, New York, New York 10014.

BERKLEY and the "B" design

are trademarks belonging to Penguin Putnam Inc.

PRINTED IN THE UNITED STATES OF AMERICA

15 14 13

This better version is for Gerda,

with love.

After five years of work,

now that I'm nearly finished improving

these early novels first published under pen names,

I intend to start improving myself.

Considering all that needs to he done,

this new project will henceforth he known

as the hundred-year plan.

Tuesday December 30 1 at six minutes past midnight tuesday morn ing on the - photo 3

Tuesday, December 30
1

at six minutes past midnight, tuesday morn ing, on the way home from a late rehearsal of her new stage show, Tina Evans saw her son, Danny, in a stranger's car. But Danny had been dead more than a year.

Two blocks from her house, intending to buy a quart of milk and a loaf of whole-wheat bread, Tina stopped at a twenty-four-hour market and parked in the dry yellow drizzle of a sodium-vapor light, beside a gleaming, cream-colored Chevrolet station wagon. The boy was in the front passenger seat of the wagon, waiting for someone in the store. Tina could see only the side of his face, but she gasped in painful recognition.

Danny.

The boy was about twelve, Danny's age. He had thick dark hair like Danny's, a nose that resembled Danny's, and a rather delicate jawline like Danny's too.

She whispered her son's name, as if she would frighten off this beloved apparition if she spoke any louder.

Unaware that she was staring at him, the boy put one hand to his mouth and bit gently on his bent thumb knuckle, which Danny had begun to do a year or so before he died. Without success, Tina had tried to break him of that bad habit.

Now, as she watched this boy, his resemblance to Danny seemed to be more than mere coincidence. Suddenly Tina's mouth went dry and sour, and her heart thudded. She still had not adjusted to the loss of her only child, because she'd never wantedor triedto adjust to it. Seizing on this boy's resemblance to her Danny, she was too easily able to fantasize that there had been no loss in the first place.

Maybe... maybe this boy actually was Danny. Why not? The more that she considered it, the less crazy it seemed. After all, she'd never seen Danny's corpse. The police and the morticians had advised her that Danny was so badly torn up, so horribly mangled, that she was better off not looking at him. Sickened, grief-stricken, she had taken their advice, and Danny's funeral had been a closed-coffin service. But perhaps they'd been mistaken when they identified the body. Maybe Danny hadn't been killed in the accident, after all. Maybe he'd only suffered a mild head injury, just severe enough to give him... amnesia. Yes. Amnesia. Perhaps he had wandered away from the wrecked bus and had been found miles from the scene of the accident, without identification, unable to tell anyone who he was or where he came from. That was possible, wasn't it? She had seen similar stories in the movies. Sure. Amnesia. And if that were the case, then he might have ended up in a foster home, in a new life. And now here he was sitting in the cream-colored Chevrolet wagon, brought to her by fate and by

The boy became conscious of her gaze and turned toward her. She held her breath as his face came slowly around. As they stared at each other through two windows and through the strange sulphurous light, she had the feeling that they were making contact across an immense gulf of space and time and destiny. But then, inevitably, her fantasy burst, for he wasn't Danny.

Pulling her gaze away from his, she studied her hands, which were gripping the steering wheel so fiercely that they ached.

"Damn."

She was angry with herself. She thought of herself as a tough, competent, levelheaded woman who was able to deal with anything life threw at her, and she was disturbed by her continuing inability to accept Danny's death.

After the initial shock, after the funeral, she had begun to cope with the trauma. Gradually, day by day, week by week, she had put Danny behind her, with sorrow, with guilt, with tears and much bitterness, but also with firmness and determination. She had taken several steps up in her career during the past year, and she had relied on hard work as a sort of morphine, using it to dull her pain until the wound fully healed.

But then, a few weeks ago, she had begun to slip back into the dreadful condition in which she'd wallowed immediately after she'd received news of the accident. Her denial was as resolute as it was irrational. Again, she was possessed by the haunting feeling that her child was alive. Time should have put even more distance between her and the anguish, but instead the passing days were bringing her around full circle in her grief. This boy in the station wagon was not the first that she had imagined was Danny; in recent weeks, she had seen her lost son in other cars, in school-yards past which she had been driving, on public streets, in a movie theater.

Also, she'd recently been plagued by a repeating dream in which Danny was alive. Each time, for a few hours after she woke, she could not face reality. She half convinced herself that the dream was a premonition of Danny's eventual return to her, that somehow he had survived and would be coming back into her arms one day soon.

This was a warm and wonderful fantasy, but she could not sustain it for long. Though she always resisted the grim truth, it gradually exerted itself every time, and she was repeatedly brought down hard, forced to accept that the dream was not a premonition. Nevertheless, she knew that when she had the dream again, she would find new hope in it as she had so many times before.

And that was not good.

Sick,

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