Antonio Quinet - Hilda and Freud: Collected Words
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I would like to thank Danuza Machado, curator of the performance Hilda and Freud: Collected Words as well as the staff of the Freud Museum for allowing us to stage our tribute to Freud and to Hilda Doolittle in this poetic site on the history of psychoanalysis. A special thanks to Darian Leader, Dawn Kemp, Ivan Ward, and to our Portuguese friends Francisco da Silva and Daniel Bento who made it possible. I would also like to express my gratitude to the Brazilian Embassy for sponsoring the Rio-London trip for all the Unconscious on Stage Company members and most especially to the ambassador Roberto Jaguaribe and the cultural attach Helena Gasparian as well as to FAPERJ for the grant support by Edital de Produo e Divulgao das Artes. I am deeply grateful to Ana Vicentini who has been my partner since the birth of the project, for also being involved during the writing, acting, and giving life to it in Freud's house; to Regina Miranda for her art for the mise en scne, to Jos Eduardo Costa Silva for bringing music to objects and feelings and playing it with his lute; to Diogo Fugimura for his oriental quietness and visual art, to Annabel Quinet and Alexandre Vessoni whose youth and enthusiasm lightened us all; to Beto de Abreu for his letter-costume; to Miguel Abeledo for his hints on direction during rehearsals; to Niura Bellavinha for her visual conception of the play; to Alison McGowan for helping us with the English. Last but not least I also would like to thank the Ph.D. program of psychoanalysis, health and society of the UVA (Universidade Veiga de Almeida) in Rio de Janeiro for supporting my research on theatre and psychoanalysis.
Author
Antonio Quinet, MD, PhD, is a psychoanalyst practising in Rio de Janeiro (Brazil). He is also a psychiatrist, a playwright, a member of the School of Psychoanalysis of the Forums of the Lacanian Field, and a professor of the PhD program in psychoanalysis, health, and society (UVA, Rio de Janeiro), where he is developing the research project Theatre and psychoanalysis, and acts as director of The Unconscious on Stage Company. His psychoanalytical training was in Paris at Lacan's School in the 1980s, where he prepared his thesis on philosophy with Alain Badiou. Since then, he has given lectures on psychoanalysis in many countries. He is the author of twelve books published in Brazil (two translated into French and one into Spanish), many articles published in Brazil and abroad on psychoanalysis, and seven plays staged in many cities in Brazil, and three staged in Rome, Paris, and London.
Contributors
Dawn Kemp is a freelance curator and museum consultant based in London. She was curator/manager of the National Museums of Scotland's National Museum of Flight, and Director of Heritage of the Royal College of Surgeons of Edinburgh. She was acting director of the Freud Museum London, 20132014, where she curated the exhibition and public events season: Mad, Bad and Sad: Women and the Mind Doctors. She is the author and editor of several books related to the history of medical collections.
Danuza Machado is a psychoanalyst practising in London, a member of the Centre for Freudian Analysis and Research (CFAR), and a founder member of the Maison VerteUK.
Sources:
Tribute to Freud by H. D. (TF)Writing on the wall (WW)Advent (Ad), A New Directions Book, Foreword by Norman Holmes Pearson, New York, NY, 1956, 1974, 1984.
Analyzing Freud (AF)Letters of H. D., Bryher and Their Circle, Edited by Susan Stanford Friedman, A New Direction Books, New York, NY, 2002.
H. D.Collected Poems 19121944 (CP), Edited by Louis L. Martz, New Directions Book, 1983, ninth printing.
Notes on Thought and Vision (NTV), by H. D. Edited by Lawrence Ferlinghetti and Nancy J. Peters, City Lights Books, San Francisco, 1982.
FreudA Life for Our Time, by Peter Gay, W.W. Norton & Company? New YorkLondon, 1988.
Sigmund FreudLife and WorkLast Phase (19191939) by Ernes Jones, Hogarth Press, London, 1980.
