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John Banville - Ancient Light

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John Banville Ancient Light

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The Man Booker Prize-winning author of The Sea gives us a brilliant, profoundly moving new novel about an actor in the twilight of his life and his career: a meditation on love and loss, and on the inscrutable immediacy of the past in our present lives.
Is there any difference between memory and invention? That is the question that fuels this stunning novel, written with the depth of character, the clarifying lyricism, and the heart-wrenching humor that have marked all of John Banvilles extraordinary works. And it is the question that haunts Alexander Cleave as he plumbs the memories of his firstand perhaps onlylove (he, just fifteen, the woman more than twice his age, the mother of his best friend; the situation impossible, thrilling, devouring, and finally devastating) . . . and of his daughter, lost to a kind of madness of mind and heart that Cleave can only fail to understand. When his stunted acting career is suddenly, inexplicably revived with a movie role portraying a man who may not be who he says he is, his young leading ladyfamous and fragileunwittingly gives him the opportunity to see with aching clarity the chasm that yawns between the doing of a thing and the recollection of what was done.

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JOHN BANVILLE Ancient Light VIKING an imprint of PENGUIN BOOKS Table of - photo 1
JOHN BANVILLE
Ancient Light

VIKING
an imprint of
PENGUIN BOOKS

Table of Contents

in memoriam
Caroline Walsh

The Bud is in flower. Mud is Brown. I feel as fit as a Flea. things can go wrong.

Catherine Cleave, in childhood

Part I

Billy Gray was my best friend and I fell in love with his mother. Love may be too strong a word but I do not know a weaker one that will apply. All this happened half a century ago. I was fifteen and Mrs Gray was thirty-five. Such things are easily said, since words themselves have no shame and are never surprised. She might be living still. She would be, what, eighty-three, eighty-four? That is not a great age, these days. What if I were to set off in search of her? That would be a quest. I should like to be in love again, I should like to fall in love again, just once more. We could take a course of monkey-gland injections, she and I, and be as we were fifty years ago, helpless in raptures. I wonder how things are with her, assuming she is still of this earth. She was so unhappy then, so unhappy, she must have been, despite her valiant and unfailing cheeriness, and I dearly hope she did not continue so.

What do I recall of her, here in these soft pale days at the lapsing of the year? Images from the far past crowd in my head and half the time I cannot tell whether they are memories or inventions. Not that there is much difference between the two, if indeed there is any difference at all. Some say that without realising it we make it all up as we go along, embroidering and embellishing, and I am inclined to credit it, for Madam Memory is a great and subtle dissembler. When I look back all is flux, without beginning and flowing towards no end, or none that I shall experience, except as a final full stop. The items of flotsam that I choose to salvage from the general wreckageand what is a life but a gradual shipwreck?may take on an aspect of inevitability when I put them on display in their glass showcases, but they are random; representative, perhaps, perhaps compellingly so, but random nonetheless.

There were for me two distinct initial manifestations of Mrs Gray, years apart. The first woman may not have been she at all, may have been only an annunciation of her, so to speak, but it pleases me to think the two were one. April, of course. Remember what April was like when we were young, that sense of liquid rushing and the wind taking blue scoops out of the air and the birds beside themselves in the budding trees? I was ten or eleven. I had turned in at the gates of the Church of Mary Our Mother Immaculate, head down as usualLydia says I walk like a permanent penitentand the first presage I had of the woman on the bicycle was the fizzing of tyres, a sound that seemed to me excitingly erotic when I was a boy, and does so even yet, I do not know why. The church stood on a rise, and when I looked up and saw her approaching with the steeple beetling at her back it seemed thrillingly that she had come swooping down out of the sky at just that moment, and that what I had heard was not the sound of tyres on the tarmac but of rapid wings beating the air. She was almost upon me, freewheeling, leaning back relaxedly and steering with one hand. She wore a gaberdine raincoat, the tails of it flapping behind to right and left of her like, yes, like wings, and a blue jumper over a blouse with a white collar. How clearly I see her! I must be making her up, I mean I must be making up these details. Her skirt was wide and loose, and now all at once the spring wind caught it and lifted it, laying her bare all the way up to her waist. Ah, yes.

