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Julia C. Bullock - Rethinking Japanese Feminisms

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Julia C. Bullock Rethinking Japanese Feminisms

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Rethinking Japanese Feminisms offers a broad overview of the great diversity of feminist thought and practice in Japan from the early twentieth century to the present. Drawing on methodologies and approaches from anthropology, cultural studies, gender and sexuality studies, history, literature, media studies, and sociology, each chapter presents the results of research based on some combination of original archival research, careful textual analysis, ethnographic interviews, and participant observation.
The volume is organized into sections focused on activism and activists, employment and education, literature and the arts, and boundary crossing. Some chapters shed light on ideas and practices that resonate with feminist thought but find expression through the work of writers, artists, activists, and laborers who have not typically been considered feminist; others revisit specific moments in the history of Japanese feminisms in order to complicate or challenge the dominant scholarly and popular understandings of specific activists, practices, and beliefs. The chapters are contextualized by an introduction that offers historical background on feminisms in Japan, and a forward-looking conclusion that considers what it means to rethink Japanese feminism at this historical juncture.
Building on more than four decades of scholarship on feminisms in Japanese and English, as well as decades more on womens history, Rethinking Japanese Feminisms offers a diverse and multivocal approach to scholarship on Japanese feminisms unmatched by existing publications. Written in language accessible to students and non-experts, it will be at home in the hands of students and scholars, as well as activists and others interested in gender, sexuality, and feminist theory and activism in Japan and in Asia more broadly.

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i Rethinking Japanese Feminisms ii iv Copyright 2018 University of Hawaii - photo 1
i
Rethinking Japanese
Feminisms ii
iv
Copyright

2018 University of Hawaii Press
All rights reserved
Printed in the United States of America
22 21 20 19 18 17 6 5 4 3 2 1

Library of Congress Cataloging-in-Publication Data

Names: Bullock, Julia C., editor. | Kano, Ayako, editor. | Welker, James, editor.

Title: Rethinking Japanese feminisms / edited by Julia C. Bullock, Ayako Kano, and James Welker.

Description: Honolulu: University of Hawaii Press, [2017] | Includes bibliographical references and index.
Identifiers: LCCN 2017014299 | ISBN 9780824866693 (cloth; alk. paper) Amazon Kindle 9780824866723 EPUB 9780824866716 PDF 9780824866730
Subjects: LCSH: FeminismJapan.
Classification: LCC HQ1762 .R48 2017 | DDC 305.420952dc23

LC record available at https://lccn.loc.gov/2017014299

University of Hawaii Press books are printed on acid-free paper and meet the guidelines for permanence and durability of the Council on Library Resources.

Designed by Publishers Design and Production Services, Inc.

Cover art:
Miki Suizan, Japanese, 18871957
Fair Wind (Junp)
Japanese, Shwa era, 1933
Panel; ink, color, and mica on silk
241.6 x 191.5 cm (95 1/8 x 75 3/8 in.) Museum of Fine Arts, Boston

Charles H. Bayley Picture and Painting Fund and Museum purchase with funds donated anonymously

2007.813

v
Contents
  1. Introduction
    Julia C. Bullock, Ayako Kano, and James Welker
  2. Womens Rights as Proletarian Rights: Yamakawa Kikue, Suffrage, and the Dawn of Liberation
    Elyssa Faison
  3. From Motherhood in the Interest of the State to Motherhood in the Interest of Mothers: Rethinking the First Mothers Congress
    Hillary Maxson
  4. From Womens Liberation to Lesbian Feminism in Japan: Rezubian Feminizumu within and beyond the man Ribu Movement in the 1970s and 1980s
    James Welker
  5. The Mainstreaming of Feminism and the Politics of Backlash in Twenty-First-Century Japan
    Tomomi Yamaguchi
  6. Coeducation in the Age of Good Wife, Wise Mother: Koizumi Ikukos Quest for Equality of Opportunity
    Julia C. Bullock
  7. Flower Empowerment: Rethinking Japans Traditional Arts as Womens Labor
    Nancy Stalker vi
  8. Liberating Work in the Tourist Industry
    Chris McMorran
  9. Seeing Double: The Feminism of Ambiguity in the Art of Takabatake Kash
    Leslie Winston
  10. Feminist Acts of Reading: Ariyoshi Sawako, Sono Ayako, and the Lived Experience of Women in Japan
    Barbara Hartley
  11. Dangerous Women and Dangerous Stories: Gendered Narration in Kirino Natsuos Grotesque and Real World
    Kathryn Hemmann
  12. Yamakawa Kikue and Edward Carpenter: Translation, Affiliation, and Queer Internationalism
    Sarah Frederick
  13. Rethinking Japanese Feminism and the Lessons of man Ribu: Toward a Praxis of Critical Transnational Feminism
    Setsu Shigematsu
  14. Toward Postcolonial Feminist Subjectivity: Korean Womens Redress Movement for Comfort Women
    Akwi Seo
  15. Takemura Kazuko: On Friendship and the Queering of American and Japanese Studies
    J. Keith Vincent
  16. conclusion On Rethinking Japanese Feminisms
    Ayako Kano
vii
Acknowledgments

