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Reeve Lindbergh - No More Words: A Journal of My Mother, Anne Morrow Lindbergh

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Reeve Lindbergh No More Words: A Journal of My Mother, Anne Morrow Lindbergh
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No More Words: A Journal of My Mother, Anne Morrow Lindbergh: summary, description and annotation

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In 1999 Anne Morrow Lindbergh, the famed aviator and author, moved from her home in Connecticut to the farm in Vermont where her daughter, Reeve, and Reeves family live.

Mrs. Lindbergh was in her nineties and had been rendered nearly speechless years earlier by a series of small strokes that also left her frail and dependent on others for her care. No More Words is a moving and compassionate memoir by Reeve Lindbergh of the final seventeen months of her mothers life.

Reeve Lindbergh is an accomplished author who had learned to write in part by reading her mothers many books -- among them the international bestseller Gift from the Sea -- and also by absorbing her mothers careful and intimate way of examining the world around her. So Reeves inability to communicate with her mother, a woman long recognized in her family and throughout the world as a gifted communicator, left her daughter deeply saddened and frustrated. Worse, from time to time Mrs. Lindbergh would offer a comment or observation that seemed harsh, shocking, or simply unrelated to the events around her, leaving Reeve anxious and distressed about what her mother might be thinking. Anyone who has had to care for an elderly parent disabled by Alzheimers or stroke will understand immediately the heartache and anguish Reeve suffered.

Reeve writes with great sensitivity and sympathy for her mothers plight, while also analyzing her own conflicting feelings. Mrs. Lindbergh was fortunate to have full-time care, but a tremendous emotional burden still fell on Reeve. And even as she worried about her mothers long silences and enigmatic remarks, and monitored her daily care, Reeve had her husband and son to look after. But mixed with the sadness and responsibility were moments of humor and happiness, and even an eventual understanding, all the more treasured for being so unexpected.

No More Words is a tender tribute from daughter to mother, from one writer to another who was her model and mentor. It is a loving and poignant work, rich with insight into lifes final stage.

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Picture 1

Also by Reeve Lindbergh

Under a Wing: A Memoir

The Names of the Mountains

The View from the Kingdom: A New England Album
(with Richard Brown)

Moving to the Country

Picture 2

SIMON & SCHUSTER
Rockefeller Center
1230 Avenue of the Americas
New York, NY 10020

Copyright 2001 by Reeve Lindbergh
All rights reserved, including the right of reproduction in whole or in part in any form.

SIMON & SCHUSTER and colophon are registered trademarks of Simon & Schuster, Inc.

Designed by Deirdre C. Amthor

Library of Congress Cataloging-in-Publication Data is available

ISBN-13: 978-0-7432-2486-4
ISBN-10: 0-7432-2486-8

Visit us on the Word Wide Web:
http://www.SimonSays.com

For my mother,

with love beyond words

Acknowledgments

I would like to thank all those who helped to make this last period of my mothers life not only possible but also remarkable: a time of care and comfort and laughter and joy, even in the daunting presence of frailty, confusion, anxiety, and ill health. Thanks first of all to my brothers, Jon, Land, and Scott Lindbergh, and to their families, for their unceasing patience and understanding, their wise counsel, and for visiting us often, traveling over great distances and in all kinds of weather in order to be with our mother at frequent intervals throughout the year.

Thanks to my beloved husband, Nat Tripp; to our son, Ben; to Nats sons, Eli and Sam Tripp; and to his mother, Alice W. Tripp; to my daughters, Elizabeth and Susannah Brown; and to our niece and nephew, Connie Feydy and Marek Sapieyevski, who have willingly and uncomplainingly embraced my mothers care and well-being as part of their own lives, for many years.

Thanks to all our neighbors, relatives, and friends in Vermont, in Connecticut, and around the world for their loyal affection and attention during the past decade of my mothers life and mine. Thanks to the doctors, financial and legal advisers, and health care professionals and organizations who steadfastly supported our efforts to care for her at home during an increasingly vulnerable and fragile old age.

