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Lisa Funnell - American and Chinese-Language Cinemas

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American and Chinese-Language Cinemas Critics frequently describe the - photo 1
American and Chinese-Language Cinemas
Critics frequently describe the influence of America, through Hollywood and other cultural industries, as a form of cultural imperialism. This unidirectional model of interaction does not address, however, the counter-flows of Chinese-language films into the American film market or the influence of Chinese filmmakers, film stars, and aesthetics in Hollywood.
The aim of this collection is to (re)consider the complex dynamics of transnational cultural flows between American and Chinese-language film industries. The goal is to bring a more historical perspective to the subject, focusing as much on the Hollywood influence on early Shanghai or postwar Hong Kong films as on the intensifying flows between American and Chinese-language cinemas in recent decades. Contributors emphasize the processes of appropriation and reception involved in transnational cultural practices, examining film production, distribution, and reception.
Lisa Funnell is an Assistant Professor in the Womens and Gender Studies Program at the University of Oklahoma, USA. She is co-editor of Transnational Asian Identities in Pan-Pacific Cinemas: The Reel Asian Exchange (Routledge, 2012).
Man-Fung Yip is an Assistant Professor in the Film and Media Studies Program at the University of Oklahoma, USA.
Routledge Advances in Film Studies
For a full list of titles in this series, please visit www.routledge.com
1 Nation and Identity in the New German Cinema
Homeless at Home
Inga Scharf
2 Lesbianism, Cinema, Space
The Sexual Life of Apartments
Lee Wallace
3 Post-War Italian Cinema
American Intervention, Vatican Interests
Daniela Treveri Gennari
4 Latsploitation, Exploitation Cinemas, and Latin America
Edited by Victoria Rutalo and Dolores Tierney
5 Cinematic Emotion in Horror Films and Thrillers
The Aesthetic Paradox of Pleasurable Fear
Julian Hanich
6 Cinema, Memory, Modernity
The Representation of Memory from the Art Film to Transnational Cinema
Russell J.A. Kilbourn
7 Distributing Silent Film Serials
Local Practices, Changing Forms, Cultural Transformation
Rudmer Canjels
8 The Politics of Loss and Trauma in Contemporary Israeli Cinema
Raz Yosef
9 Neoliberalism and Global Cinema
Capital, Culture, and Marxist Critique
Edited by Jyotsna Kapur and Keith B. Wagner
10 Koreas Occupied Cinemas, 18931948
The Untold History of the Film Industry
Brian Yecies with Ae-Gyung Shim
11 Transnational Asian Identities in Pan-Pacific Cinemas
The Reel Asian Exchange
Edited by Philippa Gates and Lisa Funnell
12 Narratives of Gendered Dissent in South Asian Cinemas
Alka Kurian
13 Hollywood Melodrama and the New Deal
Public Daydreams
Anna Siomopoulos
14 Theorizing Film Acting
Edited by Aaron Taylor
15 Stardom and the Aesthetics of Neorealism
Ingrid Bergman in Rossellinis Italy
Ora Gelley
16 Postwar Renoir
Film and the Memory of Violence
Colin Davis
17 Cinema and Inter-American Relations
Tracking Transnational Affect
Adrin Prez Melgosa
18 European Civil War Films
Memory, Conflict, and Nostalgia
Eleftheria Rania Kosmidou
19 The Aesthetics of Antifascism
Radical Projection
Jennifer Lynde Barker
20 The Politics of Age and Disability in Contemporary Spanish Film
Plus Ultra Pluralism Matthew J. Marr
21 Cinema and Language Loss
Displacement, Visuality and the Filmic Image
Tijana Mamula
22 Cinema as Weather
Stylistic Screens and Atmospheric Change
Kristi McKim
23 Landscape and Memory in Post-Fascist Italian Film
Cinema Year Zero
Giuliana Minghelli
24 Masculinity in the Contemporary Romantic Comedy
Gender as Genre
John Alberti
25 Crossover Cinema
Cross-cultural Film from Production to Reception
Edited by Sukhmani Khorana
26 Spanish Cinema in the Global Context
Film on Film
Samuel Amago
27 Japanese Horror Films and Their American Remakes
Translating Fear, Adapting Culture
Valerie Wee
28 Postfeminism and Paternity in Contemporary US Film
Framing Fatherhood
Hannah Hamad
29 Cine-Ethics
Ethical Dimensions of Film Theory, Practice, and Spectatorship
Edited by Jinhee Choi and Mattias Frey
30 Postcolonial Film: History, Empire, Resistance
Edited by Rebecca Weaver-Hightower and Peter Hulme
31 The Womans Film of the 1940s
Gender, Narrative, and History
Alison L. McKee
32 Iranian Cinema in a Global Context
Policy, Politics, and Form
Edited by Peter Decherney and Blake Atwood
33 Eco-Trauma Cinema
Edited by Anil Narine
34 American and Chinese-Language Cinemas
Examining Cultural Flows
Edited by Lisa Funnell and Man-Fung Yip
American and Chinese-Language Cinemas
Examining Cultural Flows
Edited by Lisa Funnell and
Man-Fung Yip
First published 2015 by Routledge 711 Third Avenue New York NY 10017 and by - photo 2
First published 2015
by Routledge
711 Third Avenue, New York, NY 10017
and by Routledge
2 Park Square, Milton Park, Abingdon, Oxon OX14 4RN
Routledge is an imprint of the Taylor & Francis Group, an informa business
2015 Taylor & Francis
The right of the editors to be identified as the author of the editorial material, and of the authors for their individual chapters, has been asserted in accordance with sections 77 and 78 of the Copyright, Designs and Patents Act 1988.
All rights reserved. No part of this book may be reprinted or reproduced or utilized in any form or by any electronic, mechanical, or other means, now known or hereafter invented, including photocopying and recording, or in any information storage or retrieval system, without permission in writing from the publishers.
Trademark Notice: Product or corporate names may be trademarks or registered trademarks, and are used only for identification and explanation without intent to infringe.
Library of Congress Cataloging-in-Publication Data
American and Chinese-language cinemas: examining cultural flows / edited by Lisa Funnell and Man-Fung Yip.
pages cm (Routledge advances in film studies; 34)
Includes bibliographical references and index.
1. Motion picture industryUnited StatesHistory. 2. Motion picture industryChinaHistory. 3. Motion picture industryUnited States Cinese influences. 4. Motion picture industryChinaAmerican influences. I. Funnell, Lisa, 1980- editor, II. Yip, Man-Fung, 1973-editor.
PN1993.5.U6A854 2014
791.430951dc23
2014017807
ISBN: 978-0-415-73182-9 (hbk)
ISBN: 978-1-315-84956-0 (ebk)
Typeset in Sabon
by Apex CoVantage, LLC
Contents
LISA FUNNELL AND MAN-FUNG YIP
SECTION I
Style, Narrative, Form
ZHIWEI XIAO
ALISON HULME
KATHERINE SPRING
KIN-YAN SZETO
SECTION II
Genre
KWAI-CHEUNG LO
MAN-FUNG YIP
VIVIAN LEE
SECTION III
Marketing, Exhibition, Reception
WEIHONG BAO AND NATHANIEL BRENNAN
BRIAN HU
LUNPENG MA
YIMAN WANG
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