BEATRIX POTTER
Artist, Storyteller and Countrywoman
JUDY TAYLOR
FREDERICK WARNE
BEATRIX POTTER
Artist, Storyteller and Countrywoman
FREDERICK WARNE
Published by the Penguin Group
Penguin Books Ltd, 80 Strand, London WC2R 0RL, England
Penguin Putnam Inc., 375 Hudson Street, New York, New York 10014, USA
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Penguin Books Ltd, Registered Offices: 80 Strand, London, WC2R 0RL, England
Web site at: www.peterrabbit.com
First published by Frederick Warne 1986
New edition 1996
Reprinted with revisions 2002
Copyright Judy Taylor, 1986, 1996, 2002
New reproductions of Beatrix Potters book illustrations copyright Frederick Warne & Co., 2002
Original copyright in Beatrix Potters illustrations Frederick Warne & Co., 1902, 1903, 1904, 1905, 1906, 1908, 1909, 1910, 1911, 1912, 1917, 1925, 1928, 1930, 1952, 1955
Frederick Warne & Co. is the owner of all rights, copyrights and trademarks in the Beatrix Potter character names and illustrations.
All rights reserved. Without limiting the rights under copyright reserved above, no part of this publication may be reproduced, stored in or introduced into a retrieval system, or transmitted, in any form or by any means (electronic, mechanical, photocopying, recording or otherwise), without the prior written permission of both the copyright owner and the above publisher of this book.
(half-title) Benjamin Bunny at Heath Park, Birnam, where the Potters spent the summer of 1892
(frontispiece) Some characters from the little books
ISBN: 978-0-72-326555-9
Contents
My brother and I were born in London because my father was a lawyer there.
It is something to have a little money to spend on books and to look forward to being independent.
He did not live long, but he fulfilled a useful happy life.
The publisher is a gentleman who prints books, and he wants a bigger book than he has got enough money to pay for!
We are getting lambs here, and should be in full swing on the sheep farms in another week.
It is some years ago since I have walked on the beloved hills, but I remember every stone and rock and stick.
I have never quite understood the secret of Peters perennial charm.
In memory of my mother
Some other books by Judy Taylor
Beatrix Potter 18661943: The Artist and Her World (with J. I. WHALLEY, A. S. HOBBS AND E.M. BATTRICK )
Beatrix Potter : A Holiday Diary (Editor)
Beatrix Potters Farming Friendship (Editor)
Beatrix Potters Letters : A Selection (Editor)
The Choyce Letters: Beatrix Potter to Louie Choyce 19161943 (Editor)
Letters to Children from Beatrix Potter (Editor)
So I Shall Tell You a Story: Encounters with Beatrix Potter (Editor)
That Naughty Rabbit: Beatrix Potter and Peter Rabbit
NATIONAL TRUST GUIDES
Beatrix Potter and Hill Top
Beatrix Potter and Hawkshead
List of colour plates
PLATES
Beatrix Potters designs for some letters of the alphabet.
Forewords
FROM THE FOREWORD TO THE FIRST EDITION, 1986
Beatrix Potter and her books have been part of my life for a long time. My first encounter, like that of so many others, was on my mothers lap, and I can hear her voice now reading Mrs Tiggy-winkle to me; it has remained my favourite of all the books.
How I wish I had known that Beatrix Potter was still alive when, as an eight-year-old, I was sent to boarding school in the Lake District at the beginning of the war. I should most certainly have found an excuse to call at Castle Cottage on one of those interminable and wide-ranging walks that took up every Saturday.
When I was a teenager and doing my share of child-minding, it was the time of post-war paper shortage, and the only readily available copies of Beatrix Potters books were in French. Although she was Poupette--Lpingle on the page, Mrs Tiggy-winkle quickly reverted to her old self when read aloud.
Some years later, when I was editing and publishing for children, Beatrix Potters books were a standard against which to measure new picture books. Her uninhibited choice of words, her exquisite watercolours, her marriage of text and illustration have inspired many a young writer and artist to produce their best.
There are by now quite a number of books about Beatrix Potter, and no doubt there will be many more, for she was an intriguingly fascinating woman, but the first of them all, the one that drew attention to the person behind the books, was Margaret Lanes The Tale of Beatrix Potter, published in 1946. That book was my springboard and to the late Margaret Lane I offer my thanks.
I have been given unrestricted access to the Frederick Warne archives, which include fascinating files of correspondence between the company and Beatrix Potter spanning over fifty years, from their first rejection of her sketches in November 1891 to her request, in July 1943, for more copies of her books, as she had given away all she had left as prizes to a party of Girl Guides. I have used Beatrix Potters own words (and her, at times, eccentric spelling) to tell her own story wherever possible, and unless otherwise attributed all the quotations in this book are taken from her letters or from her journals.
FOREWORD TO THE REVISED EDITION, 1996
In the ten years since the first publication of this book a wealth of Beatrix Potter memorabilia, including letters, photographs and a diary fragment, has been unearthed from attics and safes and has passed through the sale rooms. The publication in 1989 of Beatrix Potters Letters, my selection of some 400 of her letters from a collection of over 1,400, brought to light yet more correspondence, as did the publication in 1992 of Letters to Children from Beatrix Potter