Diana Lewis Burgin - Sophia Parnok: The Life and Work of Russia’s Sappho
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- Book:Sophia Parnok: The Life and Work of Russia’s Sappho
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- Year:1994
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Sophia Parnok: The Life and Work of Russia’s Sappho: summary, description and annotation
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The weather in Moscow is good, theres no cholera, theres also no lesbian love...Brrr! Remembering those persons of whom you write me makes me nauseous as if Id eaten a rotten sardine. Moscow doesnt have them--and thats marvellous.
Anton Chekhov, writing to his publisher in 1895
Chekhovs barbed comment suggests the climate in which Sophia Parnok was writing, and is an added testament to to the strength and confidence with which she pursued both her personal and artistic life. Author of five volumes of poetry, and lover of Marina Tsvetaeva, Sophia Parnok was the only openly lesbian voice in Russian poetry during the Silver Age of Russian letters. Despite her unique contribution to modern Russian lyricism however, Parnoks life and work have essentially been forgotten.
Parnok was not a political activist, and she had no engagement with the feminism vogueish in young Russian intellectual circles. From a young age, however, she deplored all forms of male posturing and condescension and felt alienated from what she called patriarchal virtues. Parnoks approach to her sexuality was equally forthright. Accepting lesbianism as her natural disposition, Parnok acknowledged her relationships with women, both sexual and non-sexual, to be the centre of her creative existence.
Diana Burgins extensively researched life of Parnok is deliberately woven around the poets own account, visible in her writings. The book is divided into seven chapters, which reflect seven natural divisions in Parnoks life. This lends Burgins work a particular poetic resonance, owing to its structural affinity with one of Parnoks last and greatest poetic achievements, the cycle of love lyrics Ursa Major. Dedicated to her last lover, Parnok refers to this cycle as a seven-star of verses, after the seven stars that make up the constellation. Parnoks poems, translated here for the first time in English, added to a wealth of biographical material, make this book a fascinating and lyrical account of an important Russian poet. Burgins work is essential reading for students of Russian literature, lesbian history and womens studies.
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