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Barbie Latza Nadeau - The Godmother: Murder, Vengeance, and the Bloody Struggle of Mafia Women

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Barbie Latza Nadeau The Godmother: Murder, Vengeance, and the Bloody Struggle of Mafia Women
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The Godmother: Murder, Vengeance, and the Bloody Struggle of Mafia Women: summary, description and annotation

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The chilling story of one womans rise to prominence in the Italian Mafia, and the as-yet untold stories of the women who followed in her footsteps.
For as long as it has gripped our imaginations, the Mafia has been tied to an ingrained image of masculinity. We read about made men, wiseguys, and goodfellas leading criminal organizations whose culture prizes machismo, with women as ancillary and often-powerless characters: trivialized mistresses and long-suffering mob wives. The reality is far more complex.
In The Godmother, investigative journalist Barbie Latza Nadeau tells the stories of the women who have risen to prominence, and fallen out of favor, in the Italian mob, beginning with the most infamous of these women: Pupetta Maresca. A Mafia woman born and raised, Pupetta avenged her husbands murder, firing 29 shots at the man who killed him.
Woven throughout Pupettas story is Nadeaus diligent research, and her personal interviews with the Mafia women themselves. Nadeau takes readers inside the Mafia families to paint a complete and complex portrait of the real culture that has shaped the Mafia, and the women who are part of it.
Leaving behind the stereotypes we know from Mafia movies, The Godmother shows the Mafia in an entirely new light: full-fledged, ruthless, twenty-first-century criminal enterprises led by whoever is strong enough and smart enough to take control.

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Praise for THE GODMOTHER Meet Lady Camorra one of the first female mafia - photo 1

Praise for

THE GODMOTHER

Meet Lady Camorra, one of the first female mafia bosses, as she sips coffee and drums her black-lacquered fingernails on her kitchen table. The Godmother takes the reader into the little-known role of the women who underpin Italys most ruthless mob families and who are forced to reckon with the social and sexual codes governing the violent reality of mafioso rule.

Sara Gay Forden, New York Times bestselling author of The House of Gucci

An unflinching portrait of one of the original divas of organized crime.

Clare Longrigg, author of Mafia Women

PENGUIN BOOKS

THE GODMOTHER

Barbie Latza Nadeau is an American journalist and author who has lived in Rome, Italy, since 1996. She has worked as the Rome bureau chief for Newsweek and currently holds that position for The Daily Beast. She is an on-air contributor for CNN and a writer for Scientific American. Nadeaus first book, Angel Face, about the murder of Meredith Kercher and the criminal trials of Amanda Knox was adapted for film in 2011. Her current book, Roadmap to Hell: Sex, Drugs and Guns on the Mafia Coast, chronicles the tragic journeys of Nigerian women trafficked for sex in Italy.

ALSO BY BARBIE LATZA NADEAU

Roadmap to Hell: Sex, Drugs and Guns on the Mafia Coast

Angel Face: Sex, Murder, and the Inside Story of Amanda Knox

PENGUIN BOOKS An imprint of Penguin Random House LLC penguinrandomhousecom - photo 2

PENGUIN BOOKS

An imprint of Penguin Random House LLC

penguinrandomhouse.com

Copyright 2022 by Barbie Latza Nadeau

Penguin Random House supports copyright. Copyright fuels creativity, encourages diverse voices, promotes free speech, and creates a vibrant culture. Thank you for buying an authorized edition of this book and for complying with copyright laws by not reproducing, scanning, or distributing any part of it in any form without permission. You are supporting writers and allowing Penguin Random House to continue to publish books for every reader.

library of congress cataloging-in-publication data

Names: Nadeau, Barbie Latza, author.

Title: The Godmother: murder, vengeance, and the bloody struggle of Mafia

women / Barbie Latza Nadeau.

Description: [New York] : Penguin Books, [2022] | Includes bibliographical references.

Identifiers: LCCN 2022001193 (print) | LCCN 2022001194 (ebook) | ISBN 9780143136118 (trade paperback) | ISBN 9780525507727 (ebook)

Subjects: LCSH: Maresca, Pupetta, 19352021. | Women and the mafiaItalyBiography.

