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Dillard - An American childhood

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Dillard An American childhood
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    An American childhood
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An American childhood: summary, description and annotation

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A book that instantly captured the hearts of readers across the country,An American Childhood is Pulitzer Prize-winning author Annie Dillards poignant, vivid memoir of growing up in Pittsburgh in the 1950s.

Amazon.com Review

Annie Dillard remembers. She remembers the exhilaration of whipping a snowball at a car and having it hit straight on. She remembers playing with the skin on her mothers knuckles, which didnt snap back; it lay dead across her knuckle in a yellowish ridge. She remembers the compulsion to spend a whole afternoon (or many whole afternoons) endlessly pitching a ball at a target. In this intoxicating account of her childhood, Dillard climbs back inside her 5-, 10-, and 15-year-old selves with apparent effortlessness. The voracious young Dillard embraces headlong one fascination after another--from drawing to rocks and bugs to the French symbolists. Everywhere, things snagged me, she writes. The visible world turned me curious to books; the books propelled me reeling back to the world. From her parents she inherited a love of language--her mothers speech was an endlessly interesting, swerving path--and the understanding that you do what you do out of your private passion for the thing itself, not for anyone elses approval or desire. And one would be mistaken to call the energy Dillard exhibits inAn American Childhoodmerely youthful; still I break up through the skin of awareness a thousand times a day, she writes, as dolphins burst through seas, and dive again, and rise, and dive.

From Publishers Weekly

Dillards luminous prose painlessly captures the pain of growing up in this wonderful evocation of childhood. Her memoir is partly a hymn to Pittsburgh, where orange streetcars ran on Penn Avenue in 1953 when she was eight, and where the Pirates were always in the cellar. Dillards mother, an unstoppable force, had energies too vast for the bridge games and household chores that stymied her. Her father made low-budget horror movies, loved Dixieland jazz, told endless jokes and sight-gags and took lonesome river trips down to New Orleans to get away. From this slightly odd couple, Dillard (Teaching a Stone to Talk acquired her love of nature and taut sensitivity. The events of childhood often loom larger than life; the magic of Dillards writing is that she sets down typical childhood happenings with their original immediacy and force.
Copyright 1987 Reed Business Information, Inc.

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Encounters with Chinese Writers

Teaching a Stone to Talk

Living by Fiction

Holy the Firm

Pilgrim at Tinker Creek

Tickets for a Prayer Wheel

A NNIE D ILLARD is the author of ten books, including the Pulitzer Prize winner Pilgrim at Tinker Creek , as well as An American Childhood, The Living , and Mornings Like This . She is a member of the Academy of Arts and Letters and has received fellowship grants from the John Simon Guggenheim Foundation and the National Endowment for the Arts. Born in 1945 in Pittsburgh, Dillard attended Hollins College in Virginia. After living for five years in the Pacific Northwest, she returned to the East Coast, where she lives with her family.

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Contents

AN AMERICAN CHILDHOOD . Copyright 1987 by Annie Dillard.
All rights reserved under International and Pan-American Copyright Conventions.

By payment of the required fees, you have been granted the non-exclusive, non-transferable right to access and read the text of this e-book on-screen.

No part of this text may be reproduced, transmitted, down-loaded, decompiled, reverse engineered, or stored in or introduced into any information storage and retrieval system, in any form or by any means, whether electronic or mechanical, now known or hereinafter invented, without the express written permission of HarperCollins e-books.

ePUB Edition JULY 2007 ISBN: 9780061843136

10 9 8 7 6 5 4 3 2 1

for my parents
P AM L AMBERT D OAK
and
F RANK D OAK

A grant from the John
Simon Guggenheim Memorial Foundation
aided this work.

1950, when I was five.

Oh, the great humming silence of the empty neighborhoods in those days, the neighborhoods abandoned everywhere across continental Americathe city residential areas, the new suburbs, the towns and villages on the peopled highways, the cities, towns, and villages on the rivers, the shores, in the Rocky and Appalachian mountains, the piedmont, the dells, the bayous, the hills, the Great Basin, the Great Valley, the Great Plainsoh, the silence!

