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Avital E. M. Baruch - Frozen Mud and Red Ribbons: A Romanian Jewish Girls Survival through the Holocaust in Transnistria and its Rippling Effect on the Second Generation

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Avital E. M. Baruch Frozen Mud and Red Ribbons: A Romanian Jewish Girls Survival through the Holocaust in Transnistria and its Rippling Effect on the Second Generation
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Frozen Mud and Red Ribbons: A Romanian Jewish Girls Survival through the Holocaust in Transnistria and its Rippling Effect on the Second Generation: summary, description and annotation

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When Sophica was six years old, she was deported together with her mother and the whole of the Jewish community of Mihaileni, Romania to a strip of land in Eastern Ukraine called Transnistria. Death, illness, brutality, and shame became her daily life. Hungry and afraid, she held on to her sanity and hope, albeit losing her sister and her father and witnessing a vicious attack on her mother. She met Herman on her way to the Promised Land.

Herman didnt mind wearing the yellow star and staying home from school. He played outside with his friends while his father and brother were sent to a labor camp. After the war ended, he joined a Jewish youth movement and embarked on a ship to Israel. However, his journey was interrupted and he was taken to a British detention camp in Cyprus where he met Sophica. They were renamed Shulamit and Tzvi and made a home together in Israel. Shulamit/Sophica never mentioned her sad childhood. Sixty-five years after the war and her deportation, Sophicas daughter comes across a family secret and starts asking questions, inducing Shulamit to break her silence and become the frightened little Sophica once more. This book tells her moving story.

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ibidem Press, Stuttgart

In memory of

Chaya, my beloved grandmother ,

and of Tonie, Chaim, Gitt , and Esther ,
who died without me knowing them


F oreword

In Jewish tradition, individuals bear a heavy responsibility to remember, recount, and record experiences for future generations. In Frozen Mud and Red Ribbons , Avital Baruch does more than just fulfil this obligation in her book of the generational experience of the Holocaust and Holocaust memory . She interweaves oral history, memory, and documentary sources to create a compelling account of her familys journey from Romania to Israel, while at the same time exorcising her own demons and recounting her own journey from confusion to understanding growing up in a household and community of survivors.

The book is part memoir, part history of the experience of a Romanian Jewish family immersed in the traditions and rituals of Romanian Jewish communities, often overlooked in the Holocaust literature, and sharing the experiences of the polyglot Central European Jewish world . In line with many emerging Holocaust narratives, it offers a view of the Holocaust from the perspective of the survivors children who, as Baruch demonstrates, might be counted as casualties as well, although of a different sort, haunted by the ghosts of the horrors of the past .

In her work that aims to bring cleanliness or to clear up the loose ends of the pa s t, Baruch captures a world of Holocaust memory from Mihaileni, Iasi, Botosani, Bucharest and Transnistria that includes the wanderings, deportations, deprivations, persecutions, and genocide of Romanias Jews . Her book captures the personal aspects and individual experiences of the Romanian Holocaust as Romania followed a path from independent state, to Axis ally, and back to independent state, along the trail of German Nazis and Russian Communists . In stunning detail, she relates the sufferings of the transience of life in names, places, homes and the hopes and disappointments associated with alternating periods of tragedy and triumph . Periods of hunger and deprivation are punctuated by stories of celebration and the taste of Romanian delicacies including mamaliga, kigal and honey cake , which alternates with the bitterness of hunger.

The overlapping voices of family members including Baruchs mother, grandmother, father, and aunts offer a variety of perspectives on deportation, hiding, and flight, and on those who offered assistance, inflicted pain, resisted the catastrophe, collaborated or acquiesced. The style of the book, written almost as a stream of consciousness, reflects on the richness and variety of Jewish life, and reveals the conflicts, both internal and external , of Jewish communities from ultra-religious Jews in Romania to radical Zionists in Israel.

Baruch succeeds in bringing a sense of order and cleanliness, in recounting moments of great kindness and of unthinkable cruelty and in tracing the footsteps of black muddy feet and the fluttering of red ribbons .

