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Mary Spongberg - Mary Hayss Female Biography: Collective Biography as Enlightenment Feminism

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The essays included in Mary Hayss Female Biography: Collective Biography as Enlightenment Feminism emerge from the authors collaboration in producing the first modern edition of Hayss work in the Chawton House Library Edition (2013, 2014). This book explores Hayss larger ambitions to lay the foundation for an encyclopaedic work by, for, and about women. The scholars contributions to this volume engage with some of the multiple problems and possibilities that Female Biography presented. Drawing on this effort, individual scholars examine Hayss attempts to correct existing masculinist constructs which framed the universe of knowledge then and persist in our time. Hays perceived that these had the cumulative effect of rendering women invisible. She responded to such absence by providing examples of the extent of female worth across Western society. Other contributions focus specifically on the subjects of Hayss entries, looking at how she used source material and laid the groundwork for future biographical studies of womens lives.

Both Female Biography and Hays herself have continually presented difficulties in categorization: not quite Enlightenment, not quite Victorian either. This book recontextualizes her work, demonstrating the radicalism and originality of her feminism, even in its post-Wollstonecraftian phase, as well as the longevity of her influence. As such, it will be of interest to those conducting research into Hays, her subjects, and the evolution of life-writing by women.

This book was originally published as a special issue of Womens Writing.