Classification: LCC HV6452.5 .N34 2022 (print) | LCC HV6452.5 (ebook) |

DDC 364.106/6082dc23/eng/20220118

LC record available at https://lccn.loc.gov/2022001193

LC ebook record available at https://lccn.loc.gov/2022001194

Cover design: James Iacobelli

Cover photograph: Bettmann / Getty Images

Designed by Sabrina Bowers, adapted for ebook by Estelle Malmed

pid_prh_6.0_140847917_c0_r0

Dedicated to my friend and mentor Chris Dickey, who I wish had lived long enough to read this book he inspired me to write.

Contents
1
Pupettas Kitchen

Pupetta claims not to remember pelting Big Tony with what police claim was twenty-nine bullets, insisting that it was just one or two shots from the back of the car that she delivered out of fear.

CASTELLAMMARE DI STABIA, ItalyIt was a warm summer afternoon and Assunta Pupetta Maresca was tapping her manicured jet-black fingernails on a white marble tabletop that was stained with what looked like red wine or blood. We were sitting in the kitchen of her fluorescent-lit apartment in a coastal town of questionable character south of Naples where she was born into a crime family in 1935, and where she died December 29, 2021. The heavy wooden shutters were closed to keep out the heat, and a ceiling lamp swayed in the breeze created by a flimsy plastic fan perched on the counter.

It was months before the COVID pandemic changed the world, and Pupettas biggest health fear was suffering a stroke, despite doing nothing to prevent it. A pack of menthol cigarettes in a gilded case sat neatly next to an ornate ashtray and matching lighter in the center of the table. A bedazzled vape pen on what looked like a rosary hung on her chest like a necklace. She puffed on it between cigarettes and blew smoke directly into my face. More than once she told me she shouldnt smoke. These will kill me, she said between puffs. I should stop.

The crepey skin on the backs of her small hands was too smooth for a woman in her eighties and looked as if it had been surgically stretched around her swollen joints. Her age spots had been bleached and looked like fading bruises, as if someone had clutched her hand too hard. She briefly put her cigarette in the ashtray and picked up a strand of her crimson-dyed hair that had fallen onto the table and stretched it between her fingers, lifting her pinkies ever so slightly before brushing it off to the tile floor for her maid to eventually sweep up.

It was impossible to look at Pupettas hands without imagining them wrapped around the silver Smith & Wesson .38 pistol she once fired in the defining moment of her life. More than sixty years before I sat with her, she used that gun to take down the man who ordered the fatal hit on her husband. Surely her husbands rival was dead after her first blasts knocked him to the ground. But she still grabbed her thirteen-year-old brother Ciros revolver and sent another round of bulletstwenty-nine in allin the direction of the bleeding corpse. The killing took place outside a busy coffee bar in Naples in broad daylight. She was eighteen years old and six months pregnant at the time.

Pupetta claimed she still kept the pistol in the nightstand next to her bed. I once asked her if I could see it, but she insisted that she would only take it out to use it. I never asked again. Of the many things I grew to admire most about the woman nicknamed Lady Camorra was her dry sense of humor. She was a cunning liar and a cold-blooded killer, but if you could look beyond that, she was genuinely delightful.

The first time I sat in Pupettas kitchenafter stalking her at her usual coffee bar and vegetable market until she agreed to grant an interview without charging me for itshe offered me bitter espresso served in a chipped demitasse cup, clearly saving the fine china for better company. I stared into the dark, steaming liquid, hesitant to take a sip out of concern that she could have slipped something into it. In a brief bout of egotism, I envisioned that perhaps I could be a last-hurrah killing. No one even knew where I was, and for someone with her connections to the underworld it would be reasonably easy to get rid of my body. Covering crime and murder and deathessentially trafficking in tragedyfor the many years Ive been in Italy has jaded my perception of my own mortality. Over the years, I have evolved from thinking that nothing bad will ever happen to me to expecting it. I see the worst first, as I am often reminded by friends and family. I am generally a voice of doom.

In my defense, the paranoia was bolstered by the fact that Pupetta was not drinking any of the espresso herself. Too much caffeine in the afternoon made her nervous, she answered when I asked if she was joining me. I drank it in one gulp, as is the custom in Italy. She watched me closely, enjoying my fearor at least thats how I choose to remember it. Every time I saw her after that, she also drank coffee with me no matter what time of day.

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