Copyright 2020 by J.M. Kaplan Fund
Cover design by Pete Garceau
Cover photograph Frankie Alduino
Cover copyright 2020 Hachette Book Group, Inc.
Hachette Book Group supports the right to free expression and the value of copyright. The purpose of copyright is to encourage writers and artists to produce the creative works that enrich our culture.
The scanning, uploading, and distribution of this book without permission is a theft of the authors intellectual property. If you would like permission to use material from the book (other than for review purposes), please contact permissions@hbgusa.com . Thank you for your support of the authors rights.
Bold Type Books
116 East 16th Street, 8th Floor New York, NY 10003
www.boldtypebooks.org
@BoldTypeBooks
First Edition: November 2020
Published by Bold Type Books, an imprint of Perseus Books, LLC, a subsidiary of Hachette Book Group, Inc. Bold Type Books is a co-publishing venture of the Type Media Center and Perseus Books.
The Hachette Speakers Bureau provides a wide range of authors for speaking events. To find out more, go to www.hachettespeakersbureau.com or call (866) 376-6591.
The publisher is not responsible for websites (or their content) that are not owned by the publisher.
Library of Congress Control Number: 2020942481
ISBNs: 978-1-64503-686-9 (hardcover), 978-1-64503-684-5 (e-book)
E3-20201008-JV-NF-ORI
The J.M. Kaplan Fund has brought about remarkable progress in safeguarding the environment, advancing historic preservation, protecting civil liberties, and publishing in the public interest; at the center of all this good work for decades has been Joan Davidsona trail-blazer in these areas and a graceful American hero.
John H. Adams, Founding Director, Natural Resources Defense Council
By funding great ideasand fighting for themthe Kaplan Fund for 75 years has supported urban transformations that stretch from Times Square across New York and beyond. Today, mayors from around the world tell me they want to replicate the programs and the vision that the Kaplans have helped support.
Janette Sadik-Khan, Principal, Bloomberg Associates, and former Commissioner, NYC Department of Transportation
Scratch the surface of so many of the initiatives and ideas that have made New York a better place to live and work and youll find the deft hand of the J.M. Kaplan Fund. A nimble, risk taking foundation, with a talent-scout eye for emerging leadership and a keen nose for what New York needs, its seed money and early validation of new ideas have fueled social innovation before that term was coined. Again New York owes much to a wise, energetic, and committed woman, in this case the Funds indomitable leader for many of its 75 years, Joan K. Davidson.
Darren Walker, President, Ford Foundation
The J.M. Kaplan Fund is small as foundations go, but its impact has been enormousI think of it as Archimedes lever, sufficient to move the world if positioned the right way. The fund has always used its resources creatively and brilliantly, with the passion, social values, and intellect of its founding family as its guide. I can think of no other philanthropy of its size that has had the impact of the Kaplan Fund, which has been at the vanguard of the preservation, environmental, and social justice movements for several generations. If it had only saved Carnegie Hall and built the Westbeth artists housing complex, its position in the history of New York City would be significant. Roberta Gratzs history shows us that those great urban victories are but the most visible of the Kaplan Funds many achievements.
Paul Goldberger, architecture critic and author of Why Architecture Matters
In Roberta Gratzs exhilarating account, the stewards of the family-run Kaplan Fund emerge as modern-day Medicis. Patrons of the arts and artists, defenders of the natural and built environments. They have blocked the wreckers ball from Carnegie Hall, Broadway Theaters, and middle-class neighborhoods, championed mass transit over super highways that would strangle urban traffic. In the course of half a century they have raised activist philanthropy to a fine art.
John Berendt, author of Midnight in the Garden of Good and Evil
Joan K. Davidson
C REDIT : T HE J.M. K APLAN F UND
O n a moonlit June night in 2017, more than five hundred New Yorkers gathered at the Cooper Hewitt Museum on Manhattans Upper East Side to salute Joan K. Davidson on her ninetieth birthday and celebrate seventy years of the J.M. Kaplan Fund, of which she was president for sixteen years, from 1977 to 1993. The lush garden of this Georgian mansionbuilt for the Gilded Age tycoon Andrew Carnegieand its elegant conservatory was a fitting site to honor a woman of great style and high civic impact. This was not meant to be five hundred of Joans nearest and dearest friends. It was, instead, a special gathering of what she always called the good people, those active citizens on the front lines of creative, often pathbreaking ventures that she had supported as a colleague, funder, or both.
She had joined the good people in fights to save the Hudson from the ravages of a Con Ed power plant at Storm King Mountain. She had helped create the first affordable housing for artists. She had joined and supported those who had fought against a proposed superhighway along the edge of Manhattan. She had worked to preserve the landmarks of the city without freezing progress, to create new organizations to protect and further civil liberties, and to provide legal help for communities threatened by overdevelopment. She had not won every fight: Broadway theaters had fallen despite her best efforts to protect them from the hostile, anti-urban designs of an out-of-scale hotel developer, and there were other losses as well. But overall, hers was a record of astonishing success in repairing and carrying New York forward after the madness called urban renewal.
Present that night were environmentalists, historic preservationists, urban farmers, parks restorers, civil liberties activists, authors, poets, artists, upstate activists, museum curators, community defenders, musicians, and trendsetters of every kindwhat one attendee called an only in New York crowd. No one gawked to see if any beautiful people might be in attendance. A number of them were indeed there, but this was not that kind of party.
Many attendees knew each otherthey had joined forces on some civic initiative or had started a new organizational effort together. All had, in one way or another, worked with and admired Joan as she and her familys foundation supportedand often directly enabledthis eclectic group in their efforts to repair and transform New York City, the Hudson Valley, and other areas of New York State over more than five decades. Margot Wellington, former executive director of the Municipal Art Society (MAS), observed: If a gas attack that night had wiped out the crowd, the city would move backward; these were all the people who moved the city forward. Joan, of course, couldnt have been more pleased with the turnout. All those smiling faces, she noted to me with a laugh.
Joan K. Davidson speaks at the Cooper Hewitt celebration of seventy years of the J.M. Kaplan Fund and her ninetieth birthday. C REDIT: T HE J.M. K APLAN F UND
Next page