Enid Gabriella Coleman - Hacker, Hoaxer, Whistleblower, Spy: The Many Faces Of Anonymous

Du site de ld.: Gabriella Colemans Hacker, Hoaxer, Whistleblower, Spy: The Many Faces of Anonymous (Verso, 2014) is a powerful ethnography of the making and remaking of networked computational infrastructures and their animating publics and politics. Taking a multi-method anthropological approach to understanding the unruly online collective known as Anonymous, Coleman creatively continues Diana Forsythes legacy of getting underneath the cultural logics motivating projects of computational representation and culture. In her unique ethnographic exploration, she tracks affiliated participants across virtual and physical spaces, providing a rich and highly intricate understanding of the labyrinthine worlds that her hacker-activist subjects occupy. Writing on a much-criticized and often misunderstood technosocial movement lacking a fixed or overarching structure, Colemans original book deftly navigates the complexities, ambiguities, and controversies of digital forms of activism. At once intellectually rigorous, impressively thorough, and captivatingly readable, Hacker, Hoaxer, Whistleblower, Spy speaks to a wide audience with sophistication and nuance, offering highly generative analysis and eliciting multiple readings that bring us closer to (if never overcoming) the contradictions and uncertainties of her subject matter. Where Anonymous have often been demonized or dismissed in popular media, Coleman refuses the gross fetish of stereotypes so often mobilized in its characterization, instead astutely reading Anonymous as a new and important kind of political collective exposing and acting against the security state and its attacks on fundamental freedoms. Throughout the book, Coleman shifts reflexively between numerous roles: an anthropologist studying sometimes-illegal activity; a participant-observer in an online world; a go-between and translator of sorts between the collective and the public. In the process, she offers a timely and immensely relevant contribution to critical contemporary scholarship and public debates on technology, digital worlds, social movements, and incipient forms of politics. Expertly probing the social, ethical, and political spheres of democracy and voice in our contemporary world, Colemans generous approach opens space to consider the new possibilities for politics, direct action, solidarity, and organizing that are too easily erased or distorted. Enchantment, in her account-that of Anonymous, and her own-presents as an ethical and political possibility, a means of sustaining or cultivating hope, a form that works to propel disruption and change. For opening new channels of thought into our technological present and characterizing new forms of politics in-the-making, this brave scholar and her vivid book deserve our highest prize. Read more...
Abstract: Du site de ld.: Gabriella Colemans Hacker, Hoaxer, Whistleblower, Spy: The Many Faces of Anonymous (Verso, 2014) is a powerful ethnography of the making and remaking of networked computational infrastructures and their animating publics and politics. Taking a multi-method anthropological approach to understanding the unruly online collective known as Anonymous, Coleman creatively continues Diana Forsythes legacy of getting underneath the cultural logics motivating projects of computational representation and culture. In her unique ethnographic exploration, she tracks affiliated participants across virtual and physical spaces, providing a rich and highly intricate understanding of the labyrinthine worlds that her hacker-activist subjects occupy. Writing on a much-criticized and often misunderstood technosocial movement lacking a fixed or overarching structure, Colemans original book deftly navigates the complexities, ambiguities, and controversies of digital forms of activism. At once intellectually rigorous, impressively thorough, and captivatingly readable, Hacker, Hoaxer, Whistleblower, Spy speaks to a wide audience with sophistication and nuance, offering highly generative analysis and eliciting multiple readings that bring us closer to (if never overcoming) the contradictions and uncertainties of her subject matter. Where Anonymous have often been demonized or dismissed in popular media, Coleman refuses the gross fetish of stereotypes so often mobilized in its characterization, instead astutely reading Anonymous as a new and important kind of political collective exposing and acting against the security state and its attacks on fundamental freedoms. Throughout the book, Coleman shifts reflexively between numerous roles: an anthropologist studying sometimes-illegal activity; a participant-observer in an online world; a go-between and translator of sorts between the collective and the public. In the process, she offers a timely and immensely relevant contribution to critical contemporary scholarship and public debates on technology, digital worlds, social movements, and incipient forms of politics. Expertly probing the social, ethical, and political spheres of democracy and voice in our contemporary world, Colemans generous approach opens space to consider the new possibilities for politics, direct action, solidarity, and organizing that are too easily erased or distorted. Enchantment, in her account-that of Anonymous, and her own-presents as an ethical and political possibility, a means of sustaining or cultivating hope, a form that works to propel disruption and change. For opening new channels of thought into our technological present and characterizing new forms of politics in-the-making, this brave scholar and her vivid book deserve our highest prize