• Complain

Yuri Druzhnikov - Prisoner of Russia: Alexander Pushkin and the Political Uses of Nationalism

Here you can read online Yuri Druzhnikov - Prisoner of Russia: Alexander Pushkin and the Political Uses of Nationalism full text of the book (entire story) in english for free. Download pdf and epub, get meaning, cover and reviews about this ebook. year: 2018, publisher: Routledge, genre: Non-fiction. Description of the work, (preface) as well as reviews are available. Best literature library LitArk.com created for fans of good reading and offers a wide selection of genres:

Romance novel Science fiction Adventure Detective Science History Home and family Prose Art Politics Computer Non-fiction Religion Business Children Humor

Choose a favorite category and find really read worthwhile books. Enjoy immersion in the world of imagination, feel the emotions of the characters or learn something new for yourself, make an fascinating discovery.

No cover
  • Book:
    Prisoner of Russia: Alexander Pushkin and the Political Uses of Nationalism
  • Author:
  • Publisher:
    Routledge
  • Genre:
  • Year:
    2018
  • Rating:
    5 / 5
  • Favourites:
    Add to favourites
  • Your mark:
    • 100
    • 1
    • 2
    • 3
    • 4
    • 5

Prisoner of Russia: Alexander Pushkin and the Political Uses of Nationalism: summary, description and annotation

We offer to read an annotation, description, summary or preface (depends on what the author of the book "Prisoner of Russia: Alexander Pushkin and the Political Uses of Nationalism" wrote himself). If you haven't found the necessary information about the book — write in the comments, we will try to find it.

As the central figure in Russian literature, Alexander Pushkin (1799u1837) has been claimed by nearly every political faction, right and left, in Russian cultural politics over the past two centuries, culminating in his official canonization under the Soviet regime. In Prisoner of Russia, Yuri Druzhnikov analyzes the distortions and misrepresentations of Pushkins cultural appropriation by focusing on Pushkins attempts at emigration and his attitudes toward Russia and Western Europe.Druzhnikovs semi-biographical narrative concentrates on Pushkins attempts to leave Russia after his graduation from the Lyceum, through his period of exile, until his early death in a duel in 1837. The matter of emigration from Russia was a politically charged issue well before 1917; witness the hostile reception of all of Turgenevs novels from Fathers and Sons on. The emigrU artists cultural context is often used to assess his authenticity and stature as seen in the Western examples of Henry James, T.S. Eliot, or James Joyce. Druzhnikov sharply criticizes the omnipresent and reductive tendency in Russia (and the West) to define Russian cultural figures in terms of absolute essences and ideologies and to ignore the ambivalences that in fact help to define a writers singularity. In the larger view, he argues, it is these that explain the variety and complexity of Russian culture.Druzhnikovs multidisciplinary approach combines literary and political history, with critical commentary arranged in chronological sequence. His interpretive apparatus ranges widely through nineteenth- and twentieth-century history, and provides the necessary intellectual context for nonspecialist readers. He also avoids the massive accumulation of trivial detail characteristic of so much Pushkinology. This accessible, valuable exercise in cultural history will be of interest to Slavic scholars and students, cultural historians, and general readers interested in Russian literature and culture.

Yuri Druzhnikov: author's other books


Who wrote Prisoner of Russia: Alexander Pushkin and the Political Uses of Nationalism? Find out the surname, the name of the author of the book and a list of all author's works by series.

Prisoner of Russia: Alexander Pushkin and the Political Uses of Nationalism — read online for free the complete book (whole text) full work

Below is the text of the book, divided by pages. System saving the place of the last page read, allows you to conveniently read the book "Prisoner of Russia: Alexander Pushkin and the Political Uses of Nationalism" online for free, without having to search again every time where you left off. Put a bookmark, and you can go to the page where you finished reading at any time.

Light

Font size:

Reset

Interval:

Bookmark:

