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Wanamaker Marc - Early Hollywood

Here you can read online Wanamaker Marc - Early Hollywood full text of the book (entire story) in english for free. Download pdf and epub, get meaning, cover and reviews about this ebook. City: Charleston;S.C;Hollywood (Los Angeles;Calif.);Los Angeles (Calif.);California;Los Angeles;Hollywood, year: 2007;2011, publisher: Arcadia Publishing, genre: Non-fiction. Description of the work, (preface) as well as reviews are available. Best literature library LitArk.com created for fans of good reading and offers a wide selection of genres:

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Wanamaker Marc Early Hollywood
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Early Hollywood: summary, description and annotation

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The post-rancho period -- A city is born -- Movies come to town: the studios and theaters -- The Hollywood Hotel and Hollywood hotels -- Hollywood Boulevard -- Hollywood landmarks, 1920s-1930s -- Real estate and movie colony -- Radio days -- Depression years -- Nightclubs and restaurants.;The image of Hollywood often translates as some otherworldly dreamscape filled with fantastic lives and fantasy fulfillment. The real place was carved from the Southern California desert as an outpost northwest of Los Angeles. The movie industry arrived when tumbleweeds were not simply props and actual horsepower pulled the loads. Everyday workers, civic management, and Main Street conventionalities nurtured Hollywoods growth, as did a balmy climate that facilitated outdoor photography and shooting schedules for filmmakers. Vintage photographs from the collections of the Hollywood Heritage Museum and Bison Archives illustrate Hollywoods businesses, homes, and residents during the silent-film era and immediately after, as the Great Depression led up to World War II. These images celebrate Hollywood before and after its annexation into the city of Los Angeles in 1910 and its subsequent ascension as the worlds greatest filmmaking center.--From publisher description.

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Table of Contents ACKNOWLEDGMENTS Volume 2 of the Hollywood saga - photo 1
Table of Contents

ACKNOWLEDGMENTS

Volume 2 of the Hollywood saga combines information and photographs from both Bison Archives and the Hollywood Heritage Museums collection. Many of the contemporary photographs were taken by the author, who has been documenting Los Angeles for three decades.

The author created Bison Archives in 1971 during research for an encyclopedic history of American film studios. The archive is composed of studio photographs and research materials collected since 1970. Bison Archives is more of a research library than a stock photograph archive. The author joined Hollywood Heritage in 1983 when the Lasky-DeMille Barn was acquired for preservation, then reopened as a Hollywood museum. A main driving force in Hollywood Heritage and Hollywood preservation has been Robert W. Nudelman.

This book is dedicated to Mr. Nudelman, whose drive and leadership will be greatly missed. He passed away in May 2008. Once envisioned as a coauthor of this book, he is now not only its dedicatee, but also part of its story (see the introduction and chapter 10). He worked tirelessly toward preserving Hollywoods past.

The Hollywood Heritage Museum Archive has benefited through the generosity of friends and strangers. Thanks go to the following people at Hollywood Heritage: Richard Adkins, Robert S. Birchard, John Clifford, Phil Dockter, Marian Gibbons, Randy Haberkamp, Christy McAvoy, Fran Offenhauser, Marvin Paige, Arnold Schwartzman, Thad Smith, Kay Tornborg, Delmar Watson, and Valerie Yaros.

Major support has come from Jaime Rigler, Cecilia DeMille Presley, the late Charlton Heston, Sharon and Ray Courts, Paramount Pictures, 20th Century Fox Studios, History for Hire, Mann Theaters, Hollywood Pantages Theater, Claire Bradford, Veronica Chavez, Jim Craig, Catherine Patterson Davis, the late Johnny Grant and the Hollywood Historic Trust, Amy Higgins, Eugene L. Hilchey, Betty Lasky, the late Julian Bud Lesser, Grant Loucks, Portland Mason, Ruth and Sol Nudelman, Rica and Randy Van Ausdell, Ken Annakin, Pat Hitchcock, Carla Laemmle, the late Jan Sterling, Rod Taylor, the late Henry Wilcoxon, Jonathan Winters, Robert Wise, Robert Cushman of the Academy of Motion Picture Arts and Sciences, Dan Schwartz, and Michael York. Other contributors to this book include Joel Tator, Mike Hawks, Jeff Mantor, and the late Peter Batemanall from Larry Edmunds Bookshopand Michael Peter Yakaitis of the Library of Moving Images, Michael Goodrow, and Eugene Edelman of Bison Productions.

