• Complain

Monica Hall - A Visitors Guide to Georgian England

Here you can read online Monica Hall - A Visitors Guide to Georgian England full text of the book (entire story) in english for free. Download pdf and epub, get meaning, cover and reviews about this ebook. year: 2017, publisher: Pen & Sword Books, genre: Non-fiction. Description of the work, (preface) as well as reviews are available. Best literature library LitArk.com created for fans of good reading and offers a wide selection of genres:

Romance novel Science fiction Adventure Detective Science History Home and family Prose Art Politics Computer Non-fiction Religion Business Children Humor

Choose a favorite category and find really read worthwhile books. Enjoy immersion in the world of imagination, feel the emotions of the characters or learn something new for yourself, make an fascinating discovery.

Monica Hall A Visitors Guide to Georgian England
  • Book:
    A Visitors Guide to Georgian England
  • Author:
  • Publisher:
    Pen & Sword Books
  • Genre:
  • Year:
    2017
  • Rating:
    4 / 5
  • Favourites:
    Add to favourites
  • Your mark:
    • 80
    • 1
    • 2
    • 3
    • 4
    • 5

A Visitors Guide to Georgian England: summary, description and annotation

We offer to read an annotation, description, summary or preface (depends on what the author of the book "A Visitors Guide to Georgian England" wrote himself). If you haven't found the necessary information about the book — write in the comments, we will try to find it.

Could you successfully be a Georgian? Find yourself immersed in the pivotal world of Georgian England, exciting times to live in as everything was booming; the Industrial Revolution, the Enlightenment, and the nascent Empire; inhabited by Mary Shelley, the Romantic Poets and their contemporaries. However, rather than just wondering about the famous or infamous, you will find everything you need to know in order to survive undetected among the ordinary people. What to wear, how to behave yourself in public, earn a living, and find somewhere to live. Very importantly, you will be given advice on how to stay on the right side of the law, and how to avoid getting seriously ill. Monica Hall creatively awakens this bygone era, filling the pages with all aspects of daily life within the period, calling upon diaries, illustrations, letters, poetry, prose, 18th century laws and archives. This detailed account intimately explores the ever changing lives of those who lived through Britains imperial prowess, the birth of modern capitalism, the reverence of the industrial revolution and the upheaval of great political reform and class division. A Visitors Guide to Georgian England will appeal to Romantic poetry lovers, social history fans, fiction and drama lovers, students and anyone with an interest in this revolutionary era.

Monica Hall: author's other books


Who wrote A Visitors Guide to Georgian England? Find out the surname, the name of the author of the book and a list of all author's works by series.

A Visitors Guide to Georgian England — read online for free the complete book (whole text) full work

Below is the text of the book, divided by pages. System saving the place of the last page read, allows you to conveniently read the book "A Visitors Guide to Georgian England" online for free, without having to search again every time where you left off. Put a bookmark, and you can go to the page where you finished reading at any time.

Light

Font size:

Reset

Interval:

Bookmark:

Make
A Visitors Guide to Georgian England - image 1
A Visitors Guide to Georgian England
A Visitors Guide to Georgian England

Monica Hall

A Visitors Guide to Georgian England - image 2

First published in Great Britain in 2017 by

Pen & Sword History

an imprint of

Pen & Sword Books Ltd

47 Church Street

Barnsley

South Yorkshire

S70 2AS

Copyright Monica Hall 2017

ISBN 978 1 47387 685 9

eISBN 978 1 47387 687 3

Mobi ISBN 978 1 47387 686 6

The right of Monica Hall to be identified as the Author of this Work has been asserted by her in accordance with the Copyright, Designs and Patents Act 1988.

A CIP catalogue record for this book is available from the British Library

All rights reserved. No part of this book may be reproduced or transmitted in any form or by any means, electronic or mechanical including photocopying, recording or by any information storage and retrieval system, without permission from the Publisher in writing.

Pen & Sword Books Ltd incorporates the imprints of Pen & Sword Archaeology, Atlas, Aviation, Battleground, Discovery, Family History, History, Maritime, Military, Naval, Politics, Railways, Select, Transport, True Crime, Fiction, Frontline Books, Leo Cooper, Praetorian Press, Seaforth Publishing and Wharncliffe.

For a complete list of Pen & Sword titles please contact

PEN & SWORD BOOKS LIMITED

47 Church Street, Barnsley, South Yorkshire, S70 2AS, England

E-mail:

Website: www.pen-and-sword.co.uk

Chapter One
How to be a Georgian

S ince H.G. Wells wrote The Time Machine in 1895 people have dreamt of time-travelling, no matter that modern science raises some very trenchant objections to its possibility. It captures the modern imagination rather as Heaven did for our ancestors. Who has not daydreamed about, say, nipping back to Tudor times to inform Henry VIII that it is the father who determines the gender of the baby? He wouldnt listen of course, and one would probably need a way of escaping back to the twentyfirst century instantly to avoid the Tower, but that is not the point. Equally fascinating, and very problematic to the more thoughtful would-be timetraveller, are the consequences of interfering with history, as encapsulated by Zemeckis and Gales 1985 film, Back to the Future . To do so might preclude the possibility of ones own birth, which would be the ultimate own goal.