Maura Hametz

Norfolk, Virginia

July 2016


P rologue

Some people act in one chapter of our life story, and then disappear. Others reappear a few chapters later. And there are those who are holding the thread of the story, never letting go. Or maybe it is us, who wont allow them to go.

We miss close people from previous chapters, we want to keep them connected, but the story line must roll on, because life itself is movement; it doesnt stand still. Its holding strength is limited, and we do not have much power over it.

What we could do to keep and preserve our heroes with us is to write about them. Re-reading and re-membering brings them back to life.

Avital E.M. Baruch

November 2016


I ntroduction

My mother had managed brilliantly to sweep her past under the carp et , concealing the fact that she had been in a nything equivalent to a Nazi concentration camp during the Second World W ar. I knew that her family was exiled from Romania to Ukraine , that they had starved there , that they didnt always have a roof over their heads , that it was freezing cold, and that her sister and her father died. What I did not know was that she had experienced the Romanians version of concentration camps. The Romanians Holocaust.

At school, in history lessons, we learnt about persecution, depor ta tions , and concentration camps in Poland, Germany, Austria, Holland, France, Hungary, but there was never any mention of a place named Transnistria . I thought for a time that it was a secret word that only my grandmother and a few of her backant (Yiddish for acquaintances ) knew. In some ways it was a mystery mission , a quest, for me to find out about that secret place. Two years after learning to read, being eight years old , I had already started to comb our local l ibrary, in the suburbs of Haifa, and devoured every single book written by people who had experienced the Holocaust. I felt compelled to reveal what seemed to be an awful big secret, but I couldnt find any mention of that place, or any clue about my own mothers past . Her childhood whereabouts , as well as any details concerning her fathers side of the family, remained a black hole for me. By this I mean it was not only an unknown mystery, but, like a black hole in the cosmos, it sucked a lot of my emotional energy into it.

When my mothers feet touched the Holy Land at the age of sixteen, she stood upright, looked up to the sky an d said: Now I start a new life , and since then tried to forget the past. In smart phone terms you might say: She put her past on silence, or discreet, not to distract her from the here and now . Yet, so often an event occurred that cracked that wall of silence . I remember standing outside with a Sab-re neighbour, a woman of my mothers age who was born and brought up in Israel. They were talking about a film on the Second World War. Rinna , the neighbour, commented on how horrible it s portrayal was in the film . My mother gave her a cranky look and said : This film makes it appear too beautiful, this is Hollywood; the reality was far worse , with no comparison at all . Some days later my mother said to me out of the blue: I could also write a book about what I went through . Her words and her attitude were factual, straight forward, without emotion . The seed for this book was probably planted on that very day.

I always experienced my mother as very resilient , like a rock which will withstand any difficulty on earth. Once, when I had a tummy upset she muttered: My stomach will not get upset even if I would feed it stones. On the other hand, there was a more vulnerable side to her which I never encountered personally. If I happened to quarrel with my mother during my adolescence and we both became upset and moody, my father used to come to my room and talk with me for hours to restore the peace. H e used to be, and still is, a real pea ce maker, smoothing away conflicts ; he would ne ver let me go to sleep upset. On those occasions he would say : Please forgive your mother, please try not to annoy her, she has suffered enough, she still wakes up at night with nightmares . My heart would melt a little towards her, as I saw her in a different light for a second. So I forgave, but inherited having regular nightmares.

The first one I remember i s of a wolf coming to visit me in the night and standing near my bed , staring at me. Following my screams, m y father came to my room and assured me that he had sent the wolf away. Th ere , he would say, as he waved his muscular arm in the air, Its gone . I could still see the wolf staring at me , but my strong father near by made it look tame . As I grew up the nightmares kept changing: there were lots of episodes of shooting, hiding , and running away from the Nazis. At a later stage of my life , the theme transformed further, from falling off staircases without banisters to trying to find food and shelter for my family, with the Nazis threatening to invade the town.

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