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Glenconner - Lady in waiting: my extraordinary life in the shadow of the crown

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    Lady in waiting: my extraordinary life in the shadow of the crown
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Lady in waiting: my extraordinary life in the shadow of the crown: summary, description and annotation

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An extraordinary memoir of drama, tragedy, and royal secrets by Anne Glenconner--a close member of the royal circle and lady-in-waiting to Princess Margaret. As seen on NetflixsThe Crown.
Anne Glenconner has been at the center of the royal circle from childhood, when she met and befriended the future Queen Elizabeth II and her sister, the Princess Margaret. Though the firstborn child of the 5th Earl of Leicester, who controlled one of the largest estates in England, as a daughter she was deemed the greatest disappointment and unable to inherit. Since then she has needed all her resilience to survive the vipers of court life with her sense of humor intact.
A unique witness to landmark moments in royal history, Maid of Honor at Queen Elizabeths coronation, and a lady in waiting to Princess Margaret until her death in 2002, Annes life has encompassed extraordinary drama and tragedy. InLady in Waiting, she will share many intimate royal stories from her time as Princess Margarets closest confidante as well as her own battle for survival: her broken-off first engagement on the basis of her mad blood; her 54-year marriage to the volatile, unfaithful Colin Tennant, Lord Glenconner, who left his fortune to a former servant; the death in adulthood of two of her sons; a third son she nursed back from a six-month coma following a horrific motorcycle accident. Through it all, Anne has carried on, traveling the world with the royal family, including visiting the White House, and developing the Caribbean island of Mustique as a safe harbor for the rich and famous-hosting Mick Jagger, David Bowie, Raquel Welch, and many other politicians, aristocrats, and celebrities.

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Copyright 2020 by Anne Glenconner Cover design by Terri Sirma Cover photograph - photo 1

Copyright 2020 by Anne Glenconner

Cover design by Terri Sirma

Cover photograph Mirrorpix/Getty Images

Cover copyright 2020 by Hachette Book Group, Inc.

Hachette Book Group supports the right to free expression and the value of copyright. The purpose of copyright is to encourage writers and artists to produce the creative works that enrich our culture.

The scanning, uploading, and distribution of this book without permission is a theft of the authors intellectual property. If you would like permission to use material from the book (other than for review purposes), please contact permissions@hbgusa.com. Thank you for your support of the authors rights.

Hachette Books

Hachette Book Group

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New York, NY 10104

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Originally published in hardcover and ebook by Hodder & Stoughton in Great Britain in October 2019

First US Edition: March 2020

Published by Hachette Books, an imprint of Perseus Books, LLC, a subsidiary of Hachette Book Group, Inc. The Hachette Books name and logo is a trademark of Hachette Book Group, Inc.

The publisher is not responsible for websites (or their content) that are not owned by the publisher.

Library of Congress Control Number: 2019951170

ISBNs: 978-0-306-84636-6 (hardcover), 978-0-306-84635-9 (ebook)

E3-20200213-JV-NF-ORI

More praise for
LADY IN WAITING
The Times 2019 Memoir of the Year

Astounding memoir.

India Knight

[An] upfront account of her life [youll] laugh out loud, exclaim in shock, and cry as [you] read it. An amazing read. Theres so much humanity as well as stories of glitz and glamour and royalty its a life fully lived.

Nightlife, ABC Radio

A record, funny and sometimes dazzling, of a way of life now almost disappeared.

Rachel Cooke, Observer

[Its] a total hootI cant put it down.

Janet Street-Porter, Daily Mail

I hooted my way through Anne Glenconners Lady in Waiting. Glenconners memoir of three decades as Princess Margarets chief courtier is matter-of-fact about her bonkers life, making it all the more amusing.

Marcus Field, Evening Standard

Extraordinary.

Loose Women

Rollicking a fascinating, anthropological portrait of the privilege-soaked world of the British aristocracy. Extraordinary anecdotes. Lady Annes book paints such a rich picture of the aristocracy its impossible not to marvel at the institution, both in admiration and horror.

The Sydney Morning Herald

A romp of an autobiography.

The Times

Ones eyes were on stalks marvelous.

Jan Moir, Daily Mail

Royal obsessives and casual observers alike will devour this memoir by the confidantea noble herselfof Princess Margaret. Glenconner candidly writes about the unimaginable tragedies she endured in her personal life, and of the gilded affairs she witnessed on the periphery of royal life.

