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In these lyrical and elegiac essays, Sandra Lambert traces a profound relationship with natureboth the vanishing nature of the planet and the complex nature of her own philosophy. Her language is moving, intimate, and bracingly honest.
Andrew Solomon, National Book Awardwinning author of Far from the Tree
Having pushed her wheelchair past two hundred alligators, Lambert has written a brilliant and necessary account of a wise and triumphant life as a writer, activist, kayaker, lesbian lover, birder, and survivor of polio. Im in awe of her gifts.
Carolyn Forch, author of The Country between Us
I have loved Sandra Gail Lamberts stunning and flexible prose for a long time and still was unprepared for the power and searing honesty of her memoir, A Certain Loneliness. This book is an act of tremendous beauty.
Lauren Groff, author of New York Times bestseller Fates and Furies
A Certain Loneliness
American Lives
Series editor: Tobias Wolff
A Certain Loneliness
A Memoir
Sandra Gail Lambert
University of Nebraska Press | Lincoln and London
2018 by Sandra Gail Lambert
Acknowledgments for the use of copyrighted material appear in , which constitutes an extension of the copyright page.
Cover designed by University of Nebraska Press; cover image is courtesy of the author.
All rights reserved
Publication of this volume was assisted by a grant from the Friends of the University of Nebraska Press.
Library of Congress Cataloging-in-Publication Data
Names: Lambert, Sandra Gail, author.
Title: A certain loneliness: a memoir / Sandra Gail Lambert.
Description: Lincoln: University of Nebraska Press, 2018. | Series: American lives
Identifiers: LCCN 2017049907
ISBN 9781496207197 (pbk.: alk. paper)
ISBN 9781496208620 (epub)
ISBN 9781496208637 (mobi)
ISBN 9781496208644 (web)
Subjects: LCSH : Lambert, Sandra Gail, author. | Women authors, AmericanBiography. | Loneliness. | Isolation.
Classification: LCC PS 3612. A 54648 Z 46 2018 | DDC 813/.6 [B]dc23 LC record available at https://lccn.loc.gov/2017049907
The publisher does not have any control over and does not assume any responsibility for author or third-party websites or their content.
Woman vs. Herself
Her skin is cold
and damp as a window.
She looks at herself in the glass
and thinks Yes
I have that to give.
Sun diminishes
frost on the pane
Outside, the sound of ice.
Rebecca Lindenberg, Love, an Index
Contents
Thank you. Thank you to the staff and supporters and imaginers of artist retreats and residencies. Yaddo, the Studios of Key West, and the Atlantic Center for the Arts provided support in the writing of this memoir. Thank you to the creators of the literary journals and anthologies who accepted my writings. They are listed in the back. And thank you to Alicia Christensen and everyone else at the University of Nebraska Press for including my memoir in the American Lives Series.
Much of the writing was done camping in Floridas state parks, parks that continue to exist and remain glorious because of the efforts of rangers, volunteers, and environmental activists. There is a motel in the small fishing village of Cedar Key where I would retreat a few times a year and where the front office and housekeeping crew made it possible for me to write productively. Many writers have helped me. Sarah Einstein, Aliesa Zoecklein, and Michele Leavitts unwavering belief in my writing (and mine in theirs) continues to fortify, comfort, and sustain.
One day I was deep in revision of this memoir. It was a difficult section, one without much hope. So I took a Facebook break. And there was that smokin hot woman who had been liking a lot of my posts. I tapped my finger on the manuscript pages beside me. You know, I said to myself, you could maybe change this. And so I contacted the smokin hot woman. Which means that now I get to thank my wife, Pam Paris, for her unconditional and wildly enthusiastic championship of my work.
Three of the Places
I called them ladies-of-the-valley. In 1960 we lived in Norway, and down the hill from our house was a forest. It seemed so very far away. It probably wasnt, since I was only six. Deep in the woods was a place the sun reached through to the ground, and at the edges of the light, in its shadow, the flowers spread over the forest floor. Id sit among them and smooth the skirt of my dress around me. The bare skin between my panties and the top thigh band of my braces pressed into the wet slickness of the ground. The white pearls of flowers about to open would perch on my fingertips, and they seemed to have no weight. Cars, construction, my mothers voice, and the confusions of where to sit on the school bus or why no one sat with me and the relief of reaching the classroom and the kindness of the teacher also lost any substance. The honey perfume of the disturbed plants rose around me.
It turns out that lily of the valley and all of its partsstems, roots, flowers, leavesare poisonous. It slows the heart.
Three years later the woods, which by then I thought of as nothing but an empty lot (and now know were a remnant of massive virgin forest), were cleared. But there was still the hill behind my house too steep to build on. Id walk up it as far as possible and then drop my crutches and scramble with my hands to the top where Id sit among pine needles and low-bush blueberries. Id reach and reach until I ate a circumference of berries. From there, through trees, was a view of mountains in a blue mist. The muscles around my eyes rearranged themselves, and I could focus into a far distance. When I was young I thought that seeing far away, like through a telescope pointed at the stars, would let me see into the future. Now I know that telescopes show us the past. They show us the light of stars long after the star itself has exploded and gone dark.
When I was thirteen I could name a lot of what I needed relief from. Not being allowed to stay up and watch television programs the rest of my classmates watched, the pain of the contraption put on my legs at night that was supposed to untwist my bones, a tattletaling little sister: I could describe these affronts at great length and with the unrelenting harshness of a teenager, but only in my head. I was considered almost too old for a spanking, but not quite. A door slammed in reaction to parental intransigence, or a poorly timed and so overheard screaming argument with my sister could still lead to the quick rattle of a buckle, the slick sound of a belt pulled through loops, a humiliation. I had learned to be careful. And I had learned the comfort of stolen alcohol. But also, sometimes, in our front yard, a deep winter sun would slant through the grove of silver birch. The ice coating the limbs exploded in light. The white of the trunks became translucent, and Id put my hand out and imagine it sinking through the bark.
You are so inspiring.
In my experience, its impossible to shut them down once they start, but I try. With each hand gripping a rim, I make a hard spin toward my last dryer. I open the glass door and angle the wheelchair close. It reassures me that, except for the rhinestone glasses, the woman appears to be my age and therefore cant have any crippled-up grandchild to talk about. Just in case, I put my head deep into the drum.
Im in my late thirties now and for all my laundromat years Ive known never to smile at anyone or to catch an eye, but these days Im using a wheelchair instead of braces and crutches. Physically, the laundromat should be easier, since I can carry big loads in and out on my lap, and its 1988, so places are starting to have ramps. But the wheelchair also means a whole new barrage of comments. Ive delayed doing a wash until my sheets are gray and a rash has spread under my breasts, maybe from the sheets but most likely because of the towels. No one comes into my bathroom or my bed but me, so no one knows, so I can live this way. But now my work clothes, after rewearings and despite strategic spot washes, have become unacceptable.
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