Make
Prisoner of Russia Yuri Druzhnikov Prisoner of Russia Alexander Pushkin - photo 1
Prisoner of Russia
Yuri Druzhnikov
Prisoner of Russia
Alexander Pushkin
and the Political Uses of Nationalism
Translated by
Thomas M oore & Ilya Druzhnikov
First published 1999 by Transaction Publishers Published 2017 by Routledge 2 - photo 2
First published 1999 by Transaction Publishers
Published 2017 by Routledge
2 Park Square, Milton Park, Abingdon, Oxon 0X14 4RN
711 Third Avenue, New York, NY 10017, USA
Routledge is an imprint of the Taylor & Francis Group, an informa business
Copyright 1999 by Taylor & Francis
All rights reserved. No part of this book may be reprinted or reproduced or utilised in any form or by any electronic, mechanical, or other means, now known or hereafter invented, including photocopying and recording, or in any information storage or retrieval system, without permission in writing from the publishers.
Notice:
Product or corporate names may be trademarks or registered trademarks, and are used only for identification and explanation without intent to infringe.
Library of Congress Catalog Number: 98-52062
Library of Congress Cataloging-in-Publication Data
Druzhnikov, IUrii, 1933-
[Uznik Rossii. English]
Prisoner of Russia : Alexander Pushkin and the political uses of nationalism / Yuri Druzhnikov ; translated by Thomas Moore and Ilya Druzhnikov.
p. cm.
Includes bibliographical references and index.
ISBN 1-56000-390-1 (alk. paper)
1. Pushkin, Aleksandr Sergeevich, 1799-1837. 2. Poets, Russian19th centuryBiography. 3. Literature and stateRussiaHistory19th century. 4. Political persecutionRussiaHistory19th century. I. Title.
PG3350.D7813 1999
891.713dc21
[B] 98-52062
CIP
ISBN 13: 978-1-56000-390-8 (hbk)
Contents
Alexander Pushkin has, no doubt, carried with him to the grave a great mystery, a mystery we are all too glad to pursue and explore. Dostoyevsky brought to our notice this message in 1880, and until now, at least one enigmatic aspect of the great Russian authors life and work has never been explored in earnest by Pushkin scholarship. It has become the central theme of two chronicles under a common title The Prisoner of Russia.
It would appear that by now everything which pertains to Pushkinas a poet, novelist, literary critic, historian, journalist, even human beingought to have been explored in exquisite detail. A century-and-a-half of research has unearthed more about him than the poet had ever known about himself. His views regarding literature, philosophy, religion, economics, even medicine, have been exhaustively explored. Scholars have calculated which idiomatic expressions he used, and how frequently; the range of every pistol shot he ever fired in a duel has been studied; we know how long his fingernails were and which medicines he used for what particular ailments. His debts have been accounted for to the last kopeck. Pushkins ancestry has been charted for six hundred years prior to his birth. There exist catalogues of women whom he honored with his attentions; whole books of anecdotes about him have existed for over a century. Detailed maps have been compiled of his travels, and chronological studies delineate his entire existence, from his first breath to the last. An educated individual in Russia knows Pushkins life in more detail perhaps than his or her own.
We might ask a question, though: which of the many alternative interpretations, familiar and obscure, is the real Pushkin? Is it the poet who became a national shrine, the Central Artist, as Ivan Turgenev had once described him? Besides being, clearly, the key figure in the Russian literature, Pushkin is also the centerpiece of Russian culture. This centrality is precisely what makes Pushkin such a tempting target for co-optation by every government, party, or a social group searching for a historical footing to shore up its beliefs.
Exploited as a path to achieve ones literary objectives, Pushkin has become a pawn in many political, religious, and personal struggles. At different times, he was considered a philosophical idealist, an individualist, a Russian shellingian, an Epicurean, a representative of Natural philosophy, a true Christian (Russian Orthodox), a monarchist, a radical atheist, a Mason, mystic, pragmatist, optimist and pessimist. Two or more self-contradictory labels have often been applied simultaneously. During the Soviet era, he was labeled a poet of the gentry; later, after shedding his noble origins, he became a revolutionary poeta Decembrist, a materialist, and even, in accordance with the Marxist ideology, a historical materialist.
The proponents of all these points of view are, to some degree, correct. As the philosopher Semyon Frank once noted, Pushkins experience was multilayered. Genius is necessarily somewhat eclectic, and among Pushkins works, manuscripts and the marginal notes in his books, one can find evidence of the poet dallying with any number of subjects.
The number of facts amassed by Pushkin scholarship has increased exponentially, while conceptual interpretations of the factual data have, at different times, been subject to various ideologies feigning true scholarship. In the Soviet era, the official science of Pushkin studies became a bureaucratic apparatus designed to suppress any semblance of unorthodox thought. I need only remind the reader of the governmentally decreed anniversaries of Pushkins life, the standardized biographies, the carefully slanted selections of his works published in millions, of contemporaries memoirs, abridged of any semblance of dissent.
In addition to acquiring the copy rights to Pushkins work, the Russian state has, to some extent, appropriated the mans biographyinterpreting it in such a way as to appear suitable for every subsequent eras dominant ideological paradigm. Criticism of Pushkin, so useful to the poets rising popularity while he lived, has later become the equivalent of an assault on a national monument. Even the journalist Ksenofont Polevoy, one of the first to recognize Pushkins immortal services to the Russian language, has remarked sadly, I know I need to be very careful when speaking of Pushkin. Lately there have been people trying to represent me as some kind of hate-monger toward our great poet and a slanderer of the ethics of his personal life.
To some extent, the real poet has been losthis genius, his all too human desires and weaknesses, are transformed more and more to conform to an image useful to those in power. He has become an idol, replicated in countless monuments, in the names of towns and streets; an embodiment of the Russian spirit itself, one of the official heroes, a symbol of Imperial Russia. After the October Revolution of 1917, a few thoughtful Pushkin scholars attempted without success to reverse this tide. Boris Tomashevsky, for example, expressed his dismay that this contrived Pushkin plays such a great role in the literature. Nevertheless, the real Pushkin had already been calcified, mummifiedhis image turned into an icon for worship, insulated from the doubts and inquiries of skeptics.
Pushkin can hardly be blamed for his transformation into a fulcrum for chauvinist (to use the word in its original sense) propaganda, designed to suit the lowest common denominator. It is the tragedy of the Pushkin scholarship that its practitioners were compelled to conceal the truth, to divert their emphasis from the salient points, and to help produce such popular myths in place of genuine scholarship. Attachment to ones homeland, so natural to most people, became in Pushkins case a tool of the dominant ideology. While still alive, he submitted to the compunction of glorifying the Empire; dead , he is again forced to lend his voice to the Russian government, extolling its stability and viability.
Next page
Light

Font size:

Reset

Interval:

Bookmark:

Make

Similar books «Prisoner of Russia: Alexander Pushkin and the Political Uses of Nationalism»

Look at similar books to Prisoner of Russia: Alexander Pushkin and the Political Uses of Nationalism. We have selected literature similar in name and meaning in the hope of providing readers with more options to find new, interesting, not yet read works.


Reviews about «Prisoner of Russia: Alexander Pushkin and the Political Uses of Nationalism»

Discussion, reviews of the book Prisoner of Russia: Alexander Pushkin and the Political Uses of Nationalism and just readers' own opinions. Leave your comments, write what you think about the work, its meaning or the main characters. Specify what exactly you liked and what you didn't like, and why you think so.