Newsweek

Meticulously detailed. [W]hat makes this account fresh and poignant is Glenconners use of affluent characters to demonstrate the extent to which class trumps power. By unflinchingly examining everything from her troubled marriage and her fraught relationship with her children to the solace she found in service, the author emerges as a flawed yet steely woman worthy of respect. In laying her life bare, she demonstrates the limitations of being a woman in the British class system, showing that privilege is no insulation from suffering or pain. A must-have for loyal royal fans.

Kirkus Reviews

For my children, grandchildren, and great-grandchildren

O NE MORNING AT the beginning of 2019, when I was in my London flat, the telephone rang.

Hello?

Lady Glenconner? Its Helena Bonham Carter.

Its not every day a Hollywood film star rings me up, although I had been expecting her call. When the producers of the popular Netflix series The Crown contacted me, saying that I was going to be portrayed by Nancy Carroll in the third season, and that Helena Bonham Carter had been cast as Princess Margaret, I was delighted. Asked whether I minded meeting them so they could get a better idea of my friendship with Princess Margaret, I said I didnt mind in the least.

Nancy Carroll came to tea, and we sat in armchairs in my sitting room and talked. The conversation was surreal as I became extremely self-aware, realizing that Nancy must be absorbing what I was like.

A few days later when Helena was on the telephone, I invited her for tea too. Not only do I admire her as an actress but, as it happens, she is a cousin of my late husband Colin Tennant, and her father helped me when one of my sons had a motorbike accident in the eighties.

As Helena walked through the door, I noticed a resemblance between her and Princess Margaret: she is just the right height and figure, and although her eyes arent blue, there is a similar glint of mischievous intelligence in her gaze.

We sat down in the sitting room, and I poured her some tea. Out came her notebook, where she had written down masses of questions in order to get the measure of the Princess, to do her justice, she explained.

A lot of her questions were about mannerisms. When she asked how the Princess had smoked, I described it as rather like a Chinese tea ceremony: from taking her long cigarette holder out of her bag and carefully putting the cigarette in, to always lighting it herself with one of her beautiful lighters. She hated it when others offered to light it for her, and when any man eagerly advanced, she would make a small but definite gesture with her hand to make it quite clear.

I noticed that Helena moved her hand in the tiniest of reflexes, as if to test the movement Id just described, before going on to discuss Princess Margarets character. I tried to capture her quick withow she always saw the humorous side of things, not one to dwell, her attitude positive and matter-of-fact. As we talked, the descriptions felt so vivid, it was as though Princess Margaret was in the room with us. Helena listened to everything very carefully, making lots of notes. We talked for three hours, and when she left, I felt certain that she was perfectly cast for the role.

Both actors sent me letters thanking me for my help, Helena Bonham Carter expressing the hope that Princess Margaret would be as good a friend to her as she was to me. I felt very touched by this and the thought of Princess Margaret and I being reunited on-screen was something I looked forward to. I found myself reflecting back on our childhood spent together in Norfolk, the thirty years Id been her Lady in Waiting, all the times we had found ourselves in hysterics, and the ups and downs of both our lives.

Ive always loved telling stories, but it never occurred to me to write a book until these two visits stirred up all those memories. From a generation where we were taught not to overthink, not to look back or question, only now do I see how extraordinary the nine decades of my life have really been, full of extreme contrasts. I have found myself in a great many odd circumstances, both hilarious and awful, many of which seem, even to me, unbelievable. But I feel very fortunate that I have my wonderful family and for the life I have led.

HOLKHAM HALL COMMANDS the land of North Norfolk with a hint of disdain. It is an austere house and looks its best in the depths of summer when the grass turns the color of demerara sugar so the park seems to merge into the house. The coast nearby is a place of harsh winds and big skies, of miles of salt marsh and dark pine forests that hem the dunes, giving way to the vast stretch of the gray-golden sand of Holkham beach: a landscape my ancestors changed from open marshes to the birthplace of agriculture. Here, in the flight path of the geese and the peewits, the Coke (pronounced cook) family was established in the last days of the Tudors by Sir Edward Coke, who was considered the greatest jurist of the Elizabethan and Jacobean eras, successfully prosecuting Sir Walter Raleigh and the Gunpowder Plot conspirators. My family crest is an ostrich swallowing an iron horseshoe to symbolize our ability to digest anything.

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