Special thanks to Ann Cason and to the Circle of Care she gathered around us during my mothers last months here in Vermont. The following people generously offered my family the unique and ongoing gift of themselves. Whether they provided daily personal care or organized occasional musical gatherings, whether it was a doctor or dentist arriving at the house to check on her at the end of a busy professional day, or a stylist coming over the bumpy dirt road to give her a new hairstyle and manicure once a week, whether the visitor was a woman of her own age, driven by her daughter for afternoon tea, or a neighbors three-year-old coming for a ten-minute visit on a gloomy afternoon, each of these people enriched my mothers days immeasurably, as they did mine. I am so grateful to each of them:

Ann Cason

Susan Drommond

Alexandra Evans and Phil Sentner

Buncie Shadden

Carla Leftwich

Laurie Crosby

Catherine Clark

Catherine Thomas and Rhoda Thomas

Trudy Meuton

Sue Gilman

Susan Shaw

Karen Frazier

Lillian and Mia Concordia

Jim and Sherri Lowe

Harold Turner and Jane Fuller

Marco Alonso and Ruth Taylor

Ted Soares

Janet and Rick White

Dr. Tim Thompson

Dr. Fred Silloway

Laura, David, and Bea Brody

Newcomb and Ditty Greenleaf

Carol and Patton Hyman

Arthur Jennings

Trenny Burgess

Sherlyn Morrisette

The poetry and prose excerpts that Ive included in this book are drawn from the following sources: Gift from the Sea, The Unicorn and Other Poems by Anne Morrow Lindbergh; Disillusions of Childhood, Distance Lends Enchantment, and Success from The Wheel (Miss Chapins School), March 1924; Caprice, Letter with a Foreign Stamp, and To _______, from The Smith College Monthly in the October 1926, February 1927, and May 1927 issues, respectively; Local Vertical by Anne Spencer Lindbergh; Autobiography of Values by Charles A. Lindbergh, and Four Quartets by T. S. Eliot.

I also used excerpts from some of my mothers unpublished notes, and have referred to, though not quoted from, several other books during the course of keeping my journal, including The Illuminated Rumi, translated by Coleman Barks; The Little Book of Prayers, edited by David Schiller; Living Buddha, Living Christ, by Thich Nhat Hanh; The Essential Rilke, selected and translated by Galway Kinnell and Hannah Liebmann; In Every Tiny Grain of Sand, A Childs Book of Prayers and Praise, collected by Reeve Lindbergh.

Now there are no more words ,

But you will know, when I sing

For others, that I bring

To you alone

A leaf, a flower, and a stone.

Anne Morrow Lindbergh, from

A Leaf, a Flower, and a Stone,

The Unicorn and Other Poems

Preface

These pages represent a kind of journal, with chapters taken from my own diary entries, written off and on between May 1999, the time my mother came to live with us in Vermont, and February 7, 2001, when she died. I first began to keep a record of this period for myself alone, hoping to make some sense of my turbulent thoughts, feelings, and moods surrounding my mothers presence and care. I realized that in some ways my own inner world was as scattered and as volatile as hers seemed to be, in our final months together. And, like my mother before me, I knew that the only solution for me in a time of such difficulty and confusion was to write. This is not, however, an exact reproduction of my diary. It became clear to me as I continued writing that I was writing a book, and that I was writing it in the hope that what I revealed of my own experience, as honestly as I could, might help other people in similar family situations. I found myself expanding upon the original entries as I typed them into the computer, adding a new thought here or an old memory there, as these thoughts and memories came to me.

I also chose to use excerpts from my mothers writings as chapter headings and to incorporate some of these in the body of the book. It was very important to me that her writing voice, too, should be heard in this record of events that concern her so deeply.

She was not able to write about the last part of her life in the way that she chronicled so much of her earlier experience, with candor, skill, and eloquence, for more than sixty years. And she will never read what has been written here about her. All the same, the truth about this book is that it is not mine but ours.

Summer 1999

My mother is ninety-three now, an age she never expected nor wished to achieve. She has outlived her husband, her two sisters, her brother, one of her sons, one of her daughters, and two of her grandchildren. Ten years ago she experienced a series of strokes and was left physically frail and confused, which resulted in the need for full-time care. With round-the-clock caregivers to attend her, she continued to live in her home in Connecticut. Someone, either a caregiver or a family member, would drive her north to visit me and my family in Vermont, where she has a house on our farm, for weeklong visits several times a year, and for holidays.

On Memorial Day weekend 1999, Mother was diagnosed with pneumonia here in Vermont, and since then she has not been back to Connecticut. Even before this happened, my brothers and I felt that our mother had become too isolated in her home. Her circle of old friends was fast diminishing, and her neighbors, who remained loving and loyal visitors, were beginning to be concerned about her. It had become very difficult for her four children to monitor her well-being from the distance of our own adult lives in other parts of the world. We decided that it was best for our mother to stay with me in Vermont for the time being.

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