For every morning the neighborhoods emptied, and all vital activity, it seemed, set forth for parts unknown.

The men left in a rush: they flung on coats, they slid kisses at everybodys cheeks, they slammed house doors, they slammed car doors; they ground their cars starters till the motors caught with a jump.

And the Catholic schoolchildren left in a rush; I saw them from our dining-room windows. They burst into the street buttoning their jackets; they threw dry catalpa pods at the stop sign and at each other. They hugged their brown-and-tan workbooks to them, clumped and parted, and proceeded toward St. Bedes church school almost by accident.

The men in their oval, empty cars drove slowly among the schoolchildren. The boys banged the cars fenders with their hands, with their jackets elbows, or their books. The men in cars inched among the children; they edged around corners and vanished from sight. The waving knots of children zigzagged and hollered up the street and vanished from sight. And inside all the forgotten houses in all the abandoned neighborhoods, the day of silence and waiting had begun.

The war was over. People wanted to settle down, apparently, and calmly blow their way out of years of rationing. They wanted to bake sugary cakes, burn gas, go to church together, get rich, and make babies.

I had been born at the end of April 1945, on the day Hitler died; Roosevelt had died eighteen days before. My father had been 4-F in the war, because of a collapsing lungdespite his repeated and chagrined efforts to enlist. Nowfive years after V-J Dayhe still went out one night a week as a volunteer to the Civil Air Patrol; he searched the Pittsburgh skies for new enemy bombers. By day he worked downtown for American Standard.

Every woman stayed alone in her house in those days, like a coin in a safe. Amy and I lived alone with our mother most of the day. Amy was three years younger than I. Mother and Amy and I went our separate ways in peace.

The men had driven away and the schoolchildren had paraded out of sight. Now a self-conscious and stricken silence overtook the neighborhood, overtook our white corner house and myself inside. Am I living? In the kitchen I watched the unselfconscious trees through the screen door, until the trees autumn branches like fins waved away the silence. I forgot myself, and sank into dim and watery oblivion.

A car passed. Its rush and whine jolted me from my blankness. The sound faded again and I faded again down into my hushed brain until the icebox motor kicked on and prodded me awake. You are living, the icebox motor said. It is morning, morning, here in the kitchen, and you are in it, the icebox motor said, or the dripping faucet said, or any of the hundred other noisy things that only children cant stop hearing. Cars started, leaves rubbed, trucks brakes whistled, sparrows peeped. Whenever it rained, the rain spattered, dripped, and ran, for the entire length of the shower, for the entire length of days-long rains, until we children were almost insane from hearing it rain because we couldnt stop hearing it rain. Rinso white! cried the man on the radio. Rinso blue. The silence, like all silences, was made poignant and distinct by its sounds.

What a marvel it was that the day so often introduced itself with a firm footfall nearby. What a marvel it was that so many times a day the world, like a church bell, reminded me to recall and contemplate the durable fact that I was here, and had awakened once more to find myself set down in a going world.

In the living room the mail slot clicked open and envelopes clattered down. In the back room, where our maid, Margaret Butler, was ironing, the steam iron thumped the muffled ironing board and hissed. The walls squeaked, the pipes knocked, the screen door trembled, the furnace banged, and the radiators clanged. This was the fall the loud trucks went by. I sat mindless and eternal on the kitchen floor, stony of head and solemn, playing with my fingers. Time streamed in full flood beside me on the kitchen floor; time roared raging beside me down its swollen banks; and when I woke I was so startled I fell in.

Who could ever tire of this heart-stopping transition, of this breakthrough shift between seeing and knowing you see, between being and knowing you be? It drives you to a life of concentration, it does, a life in which effort draws you down so very deep that when you surface you twist up exhilarated with a yelp and a gasp.

Who could ever tire of this radiant transition, this surfacing to awareness and this deliberate plunging to oblivionthe theater curtain rising and falling? Who could tire of it when the sum of those moments at the edgethe conscious life we so dread losingis all we have, the gift at the moment of opening it?

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