Nowadays we are assured that there is hardly a jot of difference between the ways in which the sexes experience the world, but no woman, I am prepared to wager, has ever known the suffusion of dark delight that floods the veins of a male of any age, from toddler to nonagenarian, at the spectacle of the female privy parts, as they used quaintly to be called, exposed accidentally, which is to say fortuitously, to sudden public view. Contrary, and disappointingly I imagine, to female assumptions, it is not the glimpsing of the flesh itself that roots us men to the spot, our mouths gone dry and our eyes out on stalks, but of precisely those silken scantlings that are the last barriers between a womans nakedness and our goggling fixity. It makes no sense, I know, but if on a crowded beach on a summer day the swimsuits of the female bathers were to be by some dark sorcery transformed into underwear, all of the males present, the naked little boys with their pot bellies and pizzles on show, the lolling, muscle-bound lifeguards, even the hen-pecked husbands with trouser-cuffs rolled and knotted hankies on their heads, all, I say, would be on the instant transformed and joined into a herd of bloodshot, baying satyrs bent on rapine.

I am thinking particularly of those olden days when I was young and women under their dressesand which of them then did not wear a dress, save the odd golfing girl or spoilsport film star in her pleated slacks?might have been fitted out by a ships chandler, with all sorts and shapes of rigging and sheeting, jibs and spankers, sheers and stays. My Lady of the Bicycle, now, with her taut suspenders and pearly-white satin knickers, had all the dash and grace of a trim schooner plying fearlessly into a stiff norwester. She seemed as startled as I by what the breeze was doing to her modesty. She looked down at herself and then at me and raised her eyebrows and made an O of her mouth, and gave a gurgling laugh and smoothed the skirt over her knees with a careless sweep of the back of her free hand and sailed blithely past. I thought her a vision of the goddess herself, but when I turned to look after her she was just a woman rattling along on a big black bike, a woman with those flaps or epaulettes on the shoulders of her coat that were fashionable then, and crooked seams in her nylons, and boxy hair just like my mothers. She slowed prudently in the gateway, her front wheel wobbling, and gave a chirrup on her bell before proceeding out into the street and turning left down Church Road.

I did not know her, had never seen her before, so far as I knew, though I would have thought that by then I had seen everyone in our tight little town at least once. And did I in fact see her again? Is it possible that she was indeed Mrs Gray, the same one who four or five years later would irrupt so momentously into my life? I cannot summon up the features of the woman on the bike clearly enough to say for sure if she truly was or was not an early sighting of my Venus Domestica, though I cling to the possibility with wistful insistence.

What affected me so in that encounter in the churchyard, besides the raw excitement of it, was the sense I had of having been granted a glimpse into the world of womanhood itself, of having been let in, if only for a second or two, on the great secret. What thrilled and charmed me was not just the sight I got of the womans shapely legs and fascinatingly complicated underthings, but the simple, amused and generous way that she looked down at me, doing that throaty laugh, and the negligent, backhanded grace with which she subdued her ballooning skirt. This must be another reason why she has become merged in my mind with Mrs Gray, why she and Mrs Gray are for me the two faces of the one precious coin, for grace and generosity were the things I treasured, or should have treasured, in the first and, I sometimes disloyally thinksorry, Lydiaonly real passion of my life. Kindness, or what they used to call loving-kindness, was the watermark discernible in Mrs Grays every gesture towards me. I think I am not being overly fond. I did not deserve her, I know that now, but how could I have known it then, being a mere boy, callow and untried? No sooner have I written down those words than I hear the weaselly whine in them, the puling attempt at self-exculpation. The truth is I did not love her enough, I mean I did not love her as I had it in me to do, young as I was, and I think she suffered for it, and that is all there is to say on the subject, though I am sure that will not stop me from saying a great deal more.

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