I, personally, would like to spend some time among the Georgians. It seems to have been an era of considerable energy and optimism, combining scientific and philosophical progress with the sort of rather unruly social behaviour that we can only wistfully dream about today. We might not actually want to witness a public execution as they evidently did, but who has not secretly wanted to throw rotting fruit or vegetables at the sanctimonious people in public life who tell you what you should think, or how you should live? If you were a Georgian, you would have thrown it, had you had the opportunity. Forcefully.

Above all, the Georgians were optimistic risk-takers. They had to be, as there was no other way to live. They often did dangerous work in which the risk of tetanus or sepsis from wounds was ever present. The Industrial Revolution was underway, bringing both investment and employment opportunities and the risk of losing money. Sanitation and drinking water was dubious to say the least, especially in towns and cities, and medical help were equally haphazard. Childbirth was still both inevitable and dangerous. But, most importantly, the Empire-builders were on the move.

As a nation, they were not faint-hearted. Those working for the East India Company faced a long and arduous journey in what we could consider ridiculously small and insanitary sailing ships, and when they got there they had to uphold the white mans burden by enduring tropical weather, parasites, and diseases while persisting with absurdly unsuitable European clothing. Their womenfolk had to struggle to remain British household mistresses while contending with unfamiliar food, ailing children, inscrutable servants, and termites and mould attacking their homes. And they did, even though they had to face the deadly trinity of smallpox, cholera, and plague, and the fact that they died at twice the rate of fellow civil-servants in England. Unfortunate soldiers in the East India Companys private armies died like flies. The Georgians, however, had a sense of opportunity and adventure that has evaporated since the vicissitudes of the twentieth century.

Today, one often feels that life in the West is a competition to see who can live the longest if one obsesses about diet, exercise, and a somewhat depressing level of self-denial, although nobody has yet convinced most of us that staggering into our late 90s is such a very good idea. The Georgians, who did not enjoy our life expectancy anyway, would have thought this a daft objective. Far better, they seem to have thought, to live hard and well in whatever time was available to them. Besides, the established religions that they were slowly coming to doubt did, at least, offer some redemption on their death-beds.

One real difference between the Georgians and their Stuart and Tudor ancestors, however, was the rationality of Enlightenment learning and thinking. Eighteenth century men (and women) really did pay considerable attention to the gaps in their traditional knowledge, and the scientific discoveries and philosophical thoughts emerging during their era. Largely, they seemed to have valued both thought and experience over superstition and undemocratic authority. This makes them modern indeed. In between such highbrow thoughts, however they liked to have fun , and this is their most endearing quality.

In order to understand the Georgians it is absolutely necessary to anchor their era in the context of what both went before, and came after, them. We can only but try to feel and understand the life and expectations of the eighteenth century. For the adventurous time-traveller, this book tries to offer an insight into their lives. They had great opportunities as well as considerable difficulties, and they obviously decided that the former should overcome the latter.

Anyone wanting to visit Georgian Britain might be rather surprised to find it relatively easy to fit in, because the Georgians, or at least those living in the cities, were rather familiar in their outlook and interests. Such an experience would depend, of course, on whether one were a man or a woman, and whether one were going to attempt to bluff it out in high society or virtuously empathise with life among the rural poor. Like most societies, the Georgians believed in equal opportunities for ordinary women when it came to doing the work and, although only men could do the heaviest jobs, the average woman would have had to be a lot tougher and physically stronger than most of us. At the beginning of the eighteenth century most people were working the land without the benefit of machinery or power. By the end of the eighteenth century, all this was in the throes of radical change.

But during the eighteenth century, the majority of the population was still mostly illiterate, somewhat superstitious, and beholden to employers or landlords. They were also subject to childhood diseases, and infections like tetanus and tuberculosis. Their diet, however, was not so very bad, especially compared to that of the poorer, and more numerous and urban, Victorians. It was probably neither as tasty nor exciting as ours, but more useful in terms of basic nutrition than we would generally suppose. A nourishing breakfast was often eschewed in humble households, due to practical reasons concerning dawn and the demands of livestock, but an early midday meal and a substantial supper were both absolutely necessary. The greatest responsibility of women was to ensure that the workers were well fed. Physically hard-working men needed at least four thousand+ calories a day, compared to our less than three thousand. Many of these calories were absorbed through bread, prepared in the local bakery, which has always been the human staple, together with rice in the Far East. Our ancestors knew the value of carbohydrates.

Next page
Light

Font size:

Reset

Interval:

Bookmark:

Make

Similar books «A Visitors Guide to Georgian England»

Look at similar books to A Visitors Guide to Georgian England. We have selected literature similar in name and meaning in the hope of providing readers with more options to find new, interesting, not yet read works.


Reviews about «A Visitors Guide to Georgian England»

Discussion, reviews of the book A Visitors Guide to Georgian England and just readers' own opinions. Leave your comments, write what you think about the work, its meaning or the main characters. Specify what exactly you liked and what you didn't like, and why you think so.