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Vivian Gornick - The End of The Novel of Love

Here you can read online Vivian Gornick - The End of The Novel of Love full text of the book (entire story) in english for free. Download pdf and epub, get meaning, cover and reviews about this ebook. year: 1998, publisher: Beacon Press, genre: Non-fiction. Description of the work, (preface) as well as reviews are available. Best literature library LitArk.com created for fans of good reading and offers a wide selection of genres:

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Offers powerful insight into the portrayal of romantic love by Jean Rhys, Clover Adams, Christina Stead, Willa Cather, Grace Paley, Raymond Carver, Andre Dubus, and others.Gornick makes forceful and dramatic judgments. . . . She is fearless. -Elizabeth Frank, The New York Times Book Review

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title The End of the Novel of Love author Gornick Vivian - photo 1

title:The End of the Novel of Love
author:Gornick, Vivian.
publisher:Beacon Press
isbn10 | asin:0807062235
print isbn13:9780807062234
ebook isbn13:9780807062166
language:English
subjectLove stories, American--History and criticism, Love stories, English--History and criticism, Women and literature--United States--History, Women and literature--Great Britain--History, Man-woman relationships in literature, Women in literature, Closure (R
publication date:1997
lcc:PS374.L6G67 1997eb
ddc:813/.08509352042
subject:Love stories, American--History and criticism, Love stories, English--History and criticism, Women and literature--United States--History, Women and literature--Great Britain--History, Man-woman relationships in literature, Women in literature, Closure (R
Page i
The End of the Novel of Love
Page ii
ALSO BY VIVIAN GORNICK
Approaching Eye Level
Fierce Attachments
Page iii
The End of the Novel of Love
Vivian Gornick
Page iv BEACON PRESS 25 Beacon Street Boston Massachusetts 02108-2892 - photo 2
Page iv
BEACON PRESS
25 Beacon Street
Boston, Massachusetts 02108-2892
BEACON PRESS BOOKS are published under the auspices of the Unitarian Universalist Association of Congregations.
1997 by Vivian Gornick
All rights reserved
Printed in the United States of America
03 02 01 00 99 98 8 7 6 5 4 3 2
Text design by Anne Chalmers
Text composition by Wilsted & Taylor
Library of Congress Cataloging-in-Publication Data
Gornick, Vivian.
The end of the novel of love/Vivian Gornick.
p. cm.
ISBN 0-8070-6222-7 (cloth)
ISBN 0-8070-6223-5 (paper)
1. Love stories, AmericanHistory and criticism. 2. Love stories, EnglishHistory
and criticism. 3. Women and literatureUnited StatesHistory. 4. Women
and literatureGreat BritainHistory. 5. Man-woman relationships in
literature. 6. Women in literature. 7. Closure (Rhetoric) I. Title.
PS374.L6G67 1997
813'.08509352042dc21 97-10490
Page v
Contents
Diana of the Crossways
1
Clover Adams
19
Kate Chopin
43
Jean Rhys
53
Ruthless Intimacies
65
Willa Cather
83
Hannah Arendt and Martin Heidegger
103
Christina Stead
113
Grace Paley
123
Tenderhearted Men
131
The End of the Novel of Love
151

Page 1
Diana of the Crossways
Page 3
In a thousand novels of love-in-the-Western-world the progress of feeling between a woman of intelligence and a man of will is charted through a struggle that concludes itself when the womanat lastmelts into romantic longing and the deeper need for union. There are, however, a handful of remarkable novels written late in the last century and early in this oneamong them Daniel Deronda, The House of Mirth, Diana of the Crossways, Mrs. Dallowaywhere, at the exact moment the woman should melt, her heart unexpectedly hardens. Just at this place where give is required, some flat cold inner remove seems to overtake the female protagonist. In the eyes of the world she becomes opaque ("unnatural" she is called), but we, the privileged readers, know what is happening. The woman has taken a long look down the road of her future. What she sees repels. She cannot "imagine" herself in what lies ahead. Unable to imagine herself, she now thinks she cannot act the part. She will no longer be able to make the motions. The marriage will be a cha-
Page 4
rade. In that moment of clear sight sentimental love, for her, becomes a thing of the past. Which is not to say the marriage will not take place; half the time it will. It is only to say that in these novels this is the point at which the story begins.
The response of these intelligent fictional womenGwendolen Harleth, Lily Bart, Diana Warwick, Clarissa Dallowayto the prospect of married love goes against the grain. Not only because we all know that love is the most formative experience a human being can have and marriage, any marriage, at least in its beginnings, reminds one of its promise, but also because the idea that a woman, any woman, could really want anything other than to be safely settled in the world with a husband has, until very recently, been unthinkable.
So what is it with Gwendolen, Lily, Clarissa, and Diana?
In Daniel Deronda George Eliot pits the beautiful Gwendolen Harleth (shrewd, vain, ambitious, hungry for a place in the world) against Henleigh Grandcourt, the aristocrat who wishes to marry her, apparently setting in motion the classic struggle between a woman and a man who are evenly matched: in this case both cold, smart, and determined. In the bargain, Gwendolen seems malicious: she taunts and manipulates the arrogant lord as if the exercise of sexual power in and of itself is a necessary plesure. But slowly, steadilyit takes Eliot 200 pages to get them marriedwe are moved deeper inside Gwendolen and we see that her behavior is meant to be off-putting. She is desperate to keep the action going, delay the moment of decision. We see
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