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Pauline Dakin - Run, Hide, Repeat: A Memoir of a Fugitive Childhood

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VIKING an imprint of Penguin Canada a division of Penguin Random House - photo 1
VIKING an imprint of Penguin Canada a division of Penguin Random House Canada - photo 2VIKING an imprint of Penguin Canada a division of Penguin Random House Canada - photo 3

VIKING

an imprint of Penguin Canada,

a division of Penguin Random House Canada Limited

Canada USA UK Ireland Australia New Zealand India South Africa China

First published 2017

Copyright 2017 by Pauline Dakin

All rights reserved. Without limiting the rights under copyright reserved above, no part of this publication may be reproduced, stored in or introduced into a retrieval system, or transmitted in any form or by any means (electronic, mechanical, photocopying, recording or otherwise), without the prior written permission of both the copyright owner and the above publisher of this book.

www.penguinrandomhouse.ca

LIBRARY AND ARCHIVES CANADA CATALOGUING IN PUBLICATION

Dakin, Pauline, author

Run, hide, repeat : a memoir of a fugitive childhood / Pauline Dakin.

Issued in print and electronic formats.

ISBN 9780735233225 (softcover)ISBN 9780735233232 (EPUB)

1. Dakin, PaulineChildhood and youth. 2. JournalistsCanadaBiography.

I. Title.

PN4913.D327A3 2017070.92C2017-900162-0

C2017-900445-X

Cover and interior design by Five Seventeen

Cover photograph: courtesy of the author

v41 a Contents For my mother Ruth who taught me about love my brother - photo 4v41 a Contents For my mother Ruth who taught me about love my brother - photo 5

v4.1

a

Contents

For my mother, Ruth, who taught me about love;
my brother, Ted, who was my fellow student;
and my daughters, Avery and Laura,
who continue the lessons
.

PROLOGUE

I WAS RUNNING ALONG the Upper Blandford Road this morning, watching the little islands emerge from the morning mist, when I came upon a fisherman stacking lobster traps by his shed.

Running like the dogs of hell are behind ya! he remarked with a smile and a salute. I laughed, waved back, thinking, You have no idea.

I spent much of my early life on the run, in one way or another. I escape to this place on Nova Scotias Mahone Bay when I can, and hunker down in my old trailer. I take reassurance from the enduring beauty of sea and sky, the sunsets across the bay that soothe me. And I sift through memories I had so firmly put away for so long.

The cast of my story revisits me in this quiet place: my mother, my father, and Stan. All gone now. I have learned to remember them without the heat of anger or the searing sting of betrayal.

In this retreat I am surrounded by the physical evidence of my mothers life. The wooden table and chairs from her kitchen. Her spice rack, the earth-toned spices painstakingly chosen. I can sense the pleasure she took in the careful printing of the handwritten labels, the alphabetical ordering of the round glass bottles. I think that organizing and ordering, the imposing of a predictable architecture, was a response to how little control she felt over so much else. Her dishes are in the cupboard over the sink; we bought them in Winnipeg after renovating the kitchen. Her cookbook is on the shelf above the fridge. Her belongings, what I chose to keep of them, have furnished this place where I so often find myself reflecting on the life we lived and, now, wrestling its strange narrative into submission and meaning. I bring them all back in my mind and on the screen before me.

My mother often said I should be a writer. And then she gave me a storyour storythe story I was warned never to tell.

ONE

I T WAS DUSK , late February of 1988. The air was cold and clear as I stepped out of my car in the parking lot of the highway gas station. A crescent moon to the southwest was perfectly outlined in the darkening sky. At its tip winked a bright, large star, perhaps a planet. The horizon still glowed a deep magenta. My mothers aging blue Toyota Tercel was parked nearby, under a light. Wed agreed to meet here, in the small farming community of Sussex, New Brunswick. She would drive from Halifax, Nova Scotia, where she was doing her theology degree, and I would drive from Saint John, New Brunswick, where I was working as a reporter at the local newspaper, The Telegraph-Journal.

As I approached our rendezvous, I saw the lights of a motel just off the highway, a few hundred metres from the gas station. Id driven by the large, lit-up block letters of the Blue Bird Motel many times.

I walked over to Moms car and got in, said hello, leaning across for a hug. She held me just a beat longer, tighter than normal. As she pulled back, her smile was sad, almost apologetic. She handed me a note and an empty envelope. She put one finger over her lips, hushing me, although I wasnt speaking. She pointed at the note. Puzzled, I unfolded it and read, in her distinctive handwriting: Dont say anything. Take all your jewellery off and put it in the envelope. Dont talk until we get out of the car again. I will explain.

I sat staring at the note. I could hear my pulse as silence descended between us like a wall. My mother suddenly felt like a stranger whose intentions were unclear. Why this bizarre drama? I looked at her for a long moment, then slowly took off my rings. The small diamond cluster my father had given me for my sixteenth birthday. A square-cut peridot, my birthstone, that was a Christmas present from his third wife, Thora. I pulled the long, heavy chain that held an antique-style watch out of my shirt front and over my head. A gift from Mom the Christmas I was fifteen. It all went into the envelope. I passed it to her. She licked the flap, sealed the envelope, and set it on the console between our seats. As she put the car into gear and eased onto the now-darkening winter road, I braced myself for what was to come. We drove the short distance in silence.

EARLIER THAT WEEK , Mom had called me at work. We usually talked in the evening, but I was glad to hear from her. Shed moved to Halifax the previous year to go back to school and I missed her and our day-over debriefs.

Can you talk for a minute? shed asked.

Sure, I answered. I have an interview, but I dont have to leave for twenty minutes.

Around me the newsroom of The Telegraph-Journal and its sister paper, The Evening Times-Globe, buzzed with the usual background chatter of the police scanner and clatter of the old teletype printers spewing wire copy and photographs. It was a relatively quiet news day, but I was aware that could change at any moment. Two years earlier Id witnessed a newsroom responding to the first word of the explosion of the space shuttle Challenger. It was the only time in my years at the paper I ever heard the order to stop the presses and it left a strong impression of how quickly life can go off the rails, without any warning or any chance to prepare. Normal one moment, irreversibly changed the next.

I was sitting at my desk now, one in a row set sideways to a bank of windows that looked across mud flats near an inlet.

Whats up? I asked.

I could hear Mom inhale deeply. She was bracing herself to begin. My interest increased.

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