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Mary Hayss Female Biography The essays included in Mary Hayss Female - photo 1
Mary Hays's 'Female Biography'
The essays included in Mary Hayss Female Biography: Collective Biography as Enlightenment Feminism emerge from the authors collaboration in producing the first modern edition of Hayss work in the Chawton House Library Edition (2013, 2014). This book explores Hayss larger ambitions to lay the foundation for an encyclopaedic work by, for, and about women. The scholars contributions to this volume engage with some of the multiple problems and possibilities that Female Biography presented. Drawing on this effort, individual scholars examine Hayss attempts to correct existing masculinist constructs which framed the universe of knowledge then and persist in our time. Hays perceived that these had the cumulative effect of rendering women invisible. She responded to such absence by providing examples of the extent of female worth across Western society. Other contributions focus specifically on the subjects of Hayss entries, looking at how she used source material and laid the groundwork for future biographical studies of womens lives.
Both Female Biography and Hays herself have continually presented difficulties in categorization: not quite Enlightenment, not quite Victorian either. This book recontextualizes her work, demonstrating the radicalism and originality of her feminism, even in its post-Wollstonecraftian phase, as well as the longevity of her influence. As such, it will be of interest to those conducting research into Hays, her subjects, and the evolution of life-writing by women.
This book was originally published as a special issue of Womens Writing.
Mary Spongberg is Deputy Vice Chancellor of Research at Southern Cross University, Australia.
Gina Luria Walker is Professor of Womens Studies and Director of The New Historia at The New School, New York City, USA.
Mary Hays's Female Biography
Collective Biography as Enlightenment Feminism
Edited by
MarySpongbergandGina LuriaWalker
First published 2019 by Routledge 2 Park Square Milton Park Abingdon Oxon - photo 2
First published 2019
by Routledge
2 Park Square, Milton Park, Abingdon, Oxon, OX14 4RN
and by Routledge
52 Vanderbilt Avenue, New York, NY 10017
Routledge is an imprint of the Taylor & Francis Group, an informa business
2019 Taylor & Francis
All rights reserved. No part of this book may be reprinted or reproduced or utilised in any form or by any electronic, mechanical, or other means, now known or hereafter invented, including photocopying and recording, or in any information storage or retrieval system, without permission in writing from the publishers.
Trademark notice: Product or corporate names may be trademarks or registered trademarks, and are used only for identification and explanation without intent to infringe.
British Library Cataloguing in Publication Data
A catalogue record for this book is available from the British Library
ISBN 13: 978-0-367-17869-7
Typeset in Minion Pro
by RefineCatch Limited, Bungay, Suffolk
Publisher's Note
The publisher accepts responsibility for any inconsistencies that may have arisen during the conversion of this book from journal articles to book chapters, namely the possible inclusion of journal terminology.
Disclaimer
Every effort has been made to contact copyright holders for their permission to reprint material in this book. The publishers would be grateful to hear from any copyright holder who is not here acknowledged and will undertake to rectify any errors or omissions in future editions of this book.
Contents
Guide
The chapters in this book were originally published in Womens Writing, volume 25, issue 2 (May 2018). When citing this material, please use the original page numbering for each article, as follows:
Introduction
Introduction
Mary Spongberg and Gina Luria Walker
Womens Writing, volume 25, issue 2 (May 2018), pp. 119123
Chapter 1
I Sought & Made to Myself an Extraordinary Destiny
Gina Luria Walker
Womens Writing, volume 25, issue 2 (May 2018), pp. 124149
Chapter 2
The Trial(s) of Queen Caroline and Hayss Memoirs of Queens, Illustrious and Celebrated
Mary Spongberg
Womens Writing, volume 25, issue 2 (May 2018), pp. 150166
Chapter 3
The Turbulent Seas of Cultural Sisterhood: French Connections in Mary Hayss Female Biography (1803)
Sverine Genieys-Kirk
Womens Writing, volume 25, issue 2 (May 2018), pp. 167185
Chapter 4
Lost in Translation: Mary Hays Reads Heloise
Sally A. Livingston
Womens Writing, volume 25, issue 2 (May 2018), pp. 186199
Chapter 5
The Spanish Monarchy in Mary Hayss Biographical Works
Begoa Lasa lvarez
Womens Writing, volume 25, issue 2 (May 2018), pp. 200218
Chapter 6
Mary Hayss Female Biography: Feminist Remix
Sarah Peterson Pittock
Womens Writing, volume 25, issue 2 (May 2018), pp. 219234
Chapter 7
Rioting in Intellectual Luxury: The Innovations and Influence of Mary Hayss Catherine Macaulay Graham
Shane Greentree
Womens Writing, volume 25, issue 2 (May 2018), pp. 235252
Chapter 8
The Very Worst Woman I Ever Heard of: Rosina Bulwer Lytton and Biography as Vindication
Marie Mulvey-Roberts
Womens Writing, volume 25, issue 2 (May 2018), pp. 253267
Chapter 9
Womens Writing on Womens Writing: Mayy Ziyadas Literary Biographies as Egyptian Feminist History
Hala Kamal
Womens Writing, volume 25, issue 2 (May 2018), pp. 268287
For any permission-related enquiries please visit:
http://www.tandfonline.com/page/help/permissions
Sverine Genieys-Kirk is Lecturer in French at the University of Edinburgh. Her research interests include cross-cultural migrations in Europe in Enlightenment Europe throughout the seventeenth and eighteenth centuries, with a focus on women writers (such as Wroth, Scudry, Villedieu, Gomez, and Haywood). Her current work engages with feminist historiography across the centuries from a transnational, cross-disciplinary, and intermedial perspective. She has been an active member of the Women Writers Network since 2006 (http://www.womenwriters.nl) and is chief editor of SIEFARs online dictionary of French women writers (http://siefar.org/), and is a member of the Center for the New Historia Scholars Council (The New School, New York).
Shane Greentree is a Research Assistant at the University of Sydney, and Section Editor for Public and Digital Pedagogy at ABOPublic. His writing broadly focuses upon the ideas of eighteenth-century radical women writers such as Mary Wollstonecraft, Catharine Macaulay, and Mary Hays, and examines their reception in Britain and abroad. His previous work on Macaulay and Hays has appeared in Clio and Eighteenth-Century Life. Other research interests include theories of sympathy as expressed in eighteenth-century history writing, intellectual history, and nineteenth-century collective biography. He is currently working toward a close study of Wollstonecrafts early posthumous reputation.
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