T his volume grew out of a 2013 conference on Japanese feminisms that was supported by Emory University and the Northeast Asia Council of the Association for Asian Studies. The conference offered an unprecedented opportunity to rethink modern Japanese feminisms from a broad array of disciplinary, temporal, geographical, and theoretical perspectives, and it generated an overwhelmingly positive response from attendees. This book is the result of that gathering and the enthusiasm of participants.

In addition to the volumes contributors, the editors would like to acknowledge the efforts of the many individuals who contributed time, effort, and intellectual horsepower to the honing of the essays that are included here. They include Jan Bardsley, Laura Dales, Hikari Hori, Ronald Loftus, Dina Lowy, Elizabeth Miles, and especially Vera Mackie, Barbara Molony, and Ueno Chizuko, whose inspiring keynote speeches at the conference are taken up in this volumes conclusion. We would also like to thank Sarah Jiajia Wang, Kirsten Seuffert, and Sumiko Hatakeyama for assistance with the bibliographical sources and for proofreading. The University of Pennsylvania provided financial assistance for image reproduction and producing the index.

In addition, at the University of Hawaii Press, we would like to thank our editor, Pamela Kelley, for smoothly steering this project through to completion, and Wendy Bolton, for her meticulous copyediting. We are also extremely grateful to two anonymous reviewers who provided viii excellent feedback that helped us to improve the introduction and helped individual authors to improve their chapters.

Finally, the editors would like to acknowledge all the scholars of Japanese womens studies and feminist studies who have contributed to the creation of these fields, making this volume possible.

Introduction

JULIA C. BULLOCK, AYAKO KANO, AND JAMES WELKER

T he great diversity of feminist issues and practices represented in this volume should make it clear why we have opted to write about feminisms in the plural. When the editors of this volume first conceived the idea for a book on modern Japanese feminisms, already more than a decade into the twenty-first century, it seemed an opportune time to reassess the many ways that feminist thought and activism have shaped modern Japanese society, as well as take stock of what work remained for future generations of scholars and activists.

The chapters in this book work toward the rethinking of Japanese feminisms in several ways. Some authors throw light on ideas and practices that resonate with feminist thought but find expression through the work of writers, artists, activists, and laborers who have not typically been considered feminist. These scholars call on us to reconsider, and perhaps expand, the types of thought and praxis that we generally include within a feminist rubric. The authors of other chapters revisit specific moments in the history of Japanese feminisms in order to complicate or challenge the dominant scholarly and popular understandings of specific activists, practices, and beliefs.

Rethinking Japanese Feminisms draws from and builds on the work of scholars, activists, and thinkers researching and publishing about feminisms since the 1970s, when the field of womens studies emerged worldwide, becoming known in Japan as joseigaku. The intervening decades have seen the repositioning of womens studies as gender studies, followed by gender and sexuality studies, which itself has often incorporated or overlapped with a field now called LGBT/LGBTQ studies or simply queer studies. These new perspectives have reshaped how we conceive of modern female subjects, and, much as feminist scholarship was instrumental in the development of queer studies, so too has queer studies influenced feminist scholarshipin Japan and elsewhere. Written by scholars who employ methodologies and theoretical perspectives from anthropology, cultural studies, gender and sexuality studies, history, literature, media studies, queer studies, and sociology, the chapters in this volume reflect the influence of these theoretical and methodological shifts. Building on previous scholarship over the past several decades that has explored Japanese culture through the lens of gender and sexuality studies, the essays in this volume apply these insights toward an assessment of the past, present, and future of feminisms in Japan.

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