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HOLLYWOOD PICTORIAL

Hollywood transformed after the Great Depression with the help of the motion picture and radio industries. People were streaming to Los Angeles from around the world looking for work in the entertainment industries, thus, fueling development. Housing, entertainment, and business services thrived, changing the physical landscape and creating new landmarks.

The Hollywood Brown Derby remained the leading restaurant. Retail stores in the area boomed during the radio days, making Hollywood a shopping destination to rival downtown Los Angeles and Beverly Hills. The nightlife in Hollywood expanded with the addition of the Hollywood Palladium and Ciros, among others. Record companies expanded recording studios, and many musicians worked in the industry supplying music for the movies, radio, and records and supplying live performances at the many bars, clubs, auditoriums, and theaters.

With the coming of World War II, soldiers passed through town 24 hours a day. The war saved many Hollywood nightclubs and rejuvenated others, and kept the hotels at a high capacity. Some historic theaters became radio theaters and legitimate theaters were transformed into cinemas.

The studios experienced great growth during the war years, bringing more jobs. The Academy Awards returned to Hollywood in March 1944, increasing their popularity through radio broadcasts. At the wars end, television was already becoming the dominant industry in Hollywood, with radio continuing to supply entertainment nationally. Many thousands of ex-servicemen settled in Los Angeles, changing population demographics and resulting in a new boom.

Hollywood changed again in the 1950s with new housing, businesses, and infrastructures, including the Hollywood Freeway, which dramatically bisected the famous landscape. In 1954, Capitol Records built the first circular office tower in Hollywood, creating an enduring landmark that remains world famous. New television studios were built, such as CBS Television City, and some older theaters were remodeled, trading historic designs for something modern.

Development came to an abrupt halt by 1968; when Hollywood declined, rock n roll transformed Sunset Strip into a music scene, and tourism generally flagged even as Universal Studios and Disneyland were major draws. Some industry support services closed, and Hollywood Boulevard showed that negative effect with empty businesses. Revitalization in the 1980s and 1990s meant both restoration and disappearance for various landmarks.

SUNSET BOULEVARD AND VINE STREET 1949 By 1949 NBC Radio Studios were located - photo 3

SUNSET BOULEVARD AND VINE STREET, 1949. By 1949, NBC Radio Studios were located on the northeast corner of Sunset Boulevard and Vine Street. At Selma Avenue and Vine Street, the site of the old Lasky- DeMille Barn, which later was the first Hollywood studio of Paramount Pictures, became a lighting company. Other historic sites on Vine Street included the Hollywood Rooftop Ballroom, Hollywood Brown Derby, Plaza Hotel, It Caf, ABC Radio Studios, and Tom Brenemans Breakfast in Hollywood club.

SUNSET BOULEVARD AND GOWER STREET 1940 Taken from the roof of Columbia - photo 4

SUNSET BOULEVARD AND GOWER STREET, 1940. Taken from the roof of Columbia Square, looking southeast, this photograph shows the area that was once named Poverty Row and was later dominated by Columbia Studios. Poverty Row was an area consisting of small film production companies of the first and second decades of the 20th century, including Chadwick, CBC (Cohn-Brandt-Cohn, the precursor of Columbia Studios), Horsley, Francis Ford, Reliable, C. C. Burr, and the Grand studios.

SANTA CLAUS LANE PARADE 1949 A Christmas tradition this parade was - photo 5

SANTA CLAUS LANE PARADE, 1949. A Christmas tradition, this parade was established in 1928 and was usually hosted by a celebrity grand marshal. The caption on the original photograph read, With all its glimmer and glamour, Hollywood officially welcomed Santa Claus last night as his float crossed Hollywood and Vine. Aboard the float was Eddie Cantor and his grandchild, who helped in staging.

HOLLYWOOD BOULEVARD DECORATIONS 1940 Businessman Harry Blaine conceived the - photo 6

HOLLYWOOD BOULEVARD DECORATIONS, 1940. Businessman Harry Blaine conceived the idea of decorating Hollywood Boulevard for the holidays in 1928. He declared Hollywood Boulevard as Santa Claus Lane, and the opening of the shopping season was the parade, with a live reindeer pulling a wheeled sleigh with Santa and a celebrity.

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