The drama of this play is inspired, quoted from or based on the following references, in the order of their appearance:
Scene 1:
WW: chapter 63; chap. 68; chap. 48 (TF); Letter from Freud to H. D, Dec 18th, 1932 (TF); Letter from H. D. to Bryher, August 30, 1934 (AF); Poem The Master (CP); Letter from H. D. to Dr Havelock Ellis, Dec 27th, 1932 (AF); Letter from H. D. to Bryher, Jan 3rd, 1933 (AF); Letter from H. D. to Havelock Ellis Jan 26th, 1933 (AF); Letter From Freud to H. D. Feb 4th, 1933 (AF); Letter from H. D. to Bryher, with note to Kenneth Maspherson, Feb 28th, 1933 (AF); Letter from H. D. to Bryher March 1st, 1933 (AF).
Scene 2:
This is a sketch of H. D.'s biography collected from multiple sources refered to above.
Scene 3:
WW: chap. 28 (TF); Ad: chap 1 (TF); Poem Fragment sixty-eight and Poem Envy (CP); WW: chap. 15; chap. 18; chap. 19 (TF); Ad: chap. 2 (TF); WW: chap. 21; Letter from H. D. to Havelock Ellis, Jan 17th, 1933 (AF); Ad: chap. 4 (TF); NTV.
Scene 4:
H. D. assisted with the launch of film The Blue Angel when she was in Vienna; Letter from Freud to H. D., March 5th, 1934 (TF); WW: chap. 43; chap. 44; chap. 118 (TF).
Scene 5:
Session 1
WW: chap 7476 (TF); Letter from H. D. to Bryher and Kenneth Macpherson, March 1st, 1933 (AF).
Session 2
WW: chap. 10 and 11 (TF).
Session 3
Ad: chap. 11(TF).
Session 4
Letter from H. D. to Bryher, March 23th, 1933 (AF).
Session 5
Letter from H. D. to Bryher, March 10th, 1933 (AF).
Session 6
Ad: chap. 5; chap. 15; chap 5, chap. 20 (TF).
Session 7
WW: chap 32; chap 3641; chap. 32 (TF); Ad: chap. 7; chap. 15 (TF); Letter from H. D. to Bryher, March 19th, 1933 (AF).
Session 8
WW: Chap. 4547 (TF).
Session 9
WW: chap 6465 (TF); poem: The Master (CP).
Session 10
WW: chap. 4041 (TF).
Session 11
WW: chap. 5152 (TF); WW; chap. 67 (TF).
Session 12
WW: chap. 69; chap 85 (TF); Letter from Freud to H. D. May, 24th, 1936 (TF); H. D.'s Hirslanden Notebooks op. cit AF, p. xxxvii.
Dawn Kemp
T wenty Maresfield Gardens, Hampstead, North London, the last home of Sigmund Freud is a place of pilgrimage. Not just for the psychoanalytic cognoscenti but for artists, writers, filmmakers, cultural aficionados of every kind. It is the archaeological site of Freud's material remains, a physical palimpsest of the development of his ideas: his library; the original psychoanalytic couch; his collection of over 2,000 figures from antiquity, fecund with stories: Osiris the god of the afterlife, the questioner; the Sphinx, Oedipus great tester; Athena the virgin goddess of wisdom and war and Thoth the god of wisdom, inventor of writing are there among the hundreds gathered in cabinets; on recessed shelves; on table and desk tops, mute witnesses to the revelations of the fragile souls who came to Freud for greater understanding of themselves.
Maresfield Gardens, a leafy street in an affluent London suburb, is an unlikely place to find the genius loci of psychoanalysis and the objects that informed the most influential cultural theories of the modern world, yet behind the doors of number twenty that is exactly what exists. On the 12th November, 2013, there could have been no more fitting location for the world premiere of Hilda and Freud: Collected Words, a play that captures the essence of one of Freud's most fascinating friendships.
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