TALKING RADIO
Also by Michael C. Keith
Waves of Rancor (with Robert Hilliard)
The Hidden Screen (with Robert Hilliard)
Voices in the Purple Haze
Signals in the Air Global Broadcasting Systems (with Robert Hilliard)
The Radio Station
The Broadcast Century (with Robert Hilliard)
Radio Programming
Selling Radio Direct
Broadcast Voice Performance
The Art and Science of Radio Production
Production in Format Radio
First published 2000 by M.E. Sharpe
Published 2015 by Routledge
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Library of Congress-in-Publication Data
Talking radio: an oral history of American radio in the television age /
[edited by] Michael C. Keith.
p. cm.
Includes bibliographical references and index.
ISBN 0765603985 (alk. paper)
1. Radio broadcastingUnited StatesHistory. I. Keith, Michael C.
PN1991.2.T35 2000
384.54973dc21 9916230
CIP
ISBN 13: 9780765603982 (hbk)
To Norman CorwinPoet of air and waves
Radio introduced a new orality to American culture.
Susan J. Douglas
This is not a history per se of radioat least not in the traditional sense. It does not aim to be conventionally comprehensive, but it does seek to be inclusive in its own chatty way. The reader should regard it as a well-informed discussion about post-World War II radio by the people who were instrumental in making radio history from around 1945 until the present (albeit, with occasional pre-war flashbacks for the sake of illustration and comparison). What takes place between these covers amounts to an exchange of perspectives concerning the role that radio has played in our society and culture since the arrival of television displaced it as the object of our attention in those long-ago evenings of the recently bygone millennium.
Why focus just on the second phase of radios existence? The mediums golden age (ca. 19201950) has been the subject of numerous excellent retrospectives. There is an abundance of radio heyday studiesboth serious and sentimental. For those interested in works mostly of the former kind, authors like Michele Hilmes, Gerald Nachman, Christopher Sterling, Leonard Maltin, John Kinross, Susan Douglas, Robert Hilliard (with me), Erik Barnouw, Tom Lewis, John Dunning, and J. Fred MacDonald do a very thorough and commendable job. So the ground has been covered well enough without my attempting to cover it again in this volume. (Incidentally, most of those authors just cited are contributors to this book.)
Talking Radio is an informal and intimate post-heyday review of radiowherein nearly one hundred voices engage in a thoughtful and often provocative dialogue. Most of the participants in this colloquy have significant backgrounds in the aural medium and therefore are able to provide the reader with unique first-hand accounts of the central events and themes surrounding the evolution of radio since its gallant service in World War II.
Prominent, often legendary (over two dozen broadcast hall-of-famers), personalities, authors, scholars, and industry figures share their insiders views and perspectives and provide a fresh and illuminating angle on a truly fascinating subject, especially for anyone interested in the interplay between mass media forms and their intended audiences and markets.
In all, there are twenty-four chapters (exchanges, if you will) on subjects of wide-ranging significance concerning radio following its initial incarnation as the nations foremost home entertainment and information medium. Not all contributors celebrate the remaking of radio. In fact, there is much said in these pages to suggest that the medium has failed society since radio was forced to reinvent itself over half a century ago.
However, powerful evidence offered in these same pages indicates that radio has continued to serve its constituents with passion and brilliance to this very day.
Tune in and judge for yourself.
It has long been my hope and desire to engage as many legendary and prominent radio spokespeople as possible in the telling of the story of the audio medium after the fateful arrival of television. To that end, in spring 1998 (and truth be known, many years before), I began the task of sourcing and communicating with countless dozens of individuals who I felt could contribute unique and valuable insights and perspectives to this account. It goes without saying that those whose names appear in these pages represent but a fraction of the mediums eminent experts and professionals, but it is the authors opinion that it is a very formidable fraction indeed. It is to the one hundred voices recorded between these covers, as well as my family and friends and the ever sensitive and insightful staff at M.E. Sharpeforemost among this stalwart cadre, Peter Coveneythat this book is also dedicated.
Cast of Contributors
Steve Allen | Entertainer, author, and composer |
Dave Archard | Deejay and advertising agency executive |
LeRoy Bannerman | Academic, author, and biographer |
Erik Barnouw | Historian, author, and dramatist |
Marvin Bensman | Academic and industry expert |
Peggy Berryhill | Producer, writer, and performer |
Ed Bliss | News editor, producer, and writer |
True Boardman | Entertainer and actor |
Pierre Bouvard | Ratings company executive |
Ray Bradbury | Novelist, essayist, and screenwriter |
Frank Bresee | Entertainer and historian |