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Emily Rapp Black - Sanctuary: A Memoir

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Emily Rapp Black Sanctuary: A Memoir
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BY EMILY RAPP BLACK Poster Child A Memoir The Still Point of the Turning World - photo 1
BY EMILY RAPP BLACK

Poster Child: A Memoir

The Still Point of the Turning World

Sanctuary

Sanctuary is a work of nonfiction Some names and identifying details have been - photo 2

Sanctuary is a work of nonfiction. Some names and identifying details have been changed.

Copyright 2021 by Emily Rapp Black

All rights reserved.

Published in the United States by Random House, an imprint and division of Penguin Random House LLC, New York.

Random House and the House colophon are registered trademarks of Penguin Random House LLC.

Grateful acknowledgment is made to the following for permission to reprint previously published material:

Copper Canyon Press c/o The Permissions Company, LLC: Spring, Death of a Child, Part 1 and excerpts from Origins of Violence, Winter Variations, and Influence from The Dream of Reason, copyright 2018 by Jenny George. Reprinted by permission of The Permissions Company, LLC on behalf of Copper Canyon Press, coppercanyonpress.org.

Graywolf Press c/o The Permissions Company, LLC: Earth [If you respect] from Colosseum by Katie Ford, copyright 2008 by Katie Ford; excerpts from The Fire and Song After Sadness from Blood Lyrics by Katie Ford, copyright 2014 by Katie Ford; excerpt from A Walk Around the Property from Priest Turned Therapist Treats Fear of God by Tony Hoagland, copyright 2018 by Tony Hoagland; excerpt from After a Death translated by Robert Bly from The Half-Finished Heaven: The Best Poems of Tomas Transtrmer, copyright 2001 by Tomas Transtrmer, translation copyright 2001 by Robert Bly. All poetry reprinted by permission of The Permissions Company on behalf of Graywolf Press, Minneapolis, Minnesota, graywolfpress.org.

HarperCollins Publishers: The Wild Iris from The Wild Iris by Louise Gluck, copyright 1992 by Louise Gluck. Used by permission of HarperCollins Publishers.

Tupelo Press c/o The Permissions Company, LLC: Excerpts from Heart, What I Carried, and Rough Air from Good Bones by Maggie Smith, copyright 2017 by Maggie Smith. Reprinted by permission of The Permissions Company, LLC on behalf of Tupelo Press, tupelopress.org.

Library of Congress Cataloging-In-Publication Data

Names: Rapp Black, Emily, author.

Title: Sanctuary : a memoir / Emily Rapp Black.

Description: First edition. | New York : Random House, [2021]

Identifiers: LCCN 2020014287 (print) | LCCN 2020014288 (ebook) | ISBN 9780525510949 (hardcover) | ISBN 9780525510956 (ebook)

Subjects: LCSH: Rapp Black, Emily. | Parents of terminally ill childrenBiography. | Resilience (Personality trait)

Classification: LCC BF698.35.R47 R36 2021 (print) | LCC BF698.35.R47 (ebook) | DDC 818/.603 [B]dc23

LC record available at https://lccn.loc.gov/2020014287

LC ebook record available at https://lccn.loc.gov/2020014288

Ebook ISBN9780525510956

randomhousebooks.com

Book design by Debbie Glasserman, adapted for ebook

Cover design: Anna Kochman

Cover photograph: Giantstep Inc/Getty Images

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Contents
You may do this I tell you it is permitted Begin again the story of your - photo 3

You may do this, I tell you, it is permitted.

Begin again the story of your life.

Jane Hirshfield, from Da Capo

I leaned against the guardrail above the Rio Grande Gorge Bridge in New Mexico, 565 feet above the river below, my heart beating fire. Heat swelled in my chest. A cold spring of intention lay coiled in my belly.

Under the July sun the high desert of New Mexico swept out in every direction, flush with the horizon, stark and beige with an occasional swipe of green, the line between heaven and earth impossible to distinguish. Scattered under such a sky, the sand- and earth-colored adobe buildings in the small town of Taos resembled broken pottery piecesshattered, accidental, lost. The air at this altitude was thin and dusty; the sun against the skin intense and direct, able to scorch in a flash. Tourists and visitors strolled by, chatting and laughing, wearing visors and sandals, their shoulders striped with sunburn. Along the concrete footpath that ran the length of the bridge, roadside vendors sat behind handwritten signs advertising indian jewelry authentic, the rounded stones in the rings and bracelets and earrings blinking as clear and blue as the sky above us. The clouds looked deliberately arranged: fluffy as a dream, airy as balloons, moving languidly as if straight from a picture postcard. I found this stark and relentless beauty absurdeven grotesque. The rich white tourists surveyed the goods made by the native people of this landassessing, deciding.

I leaned in a bit more and pressed my C-section scar, finally after two years gone white and numb, against the barrier, a white metal fence bearing a few names scribbled in pen Aaron loves Iris signs of those who once stood along this massive rift across the otherwise flat lands between Carson National Forest and the Sangre de Cristo Mountains.

That morning, I had finished teaching a master class in nonfiction at the writers workshop in Taos, considered my one-on-one student meetings scheduled for late afternoon, and realized I had plenty of time. I told my parents I needed to take a walk, get some coffee, get off campus, and they easily agreed to care for my son, Ronan, while I was away. They had been caring for him while I taught, talked with students, listened, and tried to help people order the chaos of their lives through storytelling. I kissed Ronans face, hugged his still, soft body, looked into his green-gold eyes, which only ever saw me partially and now saw nothing at all, got in my car, and thought, Now is as good a time as any. I had been to the bridge only once before, with Ronan secured in the front carrier, his sleeping body still and warm against my chest.

Peering into the cavernous gorge was like encountering the impact of long-ago violence, perhaps a prehistoric stomp from the gigantic foot of an angry, mythical animal on a murderous cross-country trek. Feeling like a witness to some great destruction appealed to me. I stretched my arms farther and let them dangle, helped by gravity, until my fingertips began to tingle, and until the noise and chatter of people walking past began to dissipate and then disappear. I was lost in the promise of this emptiness, the sound of it, which was the absence of sound apart from a small rock loosening from the steep bank to tumble into the dry brush, rolling down down down until it disappeared from view. I closed my eyes and heard whomp whomp whomp like an invitation: Yes. Jump. Do it. The space below was hollow, magnetic, literally an opening. A mouth to fall into, as deep as any desire.

This particular summer of my thirty-eighth year was marked by the greatest suffering I had known, a rupture that a crater of any size in any ground and beneath any sky failed to accurately depict: a sick and dying child: my son, Ronan; a faltering marriage, which was turning cruel and wouldnt survive the bludgeon of our sons medieval, incurable illness; conversations that ended in you make me sick, I cant fucking stand to look at you, get out ofmy sight; a heart so saturated with dread it was physical work to bear it; a mind so fractured I rushed to make sense of my unpredictable thoughts at every turn. My mind was shifting and molting as my life broke slowly apart, like some strange and painful rebirth, but with no imaginable futurefor what mother can imagine a future without her child? How would I spend my days? What, quite literally, would I do with myself? The world felt as harrowing and gaping as the hole in the ground I stood above, hovering like a fearful, angry bird.

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