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Beatrix Potter - The Journal of Beatrix Potter from 1881 to 1897

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Beatrix Potter The Journal of Beatrix Potter from 1881 to 1897
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    The Journal of Beatrix Potter from 1881 to 1897
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The Journal of Beatrix Potter from 1881 to 1897: summary, description and annotation

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This ebook has been optimised for viewing on colour devices. Between the ages of 15 and 30 Beatrix Potter kept a secret diary written in code. When the code was cracked by Leslie Linder more than 20 years after her death, the diary revealed a remarkable picture of upper middle-class life in late Victorian Britain. This book provides an illuminating insight into the personality and inspiration of one of the worlds best loved childrens authors.

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Beatrix Potter A F Mackenzie Birnam frontis The Journal of Beatrix - photo 1

Beatrix Potter A F Mackenzie Birnam frontis The Journal of Beatrix - photo 2

Beatrix Potter
A. F. Mackenzie, Birnam

frontis.

The Journal of Beatrix Potter

From 1881 to 1897

TRANSCRIBED FROM HER CODE WRITING BY
LESLIE LINDER

The Potter family crest WITH AN APPRECIATION BY H L COX FREDERICK WARNE - photo 3

The Potter family crest

WITH AN APPRECIATION BY H. L. COX

FREDERICK WARNE & CO. LTD: LONDON
FREDERICK WARNE & CO. INC: NEW YORK

Frederick Warne & Co. Ltd.
London, England
1966

Reprinted 1966
Second Reprint 1966
Third Reprint 1966
Fourth Reprint with corrections 1974

ISBN: 978-0-7232-6883-3

Acknowledgements

THANKS are due to the Executors of the late Mrs. Heelis (Beatrix Potter), for permission to publish her Journal, and special thanks are due to Mr. C. H. D. Acland of the National Trust for the loan of the code-written sheets.

Appreciation is due to the late Miss Margaret Hammond, a close friend of Mrs. Heelis, who gave help and encouragement while the translation was being prepared, and who also read through and commented on some of the earlier sections of the Journal.

Many people, both in England and Scotland, have contributed to the making of this book by supplying information associated with the Journal. Of these helpers special mention should be made of Mrs. Susan Ludbrook, the late Curator of Hill Top, Sawrey, and, in Scotland, of Miss Lucy E. Cox, M.B.E., who is the present owner of Heath Park, re-named The Lodge, Birnam. Miss Cox not only allowed me to visit the house, but also introduced me to the Rector of St. Marys Episcopal Church, Birnam, the Rev. O. G. Lewis.

Mr. Lewis was instrumental in providing much valuable information relative to the Birnam Section of the Journal, as well as to some of the other sections, and he also enlisted the help of Mr. Henry R. Cook, a former Associate Editor of the Dundee Courier and Advertiser, who checked references to local history; and also of Miss Ethel L. Watson, Associate of the Library Association, a librarian of great experience who submitted valuable contributions on obscure points of Scottish places and history.

In the preparation of the Family Trees, help was received from the late Capt. K. W. G. Duke, Mrs. W. F. Gaddum, Mr. Robert B. Hutton and the late Mrs. Susan Ludbrook.

In verifying the details of Beatrix Potters many references to Art, History, Botany, Natural History, Geology, etc., I am indebted to numerous people, including personnel of the Royal Academy of Arts, the British Museum (Natural History), the Wellington Museum, the Linnean Society of London, the Society of Antiquaries and to my cousins Miss Lucy Andrews, Miss Mary Audsley and Canon Scrutton. Also, Mr. John Clegg has given valuable help in regard to Beatrix Potters many references to Fungi.

Thanks are due to Barbara Cartland for permission to visit and photograph Camfield Place, and also to Mr. Robert B. Hutton for the photograph of Caroline Hutton. To my sister, Miss Enid Linder, I am indebted for the colour photographs of the places associated with the Journal, and for reading through the whole of the text and pointing out a number of doubtful passages, which enabled corrections to be made after referring back to the original code-written sheets. I am also under an obligation to Mr. L. E. Deval for his very conscientious reading of the proofs.

My sincere thanks are due to Professor Douglas Hamer for his very thorough reading of the third reprint, and for pointing out some inaccuracies of transcription and numerous small errors which had hitherto been overlooked.

To Mr. H. L. Cox, M.A. (Cantab.), F.R.Ae.S., I am grateful for his excellent Appreciation, and to the publishers for their care in the preparation of the text and for the very fine reproductions of the water-colours, drawings and photographs.

L. L.

List of Illustrations
IN COLOUR

Water colours by Beatrix Potter

Photographs

IN BLACK AND WHITE

Drawings by Beatrix Potter

Drawing by Bertram Potter

Photographs

Examples of Code-Writing

THE LEECH FAMILY TREE

Note This table is drawn from information communicated by Capt K W G - photo 4

Note:

This table is drawn from information communicated by Capt. K. W. G. Duke.

THE CROMPTON FAMILY TREE

Note This table is drawn from Entries in the Family Bible at Hill Top - photo 5

Note:

This table is drawn from:

Entries in the Family Bible at Hill Top, Sawrey.

Information communicated by Robert B. Hutton, Esq.

THE POTTER FAMILY TREE - photo 6

THE POTTER FAMILY TREE Note This table is drawn from Edmund Potter and - photo 7

THE POTTER FAMILY TREE Note This table is drawn from Edmund Potter and - photo 8

THE POTTER FAMILY TREE

Note This table is drawn from Edmund Potter and Dinting Vale by J G Hurst - photo 9

Note:

This table is drawn from:

Edmund Potter and Dinting Vale by J. G. Hurst.

Information communicated by Mrs. W. F. Gaddum.

An Appreciation IT was in the days of swords and periwigs It is not verse - photo 10

An Appreciation IT was in the days of swords and periwigs It is not verse - photo 11

An Appreciation IT was in the days of swords and periwigs It is not verse - photo 12

An Appreciation

IT was in the days of swords and periwigs. It is not verse, indeed to a would-be gentleman it could be instanced as a line of perfect prose; yet, spoken, it has a rhythm most apt to capture the attention of the young but lively mind. Eight simple monosyllables lead up to one exciting trisyllable, six everyday words introduce three of moment. Swords, splendid with swords; the reader must be ready for questions, but a simple reference to fighting may probably find the listener quite sufficiently informed already, and lets get on to those intriguing periwigs. Priwigs or is it periwgs? no, just periwigs with no accent at all. Swords? well, they were just worn at ones side, more for ornament than for use; but periwigs? on ones head like a hat? instead of ones own hair? Let me see! pictures are a must.

That one line seems to me to epitomise the whole art of Beatrix Potter. Swords, like other of the violent exercises of life, are not to be disregarded; they are taken quite in the ordinary course of things, swinging at ones side with a slight swagger, a mark of elegance rather than ferocity; capable of violence certainly, but rather here allied to periwigs and flowered waistcoats. All Beatrix Potters creatures wear their finery comfortably on top of their vitality, men